The Run AMOC Festival, presented by the American Modern Opera Company, is set to captivate audiences at Lincoln Center this July and beyond. Featuring a slate of New York premieres, this festival brings together dance, music, and opera in innovative collaborations with renowned artists like Matthew Aucoin, and Peter Sellars. From the lyrical exploration of 'Music for New Bodies' to the whimsical narrative of 'Rome is Falling,' each performance offers a unique artistic celebration that challenges and enriches the cultural landscape.

AMOC's Run AMOC Festival: Pushing Boundaries of Modern Opera and Dance

You could say Vivaldi had a kind of synesthesia when writing The Four Seasons. What does being cold feel and sound like? MacArthur Award-winning playwright and librettist Sarah Ruhl joins Anthony Roth Costanzo to co-conceive a tapestry of Vivaldi’s music, telling an original story about a world in which the seasons are completely out of order. Tony Award-winning set designer Mimi Lien collaborates with M.I.T. materials technologist Jack Forman to fuse art and science, bringing atmospheric events to the stage. Celebrated choreographer Pam Tanowitz creates a maelstrom of dance, director Zack Winokur helms the production, and Corrado Rovaris conducts the rapturous piece, which stars Costanzo.

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“The Seasons” at Opera Philadelphia

Kimmel Center for the Performing Arts

Matthew Aucoin’s Music for New Bodies (2024) is an uncategorizable work of music-theater: part opera, part song cycle, part vocal symphony. Based on poetry by Jorie Graham, the piece is a portrait of our moment in history as seen through the eyes of a cancer patient undergoing a drastic medical procedure. As the patient experiences the transformation of her own body, she meditates on questions that range from the personal to the cosmic: in a time when life is more and more virtual, what does it mean to have a body? And above all, after our species has poisoned the planet with uncountable toxins, can we still listen to what the earth has to tell us?

“Music for New Bodies” at Meany Center

Katharyn Alvord Gerlich Theater

Barbican artist-in-residence Davóne Tines performs a multidisciplinary all-Julius Eastman program curated by Seth Parker Woods, alongside AMOC* & Kyle Marshall Dance Company.

“Julius Eastman: A Power Greater Than” at the Barbican

Barbican Centre

“Music for New Bodies” at Tanglewood

Tanglewood Music Center

AMOC* presents Anthony Cheung’s the echoing of tenses, a large-scale song cycle for tenor, violin, piano/keyboard, and pre-recorded sounds, that sets the texts of seven prominent, intergenerational Asian-American poets. These poets perform their words live within the production, sharing reflections on memory, cultural and personal identity, family, migration, and loss. the echoing of tenses was conceived for the company by AMOC* violinist Miranda Cuckson and serves as the epic conclusion to the Run AMOC* Festival at Lincoln Center, the American Modern Opera Company’s most significant artistic endeavor to date with a bold slate of opera, dance, and music.

“the echoing of tenses” – Run AMOC

Lincoln Center

AMOC* presents the New York premiere of Rome is Falling, conceived and composed by AMOC* bassist Doug Balliett. Rome is a zany lesson on the absurdity of what can happen when influential people lose power. In his ever-prescient, ever-joyful way, Balliett brings audiences of all ages on a musical journey through a world that includes lollipops, an absurd number of characters, and an emperor with a chicken fetish. Rome was one of the world’s great civilizations, yet, like all empires, it fell. Why and how? The story is a mixture of politics, betrayal, immigration, religion, climate, pandemic, natural disaster, xenophobia, and bad luck–so much of what makes us human and that we continue to face today.

“Rome Is Falling” – Run AMOC

The Cello Player is a dance-music piece led by AMOC* dancer/choreographer Or Schraiber and AMOC* cellist Coleman Itzkoff that excavates the complexity of ancient relationships: the tortured conception of friendship as a messy amalgam of love, hatred, insecurity, and neediness. Each performer attempts to share their tales, the scarring curiosity of the unknown, and the haunting sensations that come as a consequence of their actions.

“The Cello Player” – Run AMOC

Lincoln Center for the Performing Arts

A New York premiere and first collaboration between AMOC* Co-Founder Matthew Aucoin and director Peter Sellars, this major new work is a “vocal symphony” with music by Aucoin, directed by Sellars, and a libretto based on poems by Jorie Graham, collaboratively assembled by Aucoin and Sellars.

“Music for New Bodies” – Run AMOC

Enjoy the New York premiere of Dance in the Park, a tender, joyful, and fiercely experimental performance featuring dancers Julia Eichten and Bret Easterling. With music by Strauss and Juniper, this piece embraces phases, geographies, and dreams—glitching between dimensions to celebrate the evolution of movement.

“Dance in the Park” – Run AMOC

Early music band Ruckus and AMOC* member Keir GoGwilt celebrate the legacy of Niel Gow (b. Perthshire, 1727-1807), one of Scotland’s most important musicians, with the New York premiere of a dynamic folk-baroque feast of Scottish dance music. Weaving together these jubilant, hard-driving and nostalgic tunes into large-scale dramatic forms, Ruckus and GoGwilt bring the 18th-century tradition of blending folk and art music to the present day. The evening is presented in collaboration with Nadia Sirota’s Living Music Underground.

“Edinburgh Rollick” – Run AMOC

Jaffe Drive

Conceived by performer, composer, and American Modern Opera Company (AMOC*) member Keir GoGwilt, Zarabanda Variations brings together a group of visionary composers, performers, and poets in a surprising and vibrant synthesis of Baroque, folkloric, and contemporary music of the American hemisphere. The members of the ensemble work across genres including traditional Mariachi and Baroque music, improvisation collectives in Mexico City and New York, and contemporary composition, creating new songs and dances inspired by the eclecticism of the zarabanda: a dance with Spanish, pre-Columbian American, and African origin stories. Woven in with the music is the poetry of Edgar Garcia, whose work maps the emergence of the Baroque through scenes of colonial and contemporary translation, emergency, and migration. Zarabanda Variations celebrates its New York debut at Lincoln Center.

“Zarabanda Variations” – Run AMOC

GRAMMY-nominated Seth Parker Woods, one of the foremost interpreters and scholars of esteemed contemporary classical music composer Julius Eastman, curates a weekend-long celebration of Eastman’s art and the greater context of his life, creativity, and humanity. As part of the Run AMOC* Festival at Lincoln Center, this free marathon of Eastman’s work on Josie Robertson Plaza will also showcase music by Arthur Russell.

“Julius Eastman: The End Is Not in Sight” and King Britt – Run AMOC

GRAMMY-nominated Seth Parker Woods, one of the foremost interpreters and scholars of the esteemed contemporary classical music composer Julius Eastman, curates a weekend-long celebration of Eastman’s art and the greater context of his life, creativity, and humanity. As part of the Run AMOC* Festival at Lincoln Center, the weekend opens with the New York premiere of a boundary-breaking concert at David Geffen Hall, showcasing AMOC* members Davóne Tines, Conor Hanick, and Coleman Itzkoff, alongside colleagues including JIJI, Adam Tendler, and artists from Wild Up.

“Julius Eastman: A Power Greater Than” – Run AMOC

The New York premiere of Harawi realizes Olivier Messiaen’s deeply affecting, hour-long song cycle for voice and piano in new physical and dramatic dimensions. It features soprano Julia Bullock and pianist Conor Hanick, with choreography by Bobbi Jene Smith and Or Schraiber and direction by Zack Winokur. Moving from duet to quartet with dancers Bobbi Jene Smith and Zack Winokur, this production breaks open Messiaen’s cycle, connects movement to music, and grapples with the intensity of love and loss.

“Harawi” – Run AMOC

A New York premiere and co-production between AMOC* and Sandbox Percussion, Dutch composer Simeon ten Holt’s Canto Ostinato feels like the long-lost cousin of beloved American Minimalist works like Steve Reich’s Music for 18 Musicians or Terry Riley’s In C. Encountering it for the first time is like meeting an unknown relative—you’re struck by uncanny resemblances: the tilt of a nose, the rhythm of a laugh, echoes that stretch across time and space.

“Canto Ostinato” – Run AMOC

AMOC* opens our milestone Run AMOC* Festival with the New York premiere of The Comet / Poppea. This production fuses Monteverdi’s The Coronation of Poppea (1642) with W.E.B. Du Bois’s short story The Comet (1920). Directed by Yuval Sharon, it explores power, survival, and race through the lens of cosmic disaster. George Lewis’s evocative new score—a 2025 Pulitzer finalist—links these narratives in a visionary operatic landscape. The stellar cast features AMOC* members Davóne Tines and Anthony Roth Costanzo. Tony Award-winner and Lincoln Center Artist-in-Residence (2022–24) Mimi Lien’s rotating set merges ancient Rome with comet-ravaged New York, creating an apocalyptic, immersive experience.

“The Comet / Poppea” – Run AMOC* Festival at Lincoln Center

Conceived by AMOC* violinist Keir GoGwilt, Zarabanda Variations brings together a group of visionary composers, improvisers, and performers to draw inspiration from the musical histories of 16th- and 17th-century New Spain/Mexico. The zarabanda is a dance with supposed Spanish, American, and Arab origins, plausibly named from the Bantu “nsala-banda,” which eventually transformed into a courtly dance of the European baroque. Zarabanda Variations explores the archival gaps of early American music, creating a surprising and vibrant synthesis of European and LatinBaroque, folk, and contemporary musical traditions.

AMOC* presentation at Peabody Essex Museum of “Zarabanda Variations”

East India Square

“Living Room, Orlean Virginia” is an art installation co-created by AMOC* members Davóne Tines and Zack Winokur with artist Hugh Hayden that embodies the complexity of Tines’s memories of homes and music making. Tines returns to his installation for a performance with Lenape Center’s Director of Music & Language Brent Michael Davids (Mohican/Munsee-Lenape) and a special guest, as part of a series of AMOC* activations of the exhibit.

Living Room, Orlean, Virginia

Cooper Hewitt, Smithsonian Design Museum

AMOC* flutist Emi Ferguson and pianist Jacob Rhodebeck offer the New York premiere of scars plummet to the corners, an AMOC* commission from composer Michael Hersch, at the DiMenna Center for Classical Music. The piece will premiere at the Sylvia Adalman Recital Series (Baltimore, MD) on April 7.

scars plummet to the corners

The DiMenna Center for Classical Music

In this new evening of dance and music, two boundary-breaking duos—choreographers AMOC* member, Bobbi Jene Smith & Or Schraiber, and composer/musicians Caroline Shaw & Danni Lee Parpan (known together as Ringdown)—collide, converse, and create.

“Seven Scenes” at Little Island

Little Island

From Mickey Mouse to Michael Jackson, and traditional Hawaiian song to Kabuki, the falsetto sound is deeply ingrained within our global consciousness. But what does it evoke, and what does it express?

Countertenor

National Sawdust

A group of contemporary artists comes to a retreat in nature to make their art. They feel the emotional weather inside of them more than they feel the weather outside of them. But extreme weather impacts them without warning and changes their lives forever. The Seasons is a meditation on the relationship between our contemporary moment and Vivaldi’s iconic music, which appreciated the harmonious seasons. Vivaldi’s Four Seasons, paired with additional arias and ensembles by the composer, becomes an occasion for seeing our own disordered seasons more clearly.

The Seasons

Midway Artist Studios

AMOC* celebrates Latin American poets and the voices of women with its production of John Adams’s El Niño: Nativity Reconsidered, featuring a libretto by Peter Sellars and production conceived by AMOC* soprano Julia Bullock, with a return to The Cathedral Church of St. John the Divine for a third year.

3rd Annual EL NIÑO: NATIVITY RECONSIDERED in NYC

Cathedral of St. John the Divine

Curtis Opera Theatre launches the East Coast premiere of The Comet / Poppea, the MacArthur Award-winning composer George Lewis’ highly anticipated operatic setting of W.E.B. Du Bois’s proto-Afrofuturist science fiction short story, The Comet (1920), juxtaposed with Claudio Monteverdi’s hot-blooded political thriller, L’incoronazione di Poppea (1643). Presented on a turntable divided in two halves, these worlds unfold simultaneously, with the stage’s rotation creating a visual and sonic spiral for audiences—inviting associations, dissociations, collisions, and confluences. Directed and conceived by fellow MacArthur-winner Yuval Sharon, this innovative co-production features a stellar cast of Curtis and AMOC* singers led by conductor Marc Lowenstein.

THE COMET / POPPEA – The Curtis Music Institute

Curtis Institute of Music

HARAWI realizes Olivier Messiaen’s deeply affecting, hour-long song cycle for voice and piano in new physical and dramatic dimensions, featuring soprano Julia Bullock, pianist Conor Hanick, choreographer/dancers Bobbi Jene Smith and Or Schraiber, with direction by Zack Winokur. Moving from duet to quartet, this production breaks open Messiaen’s cycle, connects movement to music, and grapples with the intensity of love and loss.

Harawi California Tour

 University of California, Santa Barbara

Cal Performances

The Walls Annenberg Center for the Performing Arts

### Event Description: Rome is Falling

**Event Title:** Rome is Falling

**Date:** August 10, 2024

**Time:** 4:00 PM - 6:00 PM

**Location:** The Clark Art Institute, 225 South St, Williamstown, MA 01267, United States

**Event Overview:**
Join us for an extraordinary performance of "Rome is Falling," an opera composed by Doug Balliett, a member of the American Modern Opera Company (AMOC). This captivating opera delves into the fall of one of the greatest civilizations in history—Rome. Through a blend of politics, betrayal, immigration, religion, climate change, pandemics, natural disasters, xenophobia, and sheer bad luck, the story mirrors many challenges we face today.

**Performance Highlights:**
- A zany and insightful lesson on the absurdity of power and its loss.
- A musical journey filled with humor, featuring a multitude of characters and an emperor with a peculiar chicken obsession.
- Suitable for audiences of all ages, making it a delightful experience for families and individuals alike.

**Ticket Information:**
- General Admission: $10
- Members: $8
- Students: $7
- Children (15 and under): $5

**Additional Information:**
- Tickets can be purchased through the Clark Art Institute's website: [Event Details and Tickets](https://www.clarkart.edu/event/detail/2617-91599)
- For more information, contact the Clark Art Institute at 413-458-2303.

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Don't miss this unique and entertaining performance that brings history to life with a modern twist. Join us at the Clark Art Institute for an unforgettable evening!

Rome is Falling

Clark Art Institute

**Event Description:**

**Performance on Film: AMOC Responds to Jenny Holzer’s DEMENTED WORDS**

Join us for a captivating evening as AMOC (American Modern Opera Company) presents a filmed version of their reactive musical performance in response to Jenny Holzer’s "DEMENTED WORDS." This event is part of the Performance on Film summer series at Hauser & Wirth in New York City.

**Event Details:**
- **Date:** July 12, 2024
- **Time:** 7:30 PM
- **Venue:** Hauser & Wirth, 542 West 22nd Street, New York, NY 10011
- **Website:** [Hauser & Wirth Events](https://www.hauserwirth.com/events/screening-room-performance-on-film-series/)
- **Phone:** 212-790-3900

**Performance Highlights:**
- **Conceived by:** Zack Winokur and company
- **Music Arranged by:** Celeste Oram and Davóne Tines
- **Featuring:**
  - Anthony Roth Costanzo, countertenor
  - Keir GoGwilt, violin
  - Coleman Itzkoff, cello
  - Davóne Tines, bass-baritone
  - Sae Hashimoto, percussion (guest artist)

**Additional Screenings:**
- **IT COULD’VE BEEN ME / IT COULD BE ME** by David Adrian Freeland Jr. in response to Amy Sherald
- **BOWLS BALLS SOULS HOLES** by Mika Rottenberg
- **WORLD PREMIERE: TRUE LOVE WILL FIND YOU IN THE END** by Eichterling, featuring AMOC member Julia Eichten & Bret Easterling

**Admission:**
All screenings are free and open to the public. However, due to limited space, reservations are required. Please register for each evening individually.

**Registration:**
[Click here to register](https://www.hauserwirth.com/events/screening-room-performance-on-film-series/)

Don't miss this unique opportunity to experience a fusion of visual art and live music performance. Mark your calendars and secure your spot today!

PERFORMANCE ON FILM: AMOC responds to Jenny Holzer’s DEMENTED WORDS

Hauser & Wirth

AMOC* is honored to perform in Gerard & Kelly’s GAY GUERRILLA at the Centre Pompidou in Paris June 29 – July 1, 2023. Founding members JULIA EICHTEN, CONOR HANICK, COLEMAN ITZKOFF, and DAVÓNE TINES join dancers from the Paris Opera Ballet (Samuel Akins, Guillaume Diop, Germain Louvet, and Awa Joannais), musicians from Wild Up (Richard Valitutto and Seth Parker Woods), pianist Adam Tendler, and performer Soa de Muse in a series of performances channeling Eastman’s singular voice and celebrating queer resistance.

Gay Guerrilla

The Centre Pompidou

### Event Description: The Comet / Poppea

**Event Title:** The Comet / Poppea

**Dates:** June 14 - June 23, 2024

**Venue:** WAREHOUSE at The Geffen Contemporary, Museum of Contemporary Art, Los Angeles  
**Address:** 152 North Central Avenue, Los Angeles, CA 90012, United States

**Overview:**
The Comet / Poppea is a groundbreaking opera that intertwines two distinct narratives to explore themes of cultural transformation and double consciousness. This innovative production juxtaposes Claudio Monteverdi’s 1643 Italian opera *L’incoronazione di Poppea* with the world premiere of *The Comet*, based on W.E.B. Du Bois's 1924 science-fiction short story. 

**Concept and Direction:**
- **Composer:** George Lewis
- **Libretto:** Douglas Kearney
- **Director:** Yuval Sharon

**Featured Artists:**
- Anthony Roth Costanzo
- Davóne Tines
- Doug Balliet
- Miranda Cuckson
- Emi Ferguson
- Keir GoGwilt
- Coleman Itzkoff

**Production and Partnerships:**
Developed over six years, The Comet / Poppea is a collaborative effort produced by Anthony Roth Costanzo and Cath Brittan, in partnership with The Industry, AMOC (American Modern Opera Company), and the Curtis Institute of Music. The Comet, composed by George Lewis with a libretto by Douglas Kearney, is commissioned by AMOC.

**Performance Details:**
The opera is presented on a turntable stage divided into two halves, allowing the worlds of ancient Rome and 1920s New York City to unfold simultaneously. This unique staging creates a visual and sonic spiral, inviting audiences to experience the interplay of these two narratives. As the performance progresses, elements from each story begin to intersect, highlighting the dialogue between the works and their contemporary relevance.

**Public Talks:**
In addition to the performances, a series of public talks featuring members of the cast and creative team will be held during the show's run. More details will be announced.

**Tickets and Additional Information:**
For more information and to purchase tickets, visit the [event website](https://www.moca.org/program/the-comet-poppea).

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Join us for this extraordinary event that challenges and redefines the boundaries of classical music and opera.

The Comet / Poppea

The Geffen Contemporary at MOCA

Join us as AMOC* artists traverse centuries and landscapes in two programs that bring audiences from the Summer sunset to theatrical night. The first, at 7:00pm, includes Cassandra Miller’s About Bach—a patient meditation on melody, memory, and the passage of time at the day’s end—and Andrew McIntosh’s Little Jimmy, which combines field recordings, piano, and percussion to reflect Southern California’s terrifyingly sublime expanse.

Salon With Amoc*

Baryshnikov Arts Center

AMOC* celebrates Latin American poets and the voices of women with its production of John Adams’s El Niño: Nativity Reconsidered, featuring a libretto by Peter Sellars and production conceived by AMOC* soprano Julia Bullock, with a return to The Cathedral Church of St. John the Divine for a second year, capping off a tour of cities across the US.

El Niño: Nativity Reconsidered in NYC

The Cathedral of St. John the Evangelist

AMOC* celebrates Latin American poets and the voices of women with its production of John Adams’s El Niño: Nativity Reconsidered with a tour across the United States. The piece, with a libretto by Peter Sellars and concept by AMOC* member Julia Bullock, will appear from December 11 to 21, 2023 at Opera Omaha in Omaha, Nebraska, Stanford Live in Stanford, California, and Yale University in New Haven, Connecticut before returning to The Cathedral of St. John the Divine for a second year.

El Niño: Nativity Reconsidered on Tour

View the performance of Gerard & Kelly’s GAY GUERRILLA at the Centre Pompidou in Paris online. Founding members JULIA EICHTEN, CONOR HANICK, COLEMAN ITZKOFF, and DAVÓNE TINES join dancers from the Paris Opera Ballet (Samuel Akins, Guillaume Diop, Germain Louvet, and Awa Joannais), musicians from Wild Up (Richard Valitutto and Seth Parker Woods), pianist Adam Tendler, and performer Soa de Muse in a series of performances channeling Eastman’s singular voice and celebrating queer resistance.

Gay Guerrilla / Digital Stream

AMOC" class="css-u850">AMOC* performs the New York premiere of Anthony Cheung’s the echoing of tenses, a piece that sets to music poems by Asian-American writers reflecting on  memory, cultural and personal identity, family, migration, and loss. The work features AMOC* company members Paul Appleby (tenor), Miranda Cuckson (violin), and Conor Hanick (piano).

Echoing of Tenses

The 92nd Street Y

AMOC*’s production of HARAWI realizes Olivier Messiaen’s deeply affecting, hour-long song cycle for voice and piano in new physical and dramatic dimensions, featuring soprano Julia Bullock, pianist Conor Hanick, choreographer/dancers Bobbi Jene Smith and Or Schraiber, with direction by Zack Winokur. Moving from duet to quartet, this production breaks open Messiaen’s cycle, connects movement to music, and grapples with the intensity of love and loss.

Harawi

Broken Theater is a new work created within the walls of La MaMa that melds live dance-theater, music, and cinematic beauty. Twelve artists meet in a ghost theater where they grapple with love, humiliation, and loss at the cost of each other. When the script has disappeared, when the audience is gone, where are the lines between the part you play and the person you are?

Broken Theater: Benefit Night

Ellen Stewart Theatre

Bobbi Jene Smith’s Broken Theater

A major new work and first collaboration between AMOC* member and co-founder composer Matthew Aucoin and director Peter Sellars. A musical premiere is brought to life by five vocal soloists and an 18-instrument ensemble conducted by Matthew Aucoin.

Music for New Bodies is an immersion in vast planetary processes: we follow the migration of eels to the depths of the Atlantic Basin; we hear the voice of the ocean floor itself, speaking with superhuman pressure and force; we experience humankind’s impact on our planet, and we also sense the presence of cycles so immense that they are beyond human influence.

Music for New Bodies

Rice University

Paul Appleby, Matt Aucoin, Doug Balliett, Miranda Cuckson, and Emi Ferguson join the echoing of tenses composer Anthony Cheung and students at Brown University for a one-week collaborative residency. Focusing on what it means to be a musician of today, we look forward to sharing practices, approaches to new work, and learnings with each other, culminating in a performance featuring works by Julius Eastman, George Lewis, J.S. Bach, Aucoin, and Balliett. All public events are free – click the links below to learn more!

AMOC* at Brown University

Brown University

In collaboration with Carnegie Hall’s Ensemble Connect series, AMOC* invites you to an evening of close listening and engagement with sound, silence, movement, and space. With performances of compositions by Michael Pisaro, Jennifer Walshe, Jürg Frey, Carolyn Chen, and more, artists will explore physical awareness, attention to each other, and the spontaneity of personal and collective responses. Listeners are encouraged to begin arriving when doors open at 7pm to engage with Pisaro’s “Space” and other pieces of music.

Ensemble Connect Up Close: Space(S)

Carnegie Hall

AMOC*’s first collaboration with Carolyn Chen, How to Fall Apart describes cosmic, natural, and human processes of disintegration, aging, and falling apart. This evening-length work for three dancers, one violinist, and one cellist integrates text, gesture, and music, building upon Chen’s long-standing compositional work “in which sensuality and abstraction find common ground” (LA Times). How to Fall Apart unfolds as various assemblages of sound, movement, and storytelling cohere, dissolve, and reform, telling personal and scientific stories about the climate crisis, cosmological history, the erosion of soil in Northern Chad, the aging body, The Billion Oyster Project in New York, and the operations of microbes.

How to Fall Apart (New York Premiere)

Kicking off The Clark’s Concerts at Conforti series, AMOC* performs a program on journeying, featuring music composed and arranged by AMOC* musicians.  AMOC* Company Members Doug Balliett, Emi Ferguson,  Keir GoGwilt, and special guest Jordan Dodso blend folk, baroque, and classical influences to tell musical stories about journeys across the Camino de Santiago, the Irish Sea, and the continental United States. Combining spoken narration

Concerts at Conforti: Amocaway From Home

This chamber music arrangement—specially written for AMOC*—was first performed at The Met Cloisters in 2018 in the beautiful San Martín at Fuentidueña chapel. The New York Times called it “intimate, affecting and quietly rich with activism.” The piece, which celebrates Latin American poets and the voices of women, returns for a one-night-only engagement this holiday season at a different New York City landmark.

El Niño: Nativity Reconsidered

The Cathedral Church of St. John the Divine

Join AMOC* artists Anthony Roth Costanzo, countertenor, and Coleman Itzkoff, cellist, for the opening of “House of the Inhabitant Who Refused to Participate,” Tina Kim Gallery’s newest exhibition curated by the architecture and interior design firm Charlap Hyman & Herrero.

The exhibition, which will continue until January 21, 2023, brings together works by Louise Bourgeois, Heidi Bucher, Sam Chermayeff, John Hejduk, Camille Henrot, James Hong, Ficus Interfaith, Anne Libby, Mathieu Matégot, Emma McCormick Goodhart, Pietro Melandri, Luke O’Halloran, Eli Ping, Steph Shiu, Sophie Stone, Kim Tschang-Yeul, and Luc Tuymans.

Tina Kim Gallery Opening: “house Of The Inhabitant Who Refused To Participate

Tina Kim Gallery

Broken Theater, Bobbi Jene Smith’s newest work that melds live dance-theater, music, and cinematic beauty, continues its premiere run at OZ Arts in Nashville, TN

Broken Theater explores themes of power, love and trust in a threading together of dance-theater, music, and cinematic beauty. It presents a company caught in the theatrics of rehearsal. Company members, preparing for a show, perform music by Schubert, Bach, Connie Converse, and Pete Seeger, exquisitely curated and choreographed. But signals are crossed; the chain of command breaks down; the artists repeat, rebuild, and take apart the moment of performance.

Broken Theater At Oz Arts

OZ Arts Nashville

Broken Theater explores themes of power, love and trust in a threading together of dance-theater, music, and cinematic beauty. It presents a company caught in the theatrics of rehearsal. Company members, preparing for a show, perform music by Schubert, Bach, Connie Converse, and Pete Seeger, exquisitely curated and choreographed. But signals are crossed; the chain of command breaks down; the artists repeat, rebuild, and take apart the moment of performance

AMOC / American Modern Opera Company

Feb 22, 2026

“Canto Ostinato” – Cal Performances

19 - 21 Dec, 2025

“The Seasons” at Opera Philadelphia

Nov 1, 2025

“Music for New Bodies” at Meany Center

Articles & News

AMOC / American Modern Opera Company