Name: Second Symphony Concert
Start: 2025-10-27T19:30:00
Location: Staatstheater Hannover

Patrick Lange

Shaghajegh Nosrati

Arno Lücker

Lower Saxony State Orchestra Hanover

Staatstheater Hannover

“You’re so lucky: the cheese fell right on the macaroni!”
Figaro
Figaro is not only the barber, but also the life coach, matchmaker, and information center of Seville. At least, that's how he introduces himself, but what we experience in Rossini's opera casts doubt on this self-characterization: His strategies for the enamored Count Almaviva to establish contact with Rosina, jealously guarded by her guardian, fail from the outset—and when Figaro intervenes, things only get worse. A good premise for a turbulent comedy, which director Nicola Hümpel magnifies with two live cameras: The production presents us with a group of egotists trying to manipulate one another. Eager to always present themselves in the best possible light, they compete for the best positions in front of the cameras, which mercilessly magnify every errant facial expression and every hidden tension.

The Barber of Seville

"He was your brother... You are avenged, Mother!"
Azucena
When Count Luna and the troubadour Manrico not only find themselves as enemies in a bloody civil war, but also fall in love with the same woman, a fatal tragedy unfolds: Leonora poisons herself, and Manrico is executed by Luna, who then learns that he killed his own brother, believed to be long lost. Manrico had grown up unrecognized by Azucena, who once witnessed the old Count Luna burn her mother at the stake. Deeply traumatized, Azucena swore revenge, kidnapped the count's younger son, and accidentally killed her own child in his place.
With his drama "El Trovador" ( The Troubadour) , Antonio García Gutiérrez wrote the most successful and popular stage work of the Spanish Romantic era in 1836. Giuseppe Verdi was so captivated by this dark romance of love and hate, jealousy and revenge that he used it as the basis for his opera Il Trovatore in 1849/50, without a commission and thus without a guarantee of a premiere . In it, he found the age-old motif of fraternal strife intertwined with the questions of fate, chance, and inner necessity that had always fascinated him. He knew how to carve his characters out of this bizarre story in a highly sophisticated way. His musical imagination was ignited by their contradictions, their imprisonment, and their longings.