Charley Crockett

Lee Fields

Saenger Theatre

The critically acclaimed bestselling novel comes to “thrilling, dazzling” life (Time Out New York) in a unique, spectacle-filled new musical! Hailed as a Critic’s Pick, The New York Times calls it “stunning, emotional, heart-filled and gorgeously imaginative.” After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age. Tony Award-nominated director Jessica Stone’s “huge, heart-filling" production (The New York Times) features a book by three-time Tony nominee Rick Elice adapted from Sara Gruen’s novel, and a soaring score by the acclaimed PigPen Theatre Co.

Water for Elephants

Saenger Theatre New Orleans

The Phantom is back to thrill audiences once again! Cameron Mackintosh presents a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, which was rapturously received by London critics when it reopened in 2021. Featuring Maria Björnson’s brilliant original design and based on the celebrated direction of Harold Prince, with musical staging and choreography by Gillian Lynne, PHANTOM will launch a new multi-year North American tour in November 2025, premiering at the Saenger Theatre in New Orleans March 4 – 15, 2026.

THE PHANTOM OF THE OPERA is widely considered one of the most beautiful and spectacular productions in history, playing to over 160 million people in 47 territories and 195 cities in 21 languages. Andrew Lloyd Webber’s romantic, haunting, and soaring score includes “The Music of the Night,” “All I Ask of You,” “Wishing You Were Somehow Here Again,” “Masquerade,” and the iconic title song. It tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerized by the talents and beauty of a young soprano, Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, The Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness, and passions collide.

The Phantom of the Opera

The Thorn tells the epic story of God's love for the world and the spiritual battle for all humanity. The story of Christ is presented in an immersive show with music, drama, aerial acts, movement arts, modern dance, and special effects. Witnessed live by more than 1 million people over 25 years, The Thorn will engage audiences in the definitive story of love, sacrifice and redemption like never before.

The Thorn

Though Robert Plant is, literally and figuratively, the biggest name on the cover art for Saving Grace, he would be the first to say that the album is very much a group effort, with its title also serving as this new band’s moniker. The group members were drawn together by a shared love of roots music both vintage and modern—of blues, folk, gospel, country and those tantalizing sounds that lay in between. Like Plant, they’re keen to explore how these genres are evolving as well as to discover where these repertoires originated—and how collectively they could reinvigorate the music they loved.

This sensibility is reflected in the songs that made it to the final track listing, from familiar traditional numbers like the plaintive “I Never Will Marry;” the African-American spiritual “Gospel Plough;” and “Chevrolet,” which Donovan had adapted into his “Hey Gyp (Dig the Slowness)” back in 1965 to beautifully rendered outliers like Providence, RI trio The Low Anthem’s haunting “The Ticket Taker;” revered indie-rock duo Low’s epic “Everybody’s Song;” and Moby Grape’s pastoral “It’s A Beautiful Day Today.” Plant, who produced the album with the band, rarely claims center stage, most often sharing vocals with co-billed singer Suzi Dian and sometimes ceding the mic to her entirely. On Blind Willie Johnson’s “The Soul of a Man,” guitarist-banjo player Matt Worley takes the lead, with Dian and Plant serving as backup.

Despite Plant’s iconic status as an artist since his days with Led Zeppelin, Saving Grace managed to start out in 2019, casually and somewhat discreetly, as a local project. The players had been working collaboratively for barely a year, even serving as an unheralded opening act on a handful of dates with Fairport Convention when the pandemic intervened and any formal plans to tour or release music were temporarily shelved. That turned out to be less setback than serendipity. It allowed Saving Grace time to gestate, to find a collective voice.

Robert Plant with Saving Grace and Suzi Dian

THE GREAT GATSBY is a “Broadway extravaganza that explodes with life and energy” (Entertainment Weekly). Based on the classic American novel by F. Scott Fitzgerald, the Tony Award®-winning new musical is an unforgettable journey of love, wealth and tragedy that brings the Roaring Twenties to life on stage.

Directed by Marc Bruni (Beautiful: The Carole King Musical), this story of extravagance and longing features choreography by Dominique Kelley (So You Think You Can Dance), a book by Kait Kerrigan (The Mad Ones) and a jazz- and pop-influenced original score by Jason Howland (Little Women) and Nathan Tysen (Paradise Square).

The Great Gatsby

For over five decades, Carlos Santana has been a pioneering force in music, fusing Afro-Latin, blues, rock, and jazz into a sound that transcends genre, culture, and generation. A ten-time GRAMMY and three-time Latin GRAMMY winner, he made history with Supernatural in 1999, earning nine GRAMMYs in a single night—including Album and Record of the Year. He is a Rock and Roll Hall of Fame inductee, a Kennedy Center Honoree, and a recipient of Billboard’s Century and Latin Music Lifetime Achievement Awards. Rolling Stone ranks him #11 on its list of the “100 Greatest Guitarists of All Time.”

Santana recently marked the 50th anniversaries of his groundbreaking album Abraxas and his iconic Woodstock performance, as well as 25 years of Supernatural. His latest album Sentient features collaborations with Michael Jackson, Smokey Robinson, Miles Davis, DMC, and Cindy Blackman Santana. The feature documentary CARLOS, produced by Sony Music Entertainment and Imagine Documentaries, premiered at the 2023 Tribeca Film Festival and is now streaming globally. His Las Vegas residency at House of Blues, now in its 14th year, continues to thrill audiences.

Santana

“That Little Ol’ Band From Texas” has been at it for well over a half century, delivering rock, blues and boogie on the road and in the studio to millions of devoted fans. With iconography as distinctive as their sound, ZZ TOP is virtually synonymous with beards, hotrod cars, spinning guitars and that magic keychain, all of which transcend geography and language. 

It was in Houston in the waning days of 1969 that ZZ TOP coalesced from the core of two rival bands, Billy Gibbons’ Moving Sidewalks and Frank Beard and Dusty Hill’s American Blues. Their third album, 1973’s Tres Hombres, catapulted them to national attention with the hit “La Grange,” still one of the band’s signature pieces today. Eliminator, their 1983 album was something of a paradigm shift for ZZ TOP. Their roots blues skew was intact but added to the mix were tech-age trappings that soon found a visual outlet with such tracks as “Sharp Dressed Man” and “Legs” on the nascent MTV. It was one of the music industry’s first albums to have been certified Diamond, far beyond Gold and Platinum and a reflection of US domestic sales exceeding 10 million units. 

As a touring entity, they’ve been without peer over the past five decades, having performed before millions of fans on four continents and have been the subject of their own Grammy-nominated documentary titled That Little Ol’ Band From Texas.  The band’s line-up of the bearded Gibbons and Hill and Beard, who ironically is clean shaven, remained intact for more than 50 years until Dusty’s passing.  When Dusty temporarily departed the tour in the summer of 2021, it was a given that Elwood would be the perfect choice to stand in for Dusty until he could return. But Dusty’s return was not to be, and Elwood continues to handle the bass duties for the band now and into the future.

ZZ Top

From Tudor Queens to Pop Icons, the SIX wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st century girl power! This new original musical is the global sensation that everyone is losing their head over!

SIX won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical.

Goose is an American rock band known for its genre-blending sound, improvisational live performances, and dedicated fan base. The band is Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass) and Cotter Ellis (vocals, drums). Their music — a deft union of indie-rock hooks, sprawling improvisation, and driving rhythm — has propelled them from performing in Connecticut basements to headlining some of the most revered stages in the country. Known for their strong DIY ethos, Goose has grown organically through relentless touring and utilizing platforms like YouTube, Bandcamp, and nugs.net to share live performances and connect with fans.

Goose

Charley Crockett has never been someone who asked permission to take a shot at his dreams. Instead, the GRAMMY® Award-nominated Texas-born maverick defied the odds at every turn, tapping into a rebellious strain of country, rising from an open guitar case on a Louisiana sidewalk to selling out some of the world’s most renowned venues. Crockett has paved a singular path out of Texas, taking his home state wherever he goes and bringing his signature “Gulf & Western” sound to the world.

Crockett and his music have received praise from The New Yorker, The New York Times, Pitchfork, Rolling Stone, and Variety, and garnered hundreds of millions of streams. He picked up his first GRAMMY® nod earlier this year, and in the last year alone, he notably headlined Red Rocks Amphitheater in Morrison, CO, twice, played the Hollywood Bowl in Los Angeles, CA, and sold out two nights at the Ryman Auditorium in Nashville, TN.

Originally formed as a somewhat antagonistic answer to grunge, CAKE’s defiant self-reliance and lucid yet ever-inventive music has made them a nation-state unto themselves with no evident peers in sound or perspective. CAKE’s most recent album, Showroom of Compassion, debuted at #1 on the Billboard Top 200 Album Chart and was touted as “deadpan brilliance” by The New Yorker Magazine. While seamlessly blending numerous genres and influences, CAKE issues forth a sound and vision unlike any other band.

CAKE is currently at work on their ninth album due for release during autumn 2025.