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Are we crossing Romantic Germany or the Renaissance? In the second of his three great masses, Anton Bruckner seeks to recapture the spirit of the polyphonies of past centuries: a Palestrina-like purity springs from the introductory Kyrie , while the singular choice of only wind instruments to accompany the sequences participates in this stripped-down ritual; did God's minstrel follow the example of Brahms and his Funeral Song ?
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1 dates (17 Nov - 17 Nov)
Nov
17
Sun
4:00 pm
Maison de la Radio et de la Musique
Paris, France
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