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The six sonatas for violin and obbligato harpsichord (BWV 1014–1019) represent some of Bach's most eloquent and ingenious contrapuntal writing, where harpsichord and violin form a fully integrated trio texture. In the Sonata Violino solo col Basso in E minor (BWV 1023) the harpsichord takes the usual role of continuo accompaniment. Bach’s authorship of this second selection is still somewhat doubtful.
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1 dates (25 Jan - 25 Jan)
Jan
25
Thu
1:15 pm
St. Malachy Roman Catholic Church - The Actors' Chapel
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