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Byrd’s choral music reveals a series of compositional phases, though not ones as differentiated as those we associate with Du Fay or Stravinsky. Many of his early sacred works are based on Gregorian chant. As a young composer Byrd also liked to display his technical prowess in challenging canons such as we hear in the third stanza of the hymn O lux beata Trinitas. Byrd’s middle and late periods both focus on extending phrases through contrapuntal...
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1 dates (11 Oct - 11 Oct)
Oct
11
Wed
8:00 pm
Saint Ignatius of Antioch Episcopal Church
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