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The unspecified occasion may have been a wedding as the chorale upon which it is based was a well-known wedding song in the city. The result is a work in which Bach challenges his singers and instrumentalists: the opening fantasia is followed unusually by no less than four arias (and no recitatives) for the quartet of vocal soloists with impressive solos for flute and oboe d’amore.
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1 dates (22 Feb - 22 Feb)
Feb
22
Sun
11:30 am
Kings Place
London, United Kingdom
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