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George Benjamin & Pierre-Laurent Aimard
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Oliver Knussen loved to explore utopian worlds. In his short piece for winds Choral, shifting “choirs” create a variety of spatial effects. The physicality of sound also shapes Clara Iannotta’s The purple fuchsia bled upon the ground. The title is borrowed from an Irish poem, whose vivid language inspired the Italian composer to create an experimental instrumentation that includes electric guitar, MIDI piano, and accordion. The Concerto for Orche...
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1 dates (12 Dec - 12 Dec)
Dec
12
Fri
8:00 pm
Munich Residence
Munich, Germany
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