Kevin Barnes did not believe they could ever leave Georgia. Barnes arrived in the erstwhile college-rock hub of Athens around 1996, a pop four-tracker in their early twenties with permissive images of Bowie, Prince, and Iggy Pop prancing through their head. Almost immediately, of Montreal became a signal flare for a slowly changing South. Barnes, who will answer to any pronoun you proffer, bent gender and genre through complicated and ever-delightful records, trouble and woe fueling kinetic tunes of radical incandescence. But there is only so much energy one can expend on the vanguard, living in a town that often felt like a frat house suffused with regressive notions of race, sexuality, and decency. It all exhausted Barnes. They had, however, built a life there-a home, a family, a studio, a reputation. Could Barnes ever really exit?

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of Montreal

The UC Theatre

On of Montreal’s seminal album The Sunlandic Twins, songwriter and multi-instrumentalist Kevin Barnes followed up their 2004 Polyvinyl debut, Satanic Panic in the Attic, with what became the band’s most commercially successful album to date. Originally released in April 2005, The Sunlandic Twins marked a significant turning point for of Montreal, showcasing Barnes’ evolving songwriting and a shift towards a more electronic and dance-oriented sound. The album’s vibrant blend of synth-pop and psych rock helped cement its status as a fan favorite and a defining moment in the band’s career. Iconic tracks like “Wraith Pinned to the Mist and Other Games” and “The Party’s Crashing Us” became some of the most beloved songs in the band’s extensive catalog.

of Montreal

Jul 20, 2025

of Montreal

Mar 23, 2025

of Montreal

of Montreal