Debussy’s Prélude à l’après-midi d’un faune, heard here in Judy Loman’s delicate transcription, opens with its famous languid flute solo, dissolving boundaries between dream and waking. Jean-Michel Damase’s Sonata for Flute and Harp continues in this refined tradition, its four movements blending classical clarity with supple lyricism: graceful lines, a gentle but restless Andante, a spirited scherzo-like third movement, and a Finale that shifts from introspective calm to dazzling brilliance. 

William Alwy

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May 28, 2026

Lucy Driver and Mared Emyr Pugh-Evans · Sinfonia Smith Square

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