Name: 6. Chamber Concert
Start: 2026-05-11T19:30:00
Location: Salón Coliseo

Elisabeth Fricker

Tzu-Jen Chou

Daniela Dakaj

Antje Kroeger

Caroline Spengler

Hans-Christian Schwarz

Noelia Balaguer Sanchis

Theater Lübeck

In a village near Utrecht, Judge Adam's word is law. Until Mrs. Marthe Rull appears before his judge's bench. She accuses her daughter Eve's fiancé: Ruprecht secretly sneaked into Eve's room at night—or perhaps even forced his way in—and broke a jug in the commotion. Ruprecht vehemently denies this. He says he found another man in Eve's room, and the man knocked the jug off the ledge as he fled out the window. Because he believes Eve has cheated on him, Ruprecht wants to break off the engagement. And Eve? She remains silent. Instead, Judge Adam talks all the more—and soon gets himself into trouble. Because with every flattery, every evasive maneuver, with every increasingly obvious lie, it becomes clearer who really gained access to Eve's room.

The Broken Jug

Lately, we've heard a lot about concerns about our democracy. But who shapes our democracy—not in faraway Berlin and at the federal level, but in our immediate surroundings? What about our local politics? Who are these people who put themselves at the service of the community and help shape our cities and our community life democratically? Who do we elect as our representatives?

The exemplary life of Samuel W.

Who do I still talk to, and who do I no longer talk to? Who is so politically distant from me, who strikes me as so contemptuous of humanity, that they've disqualified themselves as a conversation partner? And what do these personal perspectives mean for the greater whole of our democratic coexistence? It seems as if political discourse is becoming ever more heated and irreconcilable, the choice of words increasingly drastic, the views ever more radical. But this observation is by no means limited to politics; social media is being insidiously undermined by hateful, denigrating, and violence-glorifying comments about everything and everyone. Are we becoming a society full of bullies? Why have the fronts become so entrenched, what has changed in recent years? And above all: How do we get out of this whole mess?

WTF?!

"At this location, Hafenstraße 52, on January 18, 1996, ten people died in an arson attack. They had come to Germany seeking refuge here. This event fills us with grief and pain. Those responsible for the crime have not been identified. The deaths of the victims and the suffering of their families remind us to stand up for the rights and safety of refugees."

Harbor Street

"One must be light, with a light heart and light hands, holding and taking, holding and letting go..." With these words, Field Marshal Princess Werdenberg reflects on her life. She has a youthful and passionate lover, Count Octavian, but suspects that sooner or later he will leave her for a younger woman. Her morning tête-à-tête with her lover is interrupted by her cousin, the uncouth Baron Ochs von Lerchenau. To improve his disastrous financial situation, he wants to marry the young Sophie von Faninal, daughter of a wealthy newly ennobled man. The Marshal suggests Octavian as the "Rosenkavalier," who will present the silver rose as his courtship. During the exchange of roses, however, Octavian and Sophie fall in love. Despite her pain, the Field Marshal knows how to let go of her lover "with ease," because she has vowed to "love him in the right way, so that I myself still love his love for another..."

The Rosenkavalier

A little man in a forest? Quite the opposite: A tree stands on A.'s balcony. It seems to have grown overnight from a crack, a crevice in the concrete. The city's gardening department doesn't feel responsible, and the forestry department soon proves overwhelmed, as forests suddenly sprout up in every European city. Volunteers are sought to clear vegetation from the Eiffel Tower, and Bambi grazes in the canyons of high-rise buildings.

Forest

Nils doesn't feel like helping his parents and finds going to school boring. He prefers to annoy the cat or the geese – but when he catches a goblin, he's caught the wrong one: Before he knows it, he's transformed into Thumbling and suddenly experiences what it's like to be small and powerless. When he tries to stop Martin the house goose from following the call of the wild geese to freedom, he unexpectedly finds himself high in the air on Martin's back. This is the beginning of the famous journey of little Nils Holgersson with the wild geese, which Selma Lagerlöf wrote down over 100 years ago – for which she was the first woman to win the Nobel Prize for Literature – and which still tells us a lot about responsibility, friendship, and how we treat our environment.

The wonderful journey of Nils Holgersson

The earth is sweating, the poles are melting—and somewhere, a penguin is sitting on packed suitcases. Thousands of animals from all over the world are competing for a ticket on the luxury liner "Arche Boa." Twelve animal finalists will present their stories in a spectacular show. The audience decides: Which animal will be saved, will receive the last QuarTIER on board, and thus be saved from extinction?

1.  Children's concert Arche Boa

For generations of children, Humperdinck's "Hansel and Gretel" was and remains the first, unforgettable operatic experience. The story of the two broom-making children, chased from their home by their mother, wander fearfully through the forest until they reach a tempting witch's house, only to find themselves in even greater danger there, was loosely adapted into verse by the composer's sister, Adelheid Wette, based on the Grimms' fairy tales. Humperdinck, a composer stylistically close to Wagner, created enchanting music for the fairy-tale images, from the "Evening Blessing" to the Sandman's and Dewman's songs to the terrifying witch who has captivated children and adults alike since its creation.

Hansel and Gretel

The chamber concert series is supported by the Philharmonic Society Lübeck / Lübeck Philharmonic Orchestra eV

2nd  Chamber Concert

Lübeck City Library

Scotland in the 17th century: Lucia Ashton loves Edgardo, a member of the rival Ravenswood family. After a change of power, her brother Enrico finds himself on the wrong side: only Lucia's marriage to the nobleman Arturo can save him from losing his power and his life. The wedding is performed under duress. But the guests are treated to a scene of horror when Lucia emerges from the bridal chamber covered in blood: she has stabbed her husband.