Lucy Driver and Mared Emyr Pugh-Evans

Debussy’s Prélude à l’après-midi d’un faune, heard here in Judy Loman’s delicate transcription, opens with its famous languid flute solo, dissolving boundaries between dream and waking. Jean-Michel Damase’s Sonata for Flute and Harp continues in this refined tradition, its four movements blending classical clarity with supple lyricism: graceful lines, a gentle but restless Andante, a spirited scherzo-like third movement, and a Finale that shifts ...