Fausto

Long before Gounod’s famous Faust, a 26-year-old French composer named Louise Bertin took on Goethe’s epic drama and created something entirely her own. Fausto, receiving its American premiere with Opera Neo, is an astonishingly rare work, seen only at its 1831 Paris premiere, its modern revival in Essen, Germany, and now here in San Diego. Bertin’s score is raw, visceral, and unfiltered, blending Mozartian classicism, Italian opera, German magic...