inti figgis-vizueta writes magically real music through the lens of personal identities, braiding a childhood of overlapping immigrant communities and Black-founded Freedom schools—in Chocolate City (DC)—with direct Andean and Irish heritage and a deep connection to the land. In Music for Transitions, she is joined by collaborators to present new arrangements of previously remote works and a new co-composed piece for mixed ensemble. Her music has been described as “the sounds of nature with what I imagined as the soundtrack of a dream.”