Name: Liliom
Start: 2027-05-05T19:00:00
Location: State Opera

Haruka Iguchi

Alina Nanu

Aya Okumura

Paul Irmatov

Danilo Lo Monaco

Federico Ievoli

Francesco Scarpato

Patrik Holeček

Matěj Šust

Giovanni Rotolo

John Powers

Nina Fernandes

Nana Nakagawa

Kristýna Němečková

Ole Johannes Slåttebrekk

Jakub Rašek

Mathias Deneux

Alexandra Pera

Robert Jerjen

Elena Dombrowski

Javier Wong

Kristina Kornová

James French

Ferdinand Wögerbauer

John Neumeier

Národní divadlo

The Prague Summer Nights Young Artists Music Festival presents a fully staged production of Mozart’s Die Zauberflöte at the historic Estates Theatre. Sung in German with Czech and English surtitles, this magical opera journey follows Prince Tamino, Pamina, and Papageno through a world of mystery, trial, wisdom, and wonder. Conducted by Sahar Nouri and directed by Garnett Bruce, the production features the young artists of Prague Summer Nights and the PSN Orchestra in one of Mozart’s most beloved and imaginative theatrical works.

The Magic Flute / Die Zauberflöte (Prague Summer Nights)

The Estates Theatre

The Prague Summer Nights Young Artists Music Festival presents a fully staged production of Mozart’s Don Giovanni at the historic Estates Theatre. Sung in Italian with Czech and English surtitles, this powerful masterpiece of seduction, wit, and reckoning returns to the very theatre where it received its world premiere in 1787 under Mozart’s own direction. This 2026 production is conducted by John Nardolillo and directed by Joachim Schamberger, and features the talented young artists of Prague Summer Nights and the PSN Orchestra.

Don Giovanni (Prague Summer Nights)

Mozart’s illustrious operatic oeuvre is rounded off by a work providing both copious entertainment and food for thought, affording a fantastic spectacle and presenting a magical ritual of initiation of the human spirit. All that is encompassed in Die Zauberflöte, and all that can be found in Vladimír Morávek’s colourful production, featuring a thrilling atmosphere and teeming with mysterious symbols. There is something for everyone – adults and children, including, if fear hasn’t consumed them, the very youngest.

Die Zauberflöte

Smetana and the librettist Karel Sabina masterfully mocked all those who expected the “national opera” to be an idyllic picture of the Czech countryside, with its inhabitants being virtuous and governed by high morals. The Bartered Bride is thus far more humorous than “national”. Nonetheless, its humour is precisely of the type Czechs so love, and hence Smetana’s opera, abounding in irony, scathing, occasionally even cynical, wit, as well as tenderness and simple joie de vivre, has ultimately become “national” in the best sense of the word ...

The Bartered Bride

National Theatre

And if we were to name the places at which Mozart in person premiered an opera of his and which still function as theatres, the one and only candidate in the world would be the Estates Theatre in Prague. The National Theatre Opera has proudly cherished this unique tradition for decades.

Don Giovanni

It is in a way a fairy tale about monarchy in the modern world and even though it presents the major British premiers, from Winston Churchill to David Cameron, it is theatre about politicians and everyday politics and all its attendant gimmicks, juxtaposed with a certain timeless archaic principle of control over the democratic government.

The Audience

Giuseppe Verdi’s La traviata, to the libretto based on Alexandre Dumas’s novel La Dame aux camélias, about Marie Duplessis, the famous courtesan and idol of Parisian society in the 1840s, is actually the very first major opera treating a contemporary social theme. The work’s premiere in 1863 in Venice was a flop: the audience was appalled that the lead role had been assigned to a courtesan who, what’s more, was portrayed in a positive light. Yet Verdi’s opera soon started garnering plaudits and is now one of the most popular repertoire titles the world over.

La traviata

State Opera

The opera Nabucco, depicting the dramatic story of the subjugation of the Israelites by the King of Babylon, ranks among Guiseppe Verdi’s most celebrated works. Phenomenal chorus scenes, extremely impassioned virtuoso arias, as well as the perennially topical themes of expansive war, lust for power, betrayal, life and death, are the reasons why it has always been a staple of opera houses’ repertoire.

Nabucco

The book, featuring symbolism bound with nature, everyday rural life and tradition, comprises passionate and erotic tales teeming with supernatural beings and macabre phantoms. The Wedding Shirts, The Water Goblin and The Noonday Witch, magical myths of love and spine-chilling fables, was adapted for the stage of the National Theatre historical building by the SKUTR creative tandem of stage directors Martin Kukučka and Lukáš Trpišovský. The two artists have a penchant for the subjects treated by Erben – ritualised archetypal themes, such as love and death, the relationships between the mother and the child, man and woman, humans and nature, have appeared in their productions in a myriad of forms and contexts.

A Bouquet

National Theatre Prague

The fruit of the collaboration between the two great creators, Antonín Dvořák and Jaroslav Kvapil, who were close as artists and friends alike, was a magical, dreamy story of the great, unfulfilled desire of the water nymph Rusalka, a work in which Dvořák’s musical genius reached its apex. The fairy-tale atmosphere inspired the composer to create singular, impressionistic music replete with melodic imagination and masterful instrumentation, a suggestive expression of the play of waves and the reflection of moonlight on the surface of a lake, as well as the overwhelming magic of a fairy-tale dream.

Rusalka

Naive Ema is dying to experience the exciting life and eternal love she only knowns from romance novels. But her dreams and rosy visions clash with the boring reality of her marriage to a prudent and caring country doctor. Ordinariness and banality suffocate her, random love encounters bring temporary excitement but cannot satisfy her fantasies. She is constantly haunted by the desire for all that’s new, better, and greater, but the glittering ideal world that lures her eventually brings her down in the crash with the ruthless reality. Permanent dissatisfaction and desire for a better life that seems at hand and purchasable on credit is a trap into which we are still falling after more than one hundred and fifty years.

Madame Bovary

The ballet adaptation of Abbé Prévost’s novel L’Histoire du Chevalier des Grieux et de Manon Lescaut shows Sir Kenneth MacMillan at his very finest, attesting as it does to his profound insight into human psychology, choreographic craft and narrative skill. The artist admirably expresses the power of fateful love in the central characters’ impassioned duets.

L'Histoire de Manon

John Neumeier, the legendary American choreographer who for half a century helmed the Hamburg Ballett, based his Liliom on Ferenc Molnár’s 1909 eponymous play. He was the first to have created a dance adaptation of the work, depicting a tragic love story, set in the milieu of US fairs in the 1930s.