Sacre Choir

When the Parisian composer Lili Boulanger took Psalm 130 ‘Du fond de l’abîme’ and set it to music in a darkly opulent, lyrical style, she was already acutely aware that her life—marked by serious illness but wholly dedicated to music—would not be long. In his own Requiem Op. 48, Gabriel Fauré (an early admirer and supporter of Boulanger’s exceptional talent) sought to depict death as peaceful and consoling. With subtle nuance and great depth, the...