[siccer]

In [siccer], Will Rawls considers the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media. This dance performance, presented together with the artist’s exhibition at the Institute of Contemporary Art, Los Angeles (ICA LA), experiments with stop-motion, a filmmaking technique in which still photographs are strung together to produce a moving image. Throughout [siccer]’s live performance, Holland Andrews, ...