Beethoven Orchester Bonn

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The roads in Central Europe were long and uncomfortable back in the 18th century. Wolfgang Amadeus Mozart’s reports of stagecoach journeys, which he would have spent with his face contorted in pain and his bottom up in the air, bear vivid witness to this … Nevertheless, even in the time before Instagram & Co, music could not be stopped – it made its way from one musical metropolis to another, there was a lively exchange not only of sheet music, but also of musicians travelling from Vienna to Prague, from Augsburg to Milan, or from Bonn to Paris and back. The seat of the Churcöllnian prince and his Rhine metropolis were a centre of attraction for virtuosos from near and far. High-ranking musicians from different generations played together in the fantastic chapel and their employer’s library was one of the best in the entire empire. Naturally, such a modern court knew what was in vogue in London and Rome – as well as in Paris. The pre-revolutionary capital of France was also one of the musical capitals of the continent and there were important impulses in all directions. We play music associated with the city on the Seine, which was recognised and performed in Bonn. Fortunately, the electoral archives were anything but a Rhenish clique: every copy of music, every score and every part was recorded down to the last detail and every performance was documented. So, off to Paris: Allons-y!

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» Olé! « A veritable Spanish-fever gripped cultural life in Europe in the second half of the 19th century: Spanish architecture, fashion, art and music electrified artists and audiences alike. This began in music with Spanish-coloured compositions by Mikhail Glinka around 1845 and continued until Sergei Prokofiev’s Second Violin Concerto almost 100 years later. The Yaron-Quartet combines genuine Spanish music from the 18th and 20th centuries with Debussy’s grandiose string quartet in its chamber concert at the Alter Bundesrat. Juan Crisóstomo de Arriaga was called ‘the » Spanish Mozart«, perhaps also because he died tragically at a similarly early age, and Joaquín Turina further developed the impressionistic style of writing developed by Claude Debussy and combined it with elements of folk music and the tonal language of the 20th century. In the course of his career, Claude Debussy composed a number of works with a Spanish flavour; in his string quartet, Spanish as well as Far Eastern elements and even influences from ancient sacred music can be felt. The tremendous energy emanating from this quartet certainly matches the burning sun over the Alhambra, the vast plains of La Mancha and the intense sweetness of Spanish oranges …