The Los Angeles Philharmonic writes:
As St. Vincent, Annie Clark has won Grammys® and gone toe-to-toe with the greats, working out a futuristic brand of pop and becoming a guitar goddess in the process. On her latest album, Daddy’s Home, she sets her sights resolutely backwards, to the fuzzy funk and analog soul of the 1970s. Spoon crafts transcendent pop songs with an off-the-cuff ease that makes them feel like rediscovered hits from another era—a steady series of “masterpieces,” as Rolling Stone says, that makes them “one of the ...