Stravinsky, Petrouchka: Massy

Stravinsky asserts that in composing Petrushka , he had the vision of a suddenly unleashed puppet, whose diabolical stunts exasperate "the patience of the orchestra, which responds in turn with threatening fanfares." All this before the battle, the climax, and the fall. But doesn't the viola in Walton's Concerto also have the traits of a nasty little rascal, who only becomes agitated to better bounce back and ham it up? Alongside Antoine Tamestit...