Symphony Concert N° 3

Two works that create their own musical universes: the Symphonic Suite from Richard Wagner’s »Götterdämmerung« condenses the finale of »Der Ring des Nibelungen«, itself a musical vision of the end of time, steeped in fate, splendour and destruction. Richard Strauss responded a good quarter of a century later with his own vision of the artist as hero. Rather than depicting a myth of ancient times, his symphonic poem »Ein Heldenleben« is an astonis...