RMC fejrer, at vinterens mørke langsomt fortager sig og foråret snart banker på. Derfor inviterer vi til et brag af en to-dages-festival 30.-31. januar i konservatoriets flotte sal Akvariet med udsigt over Erdkehlgraven og Holmens mørke vand.

Aftenerne forener eksperimenterende lydlandskaber, immersive installationer og dynamiske liveoptrædener og tilbyder en mulighed for at udforske den kommende generations bud på jazz og samtidsmusik.

RMC Vinterjazz - Immersive Evenings no.2

Akvariet

RMC Vinterjazz - Immersive Evenings no.1

At the online info meeting you can hear more and ask questions about the structure, content and entrance examination of the Masters Programmes Music Performance, Music Creation, Music Education and Nordic Master: The Composing Musician (NoCoM) at Rhythmic Music Conservatory (RMC) in Copenhagen.

EPSG:4326

Online info meeting: Kandidat / Masters 2025

Online

The Rhythmic Music Conservatory and its Copenhagen Centre for Research in Artistic Citizenship (CReArC) are honored to host the 9th SIMM-posium in collaboration with the international research platform SIMM (Social Impact of Music Making). SIMM is a global network of researchers and organizations dedicated to exploring the social impact of music-making across diverse cultural contexts.

SIMM-posium #9 - International Conference on Musicians as Makers in Society

Rhythmic Music Conservatory

Come to Holmen and get an insight into what the current rhythmic contemporary music can offer when RMC opens the doors to concert halls, rehearsal rooms and musical laboratories

Culture night at RMC

RMC & Sensorisk Verden are pleased to present a performance walk by soloist composer and researcher Alexander Holm. In Charged the audience is taken on a walk through the environment of Holmen, that radically questions the histories and hierarchies of this landscape. Voices and sounds turns the familiar into eerie stages, step by step through memory, movement and listening.

Afgang 2024: Alexander Holm

Else - Performance and artist talk with Jean Galmiche

Charged - Performance walk by Alexander Holm

I've had a bit of a writer's block for a while.. so I took this opportunity to go a bit bananas and try out new stuff.

I went to Greenland and wrote songs while traveling off-grid on a dog sledge together with other three musicians - it was liberating.
Then I took the train to Aarhus and co-wrote with Kasper Staub and Nanna Schannong in a studio - opened up for new sounds.

Departure 2024: Lo Ersare

Zeki Jindyl will  premiere his work 'STRETCH//RELATIONS' - a 40 minute genre-bending piece where different musical expressions meet, clash and interact. The piece is written as an exploration of a common denominator between Zekis biggest inspirations in music. You can expect haunting melodies that sound like a  distant memory of your favorite chorus, a brutal wall of guitars, a granular choir lullaby, sporadic and melodic improvisation, intense textural soundscapes and beautifully intertwined rhythms.

Afgang 2024: Zeki Jindyl

She will be performing songs that find space in the contrasts and dynamics between intimacy and longing, closeness and intensity, hints of clarity and waves of ambiguity.

Afgang 2024: Majke Voss

iB101 aka irrelevantbitch101 is the outspoken, tongue-in-cheek, and winsome project by the Danish-Malaysian singer, multi-instrumentalist, producer, and songwriter Martin Tangsgaard.

Departure 2024: Martin Tangsgaard

For my graduation concert I will play songs from my upcoming release, Seinferð. Seinferð means slow motion in Faroese, and the songs were written together with Teitur in snowy weather in Tórshavn, as a rebellion against the speed that prevails today. An inner rebellion against believing that you have to run as fast as others, when it doesn't feel right for you.

Departure 2024: Lea Kampmann

A performance collaboration of theatre, rap and high intense energy. Hiding behind a mask is actually a safespace to show your true face. This show will be a portrait of my different masks, and I will explore the ugliest, most vulnerable versions of myself. I have brought together a group of 6 other rappers/singers who I have been instructing musically as well as theatrical.

Afgang 2024: Sharon Kumarswamy

Drummer & composer Lasse Jacobsen is primarily known for his work with contemporary piano trio, Little North and synth-pop band, Yör. At the final concert he will present a completely new project exploring improvisation and sampling with multi-instrumentalists Jēkabs Rēders and Torstein Slåen.

Departure 2024: Lasse Jacobsen

The Copenhagen based Syringe lead by Arsene and Lasse B. Beck has evolved into massive aesthetic exploration, presenting research and deep diving on how to develop on the music standards.

The music for this production has been performed collectively and collaboratively, lyrics get manifested into space written by Arsene.

Afgang 2024: Arsene Mohrath

Signe Visby Nørregård works under the stage name Ly. Ly makes introverted, electronic singer/songwriter centered on vocal presence. She works intuitively with the computer as an instrument, and actively emphasizes all the sounds that are normally considered errors and therefore hidden away, such as breathing, computer glitches, or noise from the piano pedal. Ly makes the electronic relatable and allows the pop to be introspective and imperfect. A safe space is created, where you as an audience are met how you feel, and all emotions are celebrated and released through the music. You go home with a feeling that there is strength to be found in vulnerability.

Departure 2024: Signe Visby Nørregård

A 6 meter high speaker pendulum, a modular synthesizer and a pedal steel guitar are the basic elements of this solo concert by Uffe Nørtoft.

The work 'Hypnosis' tells stories about ordinary life: about being overwhelmed and hypnotized by everyday life and normality, about discovering the magic and poetry that supposedly hides there, and about the struggles it can lead to on the way!

Departure 2024: Uffe Nørtoft

In her bachelor's project, Viola Faber has worked on weaving together the boundaries between the first idea and the finished song. She has tried to notice her surroundings and her own working mode. Where does the inspiration to write a song start? Is it in front of the piano? Or in the light on the wall? She has collaborated with her friends, gone on writing trips and made music that feels loving and caring.

Departure 2024: Viola Faber

A duality is opposites that meet, and a kind of doubleness occurs. In the combination with cello and electronics, and the acoustic and electronic expressions meet each other, a kind of duo arises. There is a contrast, at the same time as a dialogue. Which sound already exists in the body of the cello, and which sound is created by external manipulation? And is there a constant balance, or does it switch between dialogue and monologue?

Departure 2024: Rosanna Lorenzen

Medea is the result of an unjust system. Taking inspiration from the tragedy of the same name, Medea channels resentment, grief and the feminine urge to take revenge when you’ve been pushed to desperation nearing violence by a society that demands the impossible. She embodies a love that tears you to pieces, and beneath her hard, cynical armour, she keeps a softness that almost destroys her. Medea is the ocean disguised as a woman and ranges from quiet, lonely tears to raging, destructive tsunamis.

Departure 2024: Mette Hommel

Destilled glitch design and cardboard QR, delved from recordings of non-digital free improvisations.

Exploring extended ways of the laptop performance by blending physical and digital rooms with homebrewn tools.

Departure 2024: Victor Heiber Bull Willaredt

Albert Aagaard Hertz has worked with minimalism and guitar-based songwriting as means to return to a bodily way of composing and performing music. He has investigated the movements in creation and listening where the material folds; delivers itself bluntly whilst simultaneously hiding, and thus creating a pre-reflexive wonder. This folding can show itself in numerous ways; in the poeticization of repetition, in empty space, aesthetic juxtapositions or in a pop song barely audible through combatant noise. This seemingly wrinkled piece of paper is reminiscent of guitar-driven shoegaze, indierock and artpop.

Departure 2024: Albert Aagaard Hertz

Casper Hejlesen is an up-and-coming and award-winning guitarist and composer who, despite his young age, has managed to create an original sound as an instrumentalist as well as a composer. The sound is playful, energetic and full of curiosity, but at the same time contains a great respect for minimalism and the space that embraces the music.

Departure 2024: Casper Hejlesen

Puyain Sanati is a Danish-Iranian, Copenhagen-based composer and sound artist. Hailing from a background in more dance-oriented club music he now also works within the field of electroacoustic and abstract music. Influenced by his Iranian background, he has been delving into his artistic research making a kind of Iranian electronic music. Sanati utilises a range of technical approaches, including experiments with electronic processing and acoustic sources, side by side and together.

Departure 2024: Puyain Sanati

ELINBORG, an artist born and raised in the idyllic town of Gøta in the Faroe Islands, has since a young age cultivated music and songwriting with a passion that reflects her close connection to nature and the surroundings around her. Her musical expression is described as "dark electropop".

Remainder 2024: Elinborg Pálsdóttir

In this project, the protagonist takes on many faces, as it becomes an observer of the spectacle and drama of everyday life. Through the grayness of reality, the songs search for an underlying extravaganza in the mundane living. The result is a somewhat intimate and twisted universe, in which reality and dreaming merge. Themes to be discovered in this journey are feelings of loneliness, of time slipping too fast, and of love and surrendering.

Departure 2024: Alba Akvama

Departure 2024: Julie Boda

Saddle up, Debbie goes country! Under the artist name Debbie Sings, she's previously worked with a diverse array of references to different genres in order to create her own foot-stompin', heart-pumpin' style of energetic and boundary-seeking pop music. Now she'll do her best to walk the line between old-school and futuristic sounds with country music as the framework for her concert. Embark on a both sonic and visual journey when she'll bring along her favorite country musicians to create an entertaining experience using the serene beauty of the countryside and a lot of other stuff from our galaxy.

Departure 2024: Sophia Hage

'CONCENTRIC CYCLES' is a personal artistic reflection of a 2 year growing process, in which I investigated artistic perspectives & the aesthetic potential around the context of circular rhythmic & ambient electronic music, as well as sequence based improvisation. Through the process of merging rhythmic and melodic components in a modular electronic set up, the sonic structures are occurring in morphing meditative patterns, which appear in a constant flow and are full of possibilities in transformation. The musical creation is influenced by the cyclic cosmology & spirituality from various cultures around the world & draws performative elements from classical Indian music.

Departure 2024: Emanuel Elischa

Exploring unconventional ways of being inventive with strings, this concert is a demonstration of ideas for circumventing the user-defined qualities of the guitar. Homebuilt instruments, circuit bent effect pedals, prosthetic fingers, counterintuitive techniques and several hands on one fretboard are among the methods of this exploration.

Departure 2024: Taus Bregnhøj-Olesen

'The Garden Of Earthly Delights' is a painting by the Dutch painter Hieronymus Bosch (ca. 1450-1516) which covers the theme of humanity's need to realize its desires and its fantasies, ultimately leading to its own destruction. Paradoxically enough, the painting also presents itself as an ode to fantasy and creativity, and to this day is still viewed as a timeless classic still with futuristic qualities. This begs the question: Should we examine the truths which are contained inside our fantasies as opposed to realizing our fantasies into the real world? And is that what art is really about?

Departure 2024: Torstein Slåen

The project is about Exploring and documenting Danish Activism through music. (By capturing the essence of protest culture in Denmark through the medium of music). And interlocking with my own sound/Artistic expression.

Afgang 2024: Adam Mwadama

If you like waxy plastic, aggressive pop and rubbing alcohol, you will love this.

Epilepsy warning: strobe lights and other intense lighting will be used during this performance.

Remainder 2024: Vera Gerup

Elias is now facing finishing his education at Rytmisk Musikkonservatorium, where he will present his bachelor's project, 'The Informal Leader'. Here he will invite you to a listening session where he will take you through his journey as a music producer in the USA.

Departure 2024: Elias Danielsen

What do you do when you realize you are at a low point in life?
You reach out to your friends, you seek help, you call the doctor and try to call the devil by name: depression, heartbreak and anxiety.

Departure 2024: Nicolai Rønde-Becker

'The Frankenstein Project' is a project of Sebastians Macats, a drummer, composer, and producer from Riga, Latvia. During his studies at RMC, he has worked with acoustic, electronic, composed and improvised music, which has created the feeling of having ‘’different limbs’’. This project is an attempt to ‘’sew together’’ the different working methods he has experimented with by the use of electronics and acoustic instruments - creating music that is aimed to be inclusive for various audiences. The concert will be a genre blending and bending experience!

Departure 2024: Sebastians Macats

Experience a live immersive concert, where I attempt to expand the boundaries of traditional music performance. A concert where your auditory perception of the sound is enriched through the use of spatialization.

In this orchestral production, I merge prerecorded and produced spatial sounds with live instrumentation. From the percussive melodies of modular synths to the rich resonance of strings, the vibrant rhythms of drums, and the profound depth of bass, each element intertwines to weave an immersive sonic tapestry that surrounds you with sound from all directions.

Departure 2024: Mikkel Nejrup Forchhammer

Electronic singer and producer, Julius Winther, will present new cloudy and faded pop tracks. With hard beats in his left hand and twisted sonic dreamscapes in his right, he will combine them into a big blue smoke.

Departure 2024: Julius Vinther Raabo

How do you convey a vision? Led by producer Albert von Bülow, this project seeks to explore the relation between imagination and interpretation; to capture these fleeting ideas before they escape and give them the potential to unfold into tangible material.

Death in 2024: Albert von Bülow

pixel.daddy works in the gap between the synthetic and the authentic. With found footage video, pixel creates video and sound collages over techno/dance inspired beats. This performance will go from CPH Dox to Culture Box in its weaving in and out of club music and documentary film.

Departure 2024: Lewis Brøndum Parker

Friends With Bene has finally got friends. In fact, as many as 8, who together with Bene will convey the songs she has written. It's going to look grandiose but cute, some might say romantic.

Bene has spent the last six months writing and arranging for a 9-person band, and at the same time also focused on writing lyrics in an attempt to learn more about himself. The music you're about to hear lives in a sensitive and upbeat indie world, drawing inspiration from everything from Andy Shauf and Big Thief to Taylor Swift and Troye Sivan.

Departure 2024: Benedicte Pierleoni-Nielsen

Oscar Friisgaard is a Danish composer and sound artist deeply invested in spatial sound, recognizing its potential to redefine the relationship between listener, sound, and space. Through his work, Oscar explores how spatialization can create new listening agendas and contexts for sound, fostering intricate connections between audience and artwork.

Departure 2024: Oscar Friisgaard

A muffled echo under water. An incubator for homeless music technology. Squeaky tape loops and flammable children's keyboards. Like the toy that slid to the back of the shelf to collect dust. Do you remember what it sounded like?

Departure 2024: Daniel Hilden Honore

What does the protest song sound like on the other side of an ecological collapse? For her bachelor concert, Agnes Ea invites the listener into this investigation.

Stretched between mythology and everyday life, noise and silence, a single voice and a common sound, she experiments with ways to tune into the times and environments we are a part of. An attempt to re-establish the ground connection.

Departure 2024: Agnes Fogh Schmidt

Emotions and essence in music are incredibly difficult to put into words. Language can feel too coarse to describe something as delicate as an emotional reaction. When can one "feel it" and why? I see it as my most important task as a producer to assist artists in creating music that feels authentic and emotionally resonant. But how does one do that best?

Departure 2024: Carmen Tynell

"The child grew, and was often ashamed of what grew, but also of what it grew from, and there was no choice, because the growth would not stop after all. It continued relentlessly. It was not so much a shame towards certain people or over individual incidents, but more like an eternal grudge and a jealous current through everything.”

Departure 2024: Magnus Kudsk Rasmussen

After 9 years of collaboration and participation in various projects, I now feel a strong inner need to take the next step and explore my creativity as a solo artist. My bachelor project revolves around my longing to create music exclusively on my own.

Departure 2024: Christian Sigvardt

Ghaeis, musikproduktion, en bachelor-opgave der omhandler isolation og hvordan isolation vil påvirke den kunstneriske proces.

Afgang 2024: Ghaeis Khyber Omar

As a body of work or the works of bodies, INDEX OF HATE (M. Morville & M. Pilgaard Grishauge) posits the possibility of a practice of methodological aversion-centrism through INDEXATION-AS-RESEARCH.

In confrontation and engagement with OBJECTS OF HATE (OOH), a transformational process of erosion of the self’s personhood into the material is initiated, and tacitly shepherded onto a globality of the always-already new.

Departure 2024: Mads Morville

Nina and Alfred write music about existential periods of growth thus navigating you through the absurdity of life. From falling in love with birdlike creatures to themes of green monsters lurking in abandoned amusement parks, each song has a story unfolding into a world in-between reality and fantasy.

Departure 2024: Nina Larsen & Alfred Lykke

Simon Hiemstra plunges headfirst into the depths of the avant-garde metal scene with his bachelor project. Usually active in the experimental rock bands Poptones and Swimming Pool, he now embraces the metal tradition through downtuned guitar riffs, chaotic speed and frightful tonality.

Departure 2024: Simon Hiemstra

How does it feel to live in the shadow of war? And how can this feeling be conveyed to those who live far from conflict and crises? These are the questions addressed by the project ‘Community singing in the shadow of war’.

Departure 2024: Anders Hjernø

Departure 2024: Oscar Alstrup

‘Soli City’ presents a groundbreaking deconstruction of the western composing tradition, mixing the uncanny and romantic in a way that has never been heard before.

The orchestra's interdisciplinary investigation explores the dynamic interplay between cultural artifacts and digital technologies, revealing concealed patterns and profound insights within our contemporary society.

Departure 2024: Harald Bjørn

Simon Plancke is a Belgian musician who has been fortunate enough to work a lot with the dance department of Den Danske Scenekunstskole during his bachelor at RMC. In this performance, he explored together with four dancers how to create a performance together from scratch where everyone has an influence on the outcome based on the agreed upon concepts and themes.

Departure 2024: Simon Plancke

Eir draws a light veil of bright pink neon over his digital melancholy. Synths and sampled beats lay the foundation for the core of the music - a soprano voice that alternates between finely tuned and powerful, always with the greatest possible presence. With roots in the Nordic DIY scene, the heart of Swedish pop wonder, and newer influences of contemporary experimentation, how catchy and naive elements can also leave room for thought.

Departure 2024: Sanna Heinstedt

At the core of this project by Rebecca Molina, lies an exploration of using the SPD sampler as a bodily compositional tool. Hand-played samples take center stage, which includes elements of guitar samples, white noise, airy flutes, gritty distortion, and mechanical acoustic drums. Each element is woven together to create a lively soundscape of textures and contrasts, where the samples stand out on their own terms and expression.

Departure 2024: Rebecca Molina

I would like to present a selection of songs written from collective improvisations. In my bachelor's project, I worked with improvisation in a pop context. Together with talented musicians, we have improvised based on different leg spans and written pop songs together.

Departure 2024: Thomas Mulcahy Alexandersen

This concert will exhibit her exploration of both English and Icelandic in search of how linguistic identity affects her music. Using a language with less than 400.000 speakers has its limitations in relation to an international audience. Though Iceland is a unique place with tall mountains, active volcanoes, and beautiful souls - singing in Icelandic is both a challenge and a gift, and very near to K.óla’s heart.

Remainder 2024: Katrín Helga Ólafsdóttir

This is a little music. A series of small movements that repeat and through the repetition take shape anew. Starting from small and simple compositions, a carpet is woven, impermanent and changeable. This is fragile music, it wants to present and tell about the sonorous core of the instruments. The ensemble in this small chamber work consists of instruments that are most often heard in old music, the work tries to create a chamber where what was, what is and what will be exist at the same time.

Departure 2024: Johan Suurballe Wieth

Dette er en lille musik. En serie af små bevægelser der gentager sig og gennem gentagelsen former sig på ny. Med afsæt i små og simple kompositioner væves et tæppe, forgængeligt og foranderligt. Dette er en skrøbelig musik, den ønsker at præsentere og fortælle om instrumenternes klanglige kerne. Ensemblet i dette lille kammerværk består af instrumenter der oftest høres i en gammel musik, værket forsøger at skabe et kammer hvor det der var, det der er og det der bliver, eksistere i samme tid.

Afgang 2024: Johan Suurballe Wieth

In his electronic compositions, Kristoffer Rønnow explores a playful and experimental form of dance music that exudes a quirky lightness and longing tension. This musical exploration is deeply marked by a long course of illness with ME, where silence has become an integral part of both the compositions and the creative process.

Afgang 2024: Kristoffer Rønnow

A middle piece is a lace band, sewn into a piece of linen, e.g. a tablecloth or a pillow cover.

The guitar ensemble Mellemværk is a project about guitars and the roles associated with this legendary instrument. In Mellemværk there are no guitarists, but 6 guitar players, led by Alvilda.

Rhythmic Music Conservatory

Jan 31, 2025

RMC Vinterjazz - Immersive Evenings no.2

Jan 30, 2025

RMC Vinterjazz - Immersive Evenings no.1

Rhythmic Music Conservatory