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It was England's first major violin concerto. It quickly became clear that it was by no means banal or purely artistic – after all, in his Opus 61, performed here by the British composer Anthony Marwood, Edward Elgar had laid bare nothing less than his innermost being. Even the Finn Jean Sibelius, whose value has long since been fully recognized after initial public skepticism, famously didn't create a single banal bar. His last symphony, premier...