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Compared to other 19th century Requiems, like those by Berlioz and Verdi where the terrors of a Last Judgement are vividly apparent, Fauré’s vision was of solace and hope beyond the grave, which he viewed as ‘a happy deliverance, an aspiration towards happiness above.’ A much-loved work of British choirs and audiences, its glories include the Sanctus, with its violin solo offering celestial balm; the tender beauty of the soprano solo’s Pie Jesu; ...
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1 dates (2 May - 2 May)
May
2
Thu
6:00 pm
The Bridgewater Hall
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