Name: Götterdämmerung
Start: 2026-10-18T14:00:00
Location: Opéra Bastille

Johannes Martin Kränzle

Tamara Wilson

Brian Mulligan

Andreas Schager

Pablo Heras-Casado

Mika Kares

Eve-Maud Hubeaux

Katharina Magiera

Isabel Signoret

Aude Extrémo

Marie-Andrée Bouchard-Lesieur

Margarita Polonskaya

Sinead Campbell Wallace

Calixto Bieito

Bettina Auer

Michael Bauer

Rebecca Ringst

Ching-Lien Wu

Ingo Krügler

Opéra national de Paris

Singer, dancer and actress Josephine Baker, the beloved artist of Paris during the Roaring Twenties, was far more than that. There was also her love for France, where, as a Black woman, she found a form of liberation, her involvement in the Resistance and her fight for civil rights. 

Black Pearl: meditations for Josephine

Palais Garnier

Figaro here, Figaro there! The Barber of Seville is everywhere always ready to lend a hand, whether it’s giving someone a haircut or playing matchmaker. Especially when it comes to helping Count Almaviva win the heart of the young Rosina, jealously watched over by her guardian. 

Il Barbiere di Siviglia

Opéra Bastille

In the 1860s, Ambroise Thomas was among those composers who, like Verdi with Macbeth and Gounod with Roméo et Juliette, chose to bring a Shakespeare play to the opera stage. He selected Hamlet, the most famous and also the most philosophical. In the version crafted by librettists Jules Barbier and Michel Carré, the Prince of Denmark loses some of his metaphysical dimension, which is offset by a score full of vivid detail, even featuring two saxophone solos.

Hamlet

“Manon is a beautiful sixteen-year-old girl who loves life and cannot resist fleeting pleasures. She is charming, but amoral.” This is how choreographer Kenneth MacMillan described the heroine of his ballet Manon, inspired by abbé Prévost’s famous novel.

L'Histoire de Manon

In Götterdämmerung, Siegfried takes leave of Brünnhilde to travel the world and accomplish new feats. These will be his last: during his journey along the Rhine, he falls victim to a sinister plot hatched by Alberich and his son Hagen. The downfall of the gods is now inevitable...

Götterdämmerung

A highlight of the season, the Défilé du Ballet introduces the opening gala of the Paris Opera’s dance season, bringing together the entire company on the stage of the Palais Garnier, from the “little rats” of the Ballet School to the Étoiles and the Junior Ballet.

Gala

Entitled “Inner Landscapes”, this evening suggests an intimate quest, an exploration of emotions and movement in three pieces, two of which are new additions to the repertoire.

In Vers un pays sage (1995), choreographer Jean-Christophe Maillot pays tribute to his father, the painter Jean Maillot. To the frenzied music of John Adams, the dancers engage in a dazzling marathon, a joyful explosion of colour.

Aszure Barton makes her Paris Opera debut with a black-and‑white piece, Busk (2009), whose title refers both to the English word for street performance and the Spanish buscar (to search). Using gypsy and choral music, the Canadian choreographer highlights the potential of the dancers’ bodies in an expressive and virtuoso language, sometimes close to mime.

Finally, William Forsythe’s sharp writing marries David Morrow’s music to offer the Rearray trio, a brilliant set of theme and variations pushing bodies to their limits.

Inner Landscapes

Unique in the history of opera, The Ring of the Nibelung is the colossal tetralogy Richard Wagner worked on for thirty years. First performed in 1869, the Prologue The Rhinegold unveils from its first telluric chord a world riddled with existential questions. Who will obtain the power of the ring forged from the gold of the Rhine? The gods, the giants or the Nibelungen?

Das Rheingold (RING Festival)

The Paris Opera continues its exploration of Richard Wagner’s colossal Ring, directed by Calixto Bieito. After the final scene of The Rhinegold, in which the gods ascend to Walhalla, The Valkyrie, the second part of the cycle, focuses on humans in the form of twins Sieglinde and Siegmund.

Die Walküre (RING Festival)

 With Siegfried, staged in Calixto Bieito’s new production, the Paris Opera presents the third part of Richard Wagner’s extraordinary undertaking, the Ring of the Nibelung. Siegfried, the son of Sieglinde and Siegmund, has become a dauntless young man who knows no fear.