EPSG:4326

Best of ICAM - Pascal Album Release

University of California San Diego

Best of ICAM - Theater Presentations

Best of ICAM - Table presentations & Pizza Party

one fish two fish percussion ensemble

Augie Resendiz, piano - Senior Recital

Vocal Masterclass, 32VM

Conrad Prebys Performing Arts Center

La Jolla Symphony & Chorus Time Present and Time Past

Undergraduate Honors: Zoe Farrell, percussion

Undergraduate Honors: Randy Lew, clarinet

UC San Diego Chamber Ensemble

Undergraduate Flute Studio Concert

The Scottsboro Trials stand as one of the most renowned miscarriages of justice in the history of American jurisprudence. Beginning in 1931 with a false accusation of rape against nine Black teenagers, the case went on to invigorate a nascent Civil Rights movement, earn the international support of the Communist Party, and establish itself as a watchword among various strands of the American Left. It inspired reaction from the contemporary world of arts and letters as well, most famously by poets Langston Hughes and Richard Wright and novelist Harper Lee. The Yiddish intelligentsia of the thirties was no less galvanized, producing a body of creative response that passionately took up the themes of the trial, juxtaposing its American injustices with a diversity of images, tropes and language imbued with their own distinct histories of oppression.

Wild Burning Rage and Song: Replies to Scottsboro

UC San Diego Wind Ensemble

Mus 33c

95W Indian Classical Music students of Pandit Kartik Seshadri

UC San Diego Chamber Orchestra

Piano Studio Recital

Undergraduate Honors: Kelly Feng, composition

Bass Ensemble

Undergraduate Honors: Xiao Feng, percussion

Under the direction of Kamau Kenyatta, the popular 95JC returns!  Featuring an ensemble performing a variety of diverse compositions, including pieces written and arranged by student musicians, instrumentation includes voice, violin, saxophones, rhythm section, and afro-latin percussion.

Saturday Night Jazz - 95JC Jazz Ensemble

Tyler J. Borden, cello - DMA Recital

Undergraduate Forum

“Deep Listening: The Story of Pauline Oliveros” tells the story of the iconic composer, performer, teacher, philosopher, technological innovator and humanitarian, Pauline Oliveros. She was one of the world’s original electronic musicians, one of the only females amongst notable post-war American composers, a master accordion player, a teacher and mentor to musicians, a gateway to music and sound for non-musicians and a technical innovator who helped develop everything from tools that allow musicians to play together while in different countries to software that enables those with severe disabilities to create beautiful music. On the vanguard of contemporary American music for six decades, her story illuminates the pathway to how we got where we are and where the future will take us in the worlds of music, the philosophy of sound, and the art of listening.

Deep Listening: The Story Of Pauline Oliveros

Double bassist and composer Andrew Crapitto presents his first DMA recital featuring three original works alongside pieces by James Dillon and Toshio Hosokawa. At times pushing the extremes of technical virtuosity on the instrument, and at others unflinchingly spare and restrained, this program explores the range of expressive possibilities on the double bass. With fixed media by Charles Deluga, and Camilo Zamudio on percussion.

Andrew Crapitto, double bass - DMA Recital

Directed by Ken Anderson, the UC San Diego Gospel Choir combines hundreds of voices to fill the auditorium with the uplifting sound of African American spirituals, blues, traditional songs, and gospel.

UC San Diego Gospel Choir

Conrad Prebys Music Center Experimental Theater

Undergraduate Listening Room

Yongyun Zhang, percussion - DMA Recital

On Friday, May 24, the Qualcomm Institute’s IDEAS series presents “Hearing Extremes” with renowned composer and UC San Diego Professor of Music Lei Liang, and New York City-based new music chamber group loadbang.

“Hearing Extremes” introduces original compositions by UC San Diego graduate students in collaboration with researchers from the university’s Scripps Institution of Oceanography and Jacobs School of Engineering. Through the “Hearing Extremes” seminar, composers and artists work closely with geologist Emily Chin and oceanographer Joshua Jones, to develop interdisciplinary projects outside the walls of their respective departments, to think of the entire campus as a place for “great learning,” to reconsider what each participant’s role might be in regard to the collaboration, and to create works that would not be possible without a fully integrated approach that reflects the knowledge, technology and global issues of our time.

IDEAS: Hearing Extremes

Atkinson Hall

Mariachi La Joya Del Sur Showcase

Price Center East Ballroom Theater

Anita Chandavarkar presents their second DMA recital. Featuring works by Toru Takemitsu, Asha Srinivasan, and John Cage, the program will conclude with Duo Improvisation: flute and electronics with Anita and Tim Gmeiner (Il Poetic). 

Anita Chandavarkar, flutes - DMA Recital

Erin Graham, composition - PhD Dissertation Concert

Alexander Leong, percussion - Senior Recital

New Works for Guitar and Accordion: Seth Josel and Christine Paté

New Works for Guitar and Accordion: Seth Josel and Christine Pate

My speech floating in veils features pieces by the composers Akari Komura, Estefanía Lambuley, Wilfrido Terrazas, Juliana Ortigoza, and Natalia Merlano Gómez. All the pieces are written for voice and electronics and explore different voice approaches, allowing the performer to improvise and experiment. These compositions touch on various topics, including meanings and metaphors behind everyday observations, women's resilience, and the power of voice to create, express, and heal.  

Natalia Merlano Gomez, voice - DMA Recital

Nexus is a symphonic journey curated by Music Director and Orchestra Conductor Sameer Patel.

Celebrate the awakening of spring with Lili Boulanger's D’un Matin de Printemps. Discover Nina Shekhar's Lumina, a contemporary masterpiece that bridges the gap between tradition and innovation.

La Jolla Symphony & Chorus NEXUS

The MUS 130 Chamber Ensemble students instructed by UC San Diego Music faculty Takae Ohnishi present their Fall 2023 final concert in the Conrad Prebys Concert Hall on Friday, March 15 at 7:00 p.m.

Sarah Saviet is a violinist based in Berlin and dedicated to the performance of contemporary music. She performs as a soloist and chamber musician and is a member of the Saviet/Houston Duo and Ensemble Mosaik.

Sarah Saviet, violin

Michael Jones, percussion - DMA Recital

St. Lawrence String Quartet perfoms new works by undergraduate composers including: Kaira Hagan, Gabriel Nelson, Farhad Taraporevala, and Guantong Zhang.

103C with St. Lawrence String Quartet

Directed by Ken Anderson, the choir combines hundreds of voices to fill the auditorium with the uplifting sound of African American spirituals, blues, traditional songs, and gospel.

[POSTPONED] Undergraduate Honors: Kelly Feng, composition

Join La Jolla Symphony and Chorus on May 4-5, 2024, for an ethereal voyage 'To the Stars,' guided by the artistry of our Music Director and Orchestra Conductor, Sameer Patel.

Experience the lushness and angst of Webern's Passacaglia, op. 1, Osvaldo Golijov's mesmerizing Azul, a spellbinding tapestry of sound that takes you on a celestial journey of emotions and colors.

La Jolla Symphony & Chorus To the Stars

Our final concert of the Voices Festival is dedicated to the music of the late Kaija Saariaho, one of contemporary music's most extraordinary and original voices, with works rarely heard in Southern California, including Quatre Instantes and Leino Songs for voice and piano, instrumental works Folia and Ciel Etoile and more.    

A Tribute to Kaija Saariaho

Grace Talaski, clarinets - DMA Recital

The program features one of Mexico's most distinctive composers, Georgina Derbez who has written a remarkable group of songs to late poems of Emily Dickinson (Dickinson's "Envelope Poems") which have been translated into Spanish by the eminent Dickinson scholar Juan Carlos Calvillo. In Derbez' hands, the transcendent poetry is transformed into music that is by turns, ecstatic and intimate.  

Susan Narucki, soprano with Donald Berman, piano

Pandit Kartik Seshadri is a world-renowned force in the field of Indian Classical Music. As a sitarist, he attracted widespread attention when he began performing full-length solos at the age of 6 in India. The sitar maestro is now hailed as an “amazingly accomplished” musical powerhouse noted for his music’s “expressive beauty, rich tonal sensibility, and rhythmic intricacy,” praised the Washington Post while the Times of India (2011) noted that Seshadri’s concert was “a show stopper that transported the audience to soak soul deep in his mesmerizing performance.” The prestigious Songlines Magazine (U.K.) has in its March 2012 issue declared his latest album “Sublime Ragas” as one of the “Top Ten of the World’s ” CD’s (as with his 2004 Raga:Rasa album) further citing him as one of the “world’s greatest sitar players.”

Pandit Kartik Seshadri, sitar with Shashank Subramanyam, bamboo flute

Soprano Tiffany Du Mouchelle is known for her fearless performances of contemporary repertoire and her commitment to bringing commissioned works to life. Currently on faculty at the University of Buffalo and a graduate of the UC San Diego Department of Music, along with husband, the distinguished percussionist Stephen Solook, they will present a program of works that celebrate stylistic diversity in contemporary musical languages, and the expressive capacity of the singing voice.

Tiffany Du Mouchelle, soprano with Stephen Solook, percussion

Charles Ives: The Complete Sonatas for Piano


WEDS@7: Pianist Stephen Drury performs Charles Ives

Earl Howard's music showcases real-time processing of ensemble instruments, crafting a seamless electro-acoustic soundscape. The upcoming concert will present a variety of works for the ensemble, including duets and a solo performance by Earl Howard himself.

Earl Howard, Gerry Hemingway, Distinguished Professor of Music Mark Dresser, and Anthony Davis have nurtured a creative collaboration spanning over 40 years. Joining them for the April 12th concert is trumpet dynamo and UC San Diego Professor of Music, Steph Richards.

Earl Howard with Anthony Davis, Mark Dresser, Gerry Hemingway, and Steph Richards

Gravebirth is a group audio-visual-movement improvisation through which we represent parallel stories confronting social oppression. Nasim Khorassani contributed a poetic text, Zendegi (life), by contemporary Iranian woman poet Erfan Nazar Ahari. This text illustrates an old woman giving birth in a grave. In a reversed life process, the poem shows offspring in combat, emerging from the death zone into that of life. Kosuke Matsuda offered the novel “Silence” by Syusaku Endo, a story of Japanese Christians’ religious oppression in the 17th century. Neither of these texts aims to transcribe history merely but instead attempts to define the real figure of humanity.

IDEAS: Gravebirth

FREE Electro-Acoustic Workshop with Earl Howard, Anthony Davis, and Gerry Hemingway! 

Electroacoustic Workshop with Earl Howard, Anthony Davis, and Gerry Hemingway

The program will include a diverse selection of works, including Grand Alap: “A Window in the Sky” (1996), Toucher (1973), The King of Denmark (1964), ?Corporel (1985), by renowned composers Chinary Ung (b. 1942), Vinko Globokar (b. 1934), and Morton Feldman (1926-1987).

ArtPower presents Boarte Piano Trio

one fish two fish Percussion Ensemble is excited to present their Winter Quarter concert! Please join us Monday, March 18 at 7 P.M. to experience an array of modern chamber percussion music ranging from John Cage's Credo in US (1942) to Alexis Lamb's Lyric Dusk (2023). one fish two fish is an ensemble of undergraduate volunteers dedicated to music making of the highest quality through recent percussion repertoire. 

Natalia Merlano-Gomez instructs MUS 32VM Vocal Master Class for their end-of-term performanaces. 

Accompanied by Dr. Kyle Adam Blair. 

What can I as an individual know? What seems out of reach? In fact, how does “knowing” come about? In everyday life, one faces such questions constantly. One is perplexed by events, by the opinions of others, with deciding how to act in circumstances with immediate or more long-term implications. In contrast, other moments can feel immediately “right”. There’s no friction. Living in this world of disrupted comfort, we seek perspective. KNOWING / NOT KNOWING is an 80-minute musical work for narrator, recorded actors, live and filmed performers, projected imagery, San Diego’s SACRA / PROFANA Chorus, and 8- channel sound movement. The work’s text has nine sections spanning Infancy and Individuation through Communality and Knowledge. It is a montage of more than two dozen sources ranging from ancient Persian and Indian wisdom, through the contemporary voices of Chinua Achebe, Wallace Stevens, James Baldwin, Simone Weil, Albert Camus, Amanda Gorman, Carlo Rovelli, David Brooks, Toni Morrison and many others. Although their perspectives span time and arise from the living of contrasted lives, the composite weave feels natural: many voices speaking as one about the lives we all lead. “Trust implies a willingness to depend upon another.” … “Compassion is a miracle more astonishing than walking on water.” … “Make yourself into an agent – consistent, unified and whole.” … “Every human being is a miracle.”

Knowing / Not Knowing

UC San Diego Park & Market

Matthew Henson, originally from Kennesaw, Georgia, is a bassist, theorist, and conductor of classical, contemporary, and experimental music.  In 2020, Matthew graduated from the New England Conservatory of Music with a Bachelor of Music in Double Bass Performance and a minor in Contemporary Music Theory and Applied Composition, studying with Todd Seeber and Efstratios Minakakis, respectively.  While in Boston, he performed with many New England orchestras, including Symphony New Hampshire, the Cambridge Symphony, the Pierre Monteux Festival Orchestra, and was the principal of the Boston Civic Symphony.  Beyond the orchestra, he is a founding member of and the bassist for Alinéa, a chamber ensemble devoted to contemporary performance.  As a theorist, Matthew has focused on the music of Rebecca Saunders, exploring its unique forms and motivic usages.  As a conductor, Matthew has been an Associate at the Conductor’s Institute of South Carolina and has performed with NEC orchestras, choirs, and chamber ensembles, conducting standard and contemporary repertoire, including numerous premiers of works by NEC colleagues.  Currently, he is a graduate student at UC San Diego, studying Contemporary Double Bass Performance with Mark Dresser.

Matthew Henson, double bass - DMA Recital

Grad Synth Ensemble Full Concert - Thursday, March 14th, 2024 at Warren Lecture Hall, Studio B

Instructed by Tom Erbe in Winter 2024: witness an exciting journey through the world of modular synthesis.

Performers included Emir Chacra, Yifan Guo, Natalia Merlano Gómez, Myles Ortiz Green, Zehao Wang, Han Zhang, and David Aguila.

MUS 202 Synthesizer Ensemble

The UC San Diego Wind Ensemble, under the direction of Michael Jones, presents their Winter concert:  


95C Concert Choir

The UC San Diego Bach Ensemble is formed with selected string students from MUS130 (Chamber Ensemble Class) directed by Takae Ohnishi. The program includes J.S.Bach's Brandenburg Concerto No.3 in G major,  G.B.Sammartini's Symphonia in F major and A.Vivaldi's Concerto Grosso in D minor. Please come and enjoy "The Baroque Night!" with us at the beautiful Conrad Prebys Concert Hall. 

UC San Diego Bach Ensemble

Mus 33b Final Rec

This recital is a culmination of the compositional work I have done during my time at UCSD, and involves a large number of treasured collaborators, including Henry Wong Doe, Susan Narucki, Steven Schick, and Kyle Adam Blair. The concert will feature the premiere of Interviews, a substantial new work for instruments and voices, drawing on recorded interviews with my mother, and exploring issues of memory, identity, and family.

Alex Taylor, composition - PhD dissertation recital

Camilo Zamudio, a member of the percussion ensmeble red fish blue flsh, presents his first DMA recitlal in conteporary percussion performance. 

Camilo Zamudio, percussion - DMA Recital

The influential and beloved new music bassist Robert Black (1956-2023)
A Founding Member of Bang On A Can All-Stars
Champion of new solo works composed for the double bass

Bass Ensemble: In Memory of ROBERT BLACK

A musical celebration of International Womens' Day featuring vocal chamber music rarely heard in the United States, curated by Susan Narucki, award winning soprano and Distinguished Professor of Music at UC San Diego, joined by superb guest artists Kirsten Ashley Wiest, soprano, Alex Greenbaum, cellist and Alexander Ishov, flute.

WEDS@7 Changing Light - Music for International Women's Day

DISPLACEMENT: Aaron Mencher, composition installation

Eric and Jeff Rosenthal, brothers known collectively as ItsTheReal, are regarded as two of the most captivating storytellers and interviewers within the music space. Their prolific body of work spanning the past fifteen years encompasses pioneering podcasts, ingenious sketch videos, and compelling writing, all of which have garnered acclaim from reputable publications such as The New York Times and the LA Review of Books. A wide array of luminaries, including Jay-Z, Stevie Wonder, Cardi B, Questlove, Nipsey Hussle, Meg Thee Stallion and countless others, have sat down with ItsTheReal, who set themselves apart through the authentic expression of their identities, unconventional approach to questioning, and an infusion of absurdist humor.

ItsTheReal at The Loft

Price Center

UC San Diego Music welcomes the return of alumnus TERRY LONGSHORE - Professor of Music, Artist in Residence, and Director of Percussion Studies at Southern Oregon University. 

WEDS@7 red fish blue fish with Special Guest: TERRY LONGSHORE

On Thursday, February 22 at 5 p.m., the Qualcomm Institute’s IDEAS series hosts a live performance of composer Luigi Nono’s “La lontananza nostalgica utopica futura,” performed by violinist/violist Marco Fusi, musician, artist and UC San Diego Ph.D. candidate Michelle Helene Mackenzie, and UC San Diego Associate Professor of Sound Design Bobby McElver. The piece will be performed using several hundred loudspeakers in a custom wave field synthesis array built by McElver.

IDEAS: La Lontananza Nostalgica Utopica Futura

World-renowned violinist Marco Fusi will perform Lei Liang's 60-minute piece "Six Seasons" on violin and viola d'amore. "Six Seasons" was inspired by Liang's 6-year collaboration with scientists Joshua Jones and John Hildebrand of Scripps Institution of Oceanography. The music pairs live performance with natural sounds captured by hydrophones placed 300 meters below sea surface in the Arctic. Mingyong Cheng's visual display of NASA images of the Arctic will be enhanced by sonic spatilization by UC San Diego PhD candidate Charles Deluga, a member of the Lei Lab. 

Marco Fusi performs Lei Liang

DMA student cellist Robbie Bui presents "SEN [line]", a recital of music entirely by Japanese composers. There will be music by Dai Fujikura, Toshio Hosokawa, Toshiro Mayuzumi, Toru Takemitsu (featuring pianist Kyle Adam Blair, DMA '13), and a world premiere by PhD student Akari Komura, featuring live visuals and fixed media.

Robert Bui, cello - Graduate Recital

Led by Music Director Emeritus, Steven Schick, witness the world premiere of Nasim Khorasasani's new work, winner of the 2024 Nee Commission. Takemitsu's graceful From Me flows what you call Time, performed by the ensemble Red Fish Blue Fish. Niloufar Nourbakhsh's Veiled features a performance by cellist Robert Bui, complemented by electronics and video.

La Jolla Symphony & Chorus A Broken Hallelujah

Winners of a 2023 Avery Fisher Career Grant, and the 14th Banff International String Quartet Competition in 2022, the New York City-based Isidore String Quartet was formed in 2019 with a vision to revisit, rediscover, and reinvigorate the repertory. The quartet is heavily influenced by the Juilliard String Quartet and the idea of ‘approaching the established as if it were brand new, and the new as if it were firmly established.’

ArtPower presents Isidore String Quartet

This special Black History Month collaboration brings together healing and celebration grounded in African Diasporic connections through time, space, and sound. Back to Source goes back to the roots of West African music and infuses it with Black futurism of Chicago House, Detroit Techno, Funk and more. For the first part of the night, immerse yourself in a healing sound bath of ambient electronics accompanied by the ancient West African kora played by Fode Sissoko of the Joko International & DAANSEKOU Cultural Arts Collective. The rest of the night, dance and celebrate community resiliency to the rhythm of live West African drums and Blacktronika music provided by Professor King Britt. 

Blacktronika

The FLUX Quartet, one of the most fearless and important new-music ensembles around," (San Francisco Chronicle) has performed to great acclaim worldwide, including the Tate Modern in London with BBC Radio 3, Park Avenue Armory, Kennedy Center, Walker Art Center, Santa Fe Chamber Music Festival, arts incubators Mount Tremper Arts and EMPAC, and international festivals in Australia, Europe, and Asia. The group’s discography includes recordings on the Cantaloupe, Innova, New World, and Tzadik labels, in addition to the full string quartet catalog of Morton Feldman on Mode Records, and the complete quartet output of the late Toshi Ichiyanagi. Widely regarded as the authoritative ensemble on Feldman's epic String Quartet No.2, FLUX gave the premiere performance of the full-length version of the piece in 1999.

Bridge Music Series presents Flux Quartet

UC San Diego Music is honored to welcome composer and jazz legend HENRY THREADGILL to campus: Tuesday, February 6th at 8:00 p.m. at the Conrad Prebys Music Center, Experimental Theater.

Henry Threadgill's Dirt...And More Dirt

UC San Diego Music is honored to welcome composer and jazz legend HENRY THREADGILL to campus: Monday, February 5th at 6:00 p.m. for a conversation
with Anthony Davis and Jonny Stallings Cárdenas at the Conrad Prebys Music Center, Experimental Theater.

A guest of fellow Pulitzer Prize winner, Distinguished Professor of Music Anthony Davis, Mr. Threadgill is a composer, saxophonist, and flautist. He was awarded the 2016 Pulitzer Prize in Music for his album: In for a Penny, In for a Pound.



Henry Threadgill in Conversation

Ilana Waniuk, violin - DMA Recital

Duo Refracta

El Centro de Experimentación y Producción de Música Contemporánea (CEPROMUSIC), creado en 2012, es un espacio en el que convergen actividades artísticas y académicas en favor de la creación, desarrollo y difusión de la música contemporánea en México. Además de sus temporadas regulares en el Palacio de Bellas Artes, el Ensamble CEPROMUSIC ha realizado ocho giras internacionales con gran éxito de crítica y público, por Alemania, Colombia, Escocia, España, Inglaterra, Brasil y dos por Estados Unidos; así como residencias artísticas y académicas en Colombia, España, Estados Unidos, México y Reino Unido. En 2018, su trayectoria fue reconocida con una invitación al Festival de Verano de Darmstadt. El repertorio del ensamble trata de convocar a lo más amplio de la escena actual: de la nueva complejidad a la improvisación o del macro timbre al código en tiempo real.

Ensamble CEPROMUSIC

New Graduate Student Collaborations

Kosuke Matsuda is a solo percussionist born in Nagasaki, Japan, who has performed throughout Asia and North America. He began his percussion studies with Yoko Yamagajo and since his first exposure to percussion at a young age, Matsuda has devoted his life to the art of solo performance. He graduated from Ueno Gakuen University in Tokyo with a Bachelor’s degree in Percussion Performance (2015) where he studied with Masahiro Okada. He studied with Kunihiko Komori and Koji Fukamachi at the Aichi University of Fine Art earning his Master’s degree in Percussion and graduating at the top of his class in the Wind and Percussion instrumental department in 2017. Matsuda performed as a soloist with Lancaster Symphony in 2019 and was also given the honor of certification in the Japanese Arts and Cultural Agency Training Program by the Japanese cultural government. He earned a Master’s degree and Artist Diploma at the Frost School of music, the University of Miami, where he studied with Svet Stoyanov and Matthew Strauss. Matsuda is about to start his first semester as a Doctor of Musical Arts student and Graduate Teaching Assistant under Steven Schick at the University of California San Diego in 2021 Fall.

Kosuke Matsuda, percussion - DMA Recital

The eighth annual Reed Family Concert, given in thanks to the Reed Family for their long-standing support of Music Department students, will be presented on January 17 at 7:00 in the Concert Hall. In 2024 we will feature the work of three exemplary graduate students: flutist Sasha Ishov, percussionist Kosuke Matsuda, and composer Jiyoung Ko, whose composition sumbisori is also the 2024 Chou Commission. With this concert, we showcase graduate student excellence in both the performance and composition programs. We also offer a faculty tribute to retired UC San Diego Library Music Specialist Peter Mueller, by playing his Little Trio for clarinet, bass and percussion. Also on the program is the Webern Concerto.

WEDS@7 Reed Family Concert

The Grad Improvisers Forum (TGIF #4)

"The Listening Room" - Graduate students enrolled in MUS 215A, instructed by UC San Diego Assistant Professor of Music Sarah Hankins, present end-of-term projects, performances, presentations, and installations in / out / throughout the Conrad Prebys Music Center - on Thursday, December 14th from 7:00 p.m. to 10:00 p.m.  

The Listening Room

Miguel Zazueta instructs MUS 95C: Concert Choir for their end-of-term performance. 

Aleck Karis, piano and Steven Schick, percussion perform Birtwistle's Axe Manual

Final concert by the students of the Vocal Master Class Fall Quarter 2023. 

Mexican composer of the XX Century

Join La Jolla Symphony and Chorus for "New Beginnings," introducing LJS&C's new Music Director and Orchestra Conductor Sameer Patel! Reserve your seats for Dec. 9-10.

La Jolla Symphony & Chorus New Beginnings

The MUS 130 Chamber Ensemble students instructed by UC San Diego Music faculty Takae Ohnishi present their Fall 2023 final concert in the Conrad Prebys Concert Hall on Friday, December 8 at 7:00 p.m.

The Fall Composition Jury Concert presents an evening of world premieres by graduate composers.

Fall Composition Jury Concert

Prof. Lei Liang's "Introduction to Composition" final concert, featuring percussionist Mitchell Carlstrom premiering pieces written by the participants of the class. For most of the students, this is the first time they compose for percussion instruments. 

University of California, San Diego Department of Music

Jun 13, 2024

Best of ICAM - Pascal Album Release

Jun 13, 2024

Best of ICAM - Theater Presentations

University of California, San Diego Department of Music