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Right at the beginning of George Frideric Handel's Giulio Cesare in Egitto (1724), a gruesome image is shown: the severed head of Gnaeus Pompeius. Caesar's reaction raises questions: Is he outraged by the murder, its brutality, or the loss of control? The image of the head forces us to examine the rationality of political violence. The opera thus becomes a reflection on power, rivalry, and irreconcilability, addressing existential threats in a sp...
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1 dates (19 Jul - 19 Jul)
Jul
19
Sat
12:00 pm
House for Mozart
Salzburg, Austria
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This is a past event
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