Name: Der Freischütz für Kinder
Start: 2026-07-07T11:00:00
Location: Bebelplatz

Staatsoper Berlin invites you to a spectacular journey through the world of opera with an extraordinary season lineup. Highlighting timeless classics and captivating performances, this season features the genius of Offenbach's 'Les Contes d’Hoffmann', Puccini's heart-wrenching 'Madama Butterfly', and Mozart's enchanting 'Die Zauberflöte'. From January to July, audiences will be transported into a variety of worlds, each offering unique narratives and unforgettable music. Performances from opera luminaries like Pene Pati, Sonya Yoncheva, and René Pape promise to deliver unforgettable experiences.

A Journey Through Time: Exploring Staatsoper Berlin's Upcoming Opera Highlights

Staatsoper Berlin is set to captivate audiences with a remarkable lineup of operatic classics. This exciting season features Offenbach's 'Les Contes d’Hoffmann,' the heart-wrenching 'Madama Butterfly' by Puccini, Mozart's timeless 'Die Zauberflöte,' and many more. Each opera promises an unforgettable experience, showcasing the immense talents of renowned performers and directors. Join us at Bebelplatz to immerse yourself in these compelling stories brought to life by stellar casts and imaginative productions.

A Dramatic Season of Operatic Masterpieces at Staatsoper Berlin

Andreas Petzoldt

Serafina Starke

Elias Corrinth

Sonja Herranen

Matthias Hoffmann

Dionysios Avgerinos

Andrés Moreno García

Irakli Pkhaladze

Valerie Hirschmann

Kai Anne Schuhmacher

Silke Bauer

Irene Selka

Staatsoper Berlin

It is one of the classics in the Staatsoper’s repertoire: August Everding’s production of Wolfgang Amadeus Mozart’s The Magic Flute. The production is unique for its reconstruction of Karl Friedrich Schinkel’s 1816 set design for what was then the Berlin Court Opera on Unter den Linden – including the legendary starry sky for the Queen of the Night, which has become an icon of scenography and continues to enchant audiences.

Die Zauberflöte (Everding)

Bebelplatz

A schoolyard game: Max has no chance against Kilian and is tossed off the team. Now it will be hard to see Agathe, with whom he has fallen in love. Later, Caspar from his group follows him and promises him a magic potion that will make everything better. Although Agathe and her friend warn Max against it, he meets Caspar one night and allows himself to be convinced to take the magic potion. The next day, it should help for the decisive match …

Der Freischütz für Kinder

Aida is a slave at the Egyptian court. She is the king’s daughter from the enemy country of Ethiopia but has fallen in love with the Egyptian military leader Radamès. Her father Amonasro uses her to learn about the military strategy of his adversaries. Meanwhile, Amneris, the Egyptian king’s daughter, uses everything in her power to fight for her love for Radamès and tries to kill her rival. Everyone is at the mercy of a ruthless cartel of priests and warriors.

Aida

The will to resist the Roman is growing among the Galls, and Norma should finally give the sign for an uprising against the oppressor in the name of the god of war. But she hesitates due to a conflict of conscience: despite her vow of chastity, Norma has two children, hidden from the public, fathered by the Roman Pollione. When she finds out that Pollione loves the novice Adalgisa and wants to run away with her, her situation seems hopeless. If she reveals her double life, she risks not only her own standing, but that of her children as well.

Norma

In the early 1930s, for Richard Strauss — approaching 70 — it was an auspicious moment when Stefan Zweig, a renowned author known for his artful, profound novels and plays, proposed writing a new libretto. In a mutually inspiring collaboration, they created a truly “comic opera” based on a play by Ben Jonson from the Shakespeare period filled not only with striking characters, tempo, and wit, but profound reflection as well. “The opera is a perfect, but perhaps for the twenty-first century,” according to Strauss himself, who in a difficult, dark time created a work of creative compositional virtuosity and a relaxed sense of humor, a story of people longing for rest or who lose themselves in busyness. This will be director Jan Philipp Gloger’s debut and it will be Christian Thielemann’s first new production as general music director, a position once held by Strauss himself.

Die schweigsame Frau

It was his first great success, in a sense, his breakthrough: Nabucco. Premiered at Milan’s Scala in the spring of 1842, this work marks the start of the brilliant career of Giuseppe Verdi, who would become the leading Italian opera composer, going virtually unrivalled for decades. Set in biblical times in Jerusalem and Babylon, Nabucco deals with the fates of two peoples and cultures, but also the arrogance of the protagonist, who with an inflated sense of self-importance declares himself a god, only then to descend into madness. Tableaux with ceremonial gestures and poignant music, such as the famous chorus “Va pensiero” sung by the imprisoned Hebrews, are combined with scenes of intense expression, filled with drama and passion.

Nabucco

Unter den Linden & Bebelplatz

He commands a world empire and yet he is deeply unsettled. Philip II of Spain not only fears losing command but also feels betrayed and deserted by his wife Elizabeth von Valois: she and his son Carlo are in love. Over all this hangs the threatening shadow of the Inquisition. In vain, King Philip seeks trust in a hostile world.

Don Carlo

With the world premiere of Pelléas et Mélisande in 1902, Claude Debussy challenged his contemporaries to listen to music in a new way. His instrumentation was without precedent. He transposed the Wagnerian leitmotif technique into a subtle tone painting and described atmospheres and dispositions of the soul that elude description and that even music is often only able to gesture towards.

Pelléas et Mélisande

In the summer of 1782, in his twenties, Wolfgang Amadeus Mozart celebrated his greatest opera success yet. With Die Entführung aus dem Serail (The Abduction from the Seraglio), he composed an enormously significant, pioneering work for the Deutsches Nationalsingspiel that had been founded by the Habsburg emperor Joseph II in Vienna, with inspired music and impressively rendered characters.

Die Entführung aus dem Serail

Hostility, hatred and religious wars, power, helplessness and desire: in the Hebrew struggle for freedom, Samson, as God’s chosen one, rebukes the hostile Philistines. Samson seems invincible until his love for the Philistine Dalila exposes him. She finds out the secret of his extraordinary strength. The loss of his identity is at stake, and a race against time begins.

Der Freischütz für Kinder

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