Joy Theater

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Prepare to be mesmerized by the extraordinary talents of Justin Willman as he brings his Illusionati Tour to The Joy Theater in New Orleans. Known for his unique blend of magic and comedy, Justin Willman has captivated audiences worldwide. As the star and creator of the popular Netflix series "Magic For Humans" and "The Magic Prank Show with Justin Willman," he has established himself as a master of illusion and humor. His television appearances on shows like The Tonight Show, The Today Show, The Kelly Clarkson Show, and Conan have further showcased his ability to entertain and astonish.

Justin's performances are a delightful mix of mind-bending tricks and laugh-out-loud moments, making him a favorite among fans of all ages. Whether you remember him as the charming host of "Baking Impossible," "Cupcake Wars," or "Win, Lose or Draw," or even as the child magician from suburban St. Louis in the 90s, his charisma and skill are undeniable. Beyond his professional achievements, Justin is also a proud father and loving husband, adding a personal touch to his engaging stage presence.

Join us for an unforgettable evening where skepticism meets wonder, and laughter is guaranteed. Justin Willman's Illusionati Tour promises a night of magical entertainment that will leave you questioning reality and smiling from ear to ear.

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The music of Washed Out has always levitated over a timeless frontier. You can sense it in his immersive, amorphous vocals, the expansive soundscapes, the wistful storytelling. It's a sweet spot where, says its creative force, Ernest Greene, "any sort of association or memory from the past can transport you instantly. I love that." Greene's transcendent output has earned him the moniker of "Godfather of Chillwave" by Pitchfork and a co-sign from Portlandia, which borrowed his track, "Feel It All Around," for its utopian theme song. His latest, Notes From a Quiet Life (out June 28, Sub Pop) arrives after delivering more than a decade of distinct and disparate creative re-imaginations at a remarkably high level (five albums, two EPs). Notes is bold in its intuitiveness: Greene has left the treadmill of music-as-a-business, instead letting his artistic interests lead the way. "Each album," says Green, who also paints and sculpts, "is a world-building exercise." The Georgia native left Atlanta in 2021 to move back to the countryside he knew growing up. Where escapism once flooded his thoughts, today he is preoccupied with the universe of wonder in the reality around him. He named the former horse farm he moved to "Endymion" (after the pastoral John Keats poem about a lovesick shepherd — its opening line: "A thing of beauty is a joy for ever"), and it has shaped all that he's created there, from his music to his albums' creative direction to his planned large scale visual-art experiments. "I've read that every five, maybe 10, years, you're practically a different person — like literally, on a cellular level," Greene explains. "The things that you're going through will end up changing you, and you're kind of a different person. This album is a reflection of that. Experimenting with painting and sculpture helps my music. They influence each other. That was a kind of realization for me. I don't want to look back on my life one day, and be like, 'Oh, it was all about maximizing productivity,'" he says. "I want to enjoy this. "That purity of vision is what makes Notes From a Quiet Life so potent. It's the first album Greene wholly self-produced, with some mixing assistance from Nathan Boddy (James Blake, Mura Masa) and David Wrench (Caribou, Florence + the Machine). "Early in my career, I had a lack of technical skill, and there were some things I wasn't 100% enthusiastic about," he says, noting Jean-Michel Basquiat's distinct, self-driven method as an inspiration. "Something that I was looking for was… I didn't want any illusion of anyone else's influences. I wanted to see this through to the end. And honestly, that was a big challenge. Illustrating that, Greene's list of influences for Notes From a Quiet Life are mostly sculpture icons: minimalist legend Donald Judd, abstract expressionist Cy Twombly, and modernists Barbara Hepworth and Henry Moore. Of the latter, he observes, "The majority of his working life was spent on his country estate, and he wasn't living a cosmopolitan lifestyle. He was focused on just making good work, you know?" Notes from a Quiet Life is Washed Out's fifth album.