Rhapsody in Blue & Shostakovich

Dubbed a musician of “probing intellect and open-hearted vision” by The New York Times, Conrad Tao has been playing Gershwin’s 1924 rhapsody with orchestras across the country for nearly two decades. “It’s emblematic of the time and place, but it’s also timeless,” says Tao. “Improvisation is baked into Rhapsody in Blue. There are places in the score where the orchestra rests, and the pianist just takes off. That’s one of the reasons it continues ...