Yo-Yo Ma

Kathryn Stott

San Francisco Symphony

The Chinese-born New Zealand conductor Tianyi Lu makes her San Francisco Symphony debut with Rimsky-Korsakov’s cinematic orchestral showpiece Scheherazade, paired with the first Symphony performances of Iranian-American composer Iman Habibi’s Zhiân, dedicated to “the brave people of Iran, in the hope of better days ahead.” Erich Wolfgang Korngold’s side job as a film composer likely saved his life. In 1938, the Jewish former prodigy fled Vienna for Hollywood; five years later, he became a US citizen. His violin concerto, performed here by María Dueñas, was written for his neighbor, none other than Jascha Heifetz, who helped ensure that the violin writing was perfectly pitched between lyricism and virtuosity.

Scheherazade

Davies Symphony Hall

Beethoven wanted his Ninth Symphony—led here by James Gaffigan—to enact a journey of transformation, exploring themes of struggle and salvation, community and compassion. Although he wasn’t religious in the conventional sense, he found spiritual sustenance in his art. Even in our hyperpolarized times, Beethoven’s Ninth feels like a unifying force across the globe, a cultural common good. For its creator, who drafted, revised, and perfected his final symphony over more than 30 years, its meaning was urgent, immediate, vital: In those decades he saw the humanist ideals of the French Revolution trampled by repressive regimes.

Gaffigan Conducts Beethoven 9

Conductor Stéphane Denève joins the San Francisco Symphony for an extraordinary program featuring two powerhouses of the French symphonic organ tradition, performed by Olivier Latry. Poulenc’s Organ Concerto was inspired by the intricate organ fantasies of Buxtehude, Bach, and other Baroque composers. “This is not the happy-go-lucky Poulenc,” he confessed in a letter, “but a Poulenc en route to the cloister—a 15th-century Poulenc, if you like.” Saint-Saëns’ Organ Symphony has been a hit with audiences since 1886, when the composer led the Royal Philharmonic Society in its world premiere. His writing for the organ—quietly shaded at first, commanding later—is the perfect showcase for Davies Symphony Hall’s magnificent Ruffatti Organ.

Yo-Yo Ma & Kathryn Stott