Composer

Schubert wondered how he could follow in the pianistic footsteps of Beethoven. In the end, he found a way – following that composer’s terse intensity with a world of lyrical expanse, mining emotional complexity through technical simplicity. An icon among pianists, Elisabeth Leonskaja, comes to the festival to traverse Schubert’s world from the dreamy but turbulent B major sonata to the abysmal melancholy of his penultimate work in the form and the peak of the composer’s vision of the Impromptu.

Elisabeth Leonskaja

University of Oxford

Festival song recital Christian Gerhaher 2

Max-Joseph-Platz

Led by Michael Collins, Wigmore Hall Soloists brings together some of the world’s finest musicians to form a unique, flexible chamber ensemble. Its latest concert unites two masterworks for wind and string ensemble. Beethoven’s carefree Septet became an international hit during his lifetime, while Schubert’s Octet was brought to life by many of the musicians who gave the Septet’s first performance.

EPSG:4326

Wigmore Soloists

Wigmore Hall

The towering pianistic talent that is Steven Osborne opens the festival at Christ Church Cathedral with two standout masterpieces of the Viennese school. He starts with Schubert’s last and greatest piano sonata – a work of introspection, volatility but unbounded lyricism that had a profound influence on Beethoven. And Beethoven balances it here in the form of the greatest set of keyboard variations after Bach’s Goldbergs – the journey from the plain to the celestial that is Beethoven’s monumental Diabelli Variations.

Steven Osborne

Christ Church Cathedral, Oxford

Vienna Classics On The Colonade

Mill Colonnade

The Perelada Festival welcomes the return of Bryn Terfel, one of the great voices of our time, in a recital that is presented as a living synthesis of his artistic journey. With a career that extends over almost four decades, the Welsh bass-baritone has built an interpretative universe that embraces from Mozart to Wagner, from the Romantic Lied to the traditional song, always with the same expressive conviction and deep respect for the musical material.

Bryn Terfel

Església del Carme

Three exceptionally fine piano trio partners offer a richly flavoured banquet of pieces in the first half of their programme before entering the infinitely broad imaginative world of Schubert’s Piano Trio in E flat, complete with the introspective agitation of its exalted slow movement and vast sweep of a finale that begins with the most innocent of ideas and expands to encompass every shade of emotion.

Alena Baeva violin; Kyril Zlotnikov cello; Vadym Kholodenko piano

Veronika Eberle’s exquisite artistry, heartfelt, fearless and immaculate in execution, transcends the demands of virtuosity to reveal the core of the music in her broad repertoire. She and Dénes Várjon form an ideal partnership in three emotionally-diverse works, spanning the exuberance of Schubert’s youthful Sonatina, the Beethovenian gravity of Busoni’s Second Violin Sonata and the passionate, complex three movements of Bartók’s Violin Sonata No. 1.

Veronika Eberle violin; Dénes Várjon piano

We invite you to listen to the incendiary cello music at Paliesius Manor! Augustas Gocentas will perform – a Lithuanian cellist, born into a musical family in Vilnius. He began studying the cello at the MK Čiurlionis School in the class of Ramutė Kalnėnaitė, and also studied piano for eleven years in the class of Jūratė Rudaitienė. The cellist received his bachelor's and master's degrees at the Sibelius Academy and in 2024 became a member of the Turku Philharmonic Orchestra.

Burning Cella

Paliesius Manor

Mendelssohn’s Violin Concerto doesn’t leave you waiting, with the soloist launching dramatically into its lyrical story from the start.

Benjamin Beilman performs Mendelssohn’s Violin Concerto

Sydney Opera House

Evening Recital N° 4

Semperoper Dresden

Delirium Musicum

Central Park

9.  Chamber Concert

Hoghehus Lübeck

Next Level shatters all common stereotypes of a classical concert! This requires unconventional, experimental, and inspiring characters on stage and an open-minded audience that is curious about unusual program combinations, wants to be close to the concert hall with a drink in hand, and appreciates the dialogue with the musicians. Next Level, the other face of classical music – new, unsettling, exciting, intoxicating.

Symbiotic Clash

Tobacco Quarter Hall 1

Yannick Nézet-Séguin conducts the Chamber Orchestra of Europe – an ensemble with a special history. Founded in 1981 by young musicians who had met in the EU Youth Orchestra, the ensemble is still democratically organized today. Claudio Abbado was the most important mentor from the very beginning. Today, the Chamber Orchestra of Europe is one of Europe's leading chamber orchestras.

Yannick Nézet-Séguin

Festspielhaus Baden-Baden

Schubert's Countryside Desire

German-born Rolf Schulte, whom The New Yorker has called “one of the most distinguished violinists of our day,” started playing the violin at age five under his father’s tutelage. He later studied with Kurt Schäffer at the Robert Schumann Institute in Düsseldorf, attended Yehudi Menuhin’s summer course in Gstaad, Switzerland, and studied with Franco Gulli at the Accademia Chigiana in Siena before moving to the United States to study with Ivan Galamian at The Curtis Institute of Music in Philadelphia. At age 16, he made his orchestral debut with the Philharmonia Hungarica in Cologne, playing Mendelssohn’s Concerto. Under the auspices of Young Concert Artists he gave his New York debut at Town Hall to great acclaim.

Rolf Schulte, violin; James Winn, piano

The Chapel Restoration

He is among the absolute pinnacle of the international conducting profession: Franz Welser-Möst, current head of the Cleveland Orchestra, returns to the podium for the final crowning glory of the 2025/2026 season. The former General Music Director of the Vienna State Opera brings with him lively works that celebrate the musical culture of his Austrian homeland – and simply spread good cheer!

NDR Elbphilharmonie Orchestra / Franz Welser-Möst

Elbphilharmonie Hamburg

Late night concert with Ensemble MidtVest and this year's star soloist Sebastian Klinger. Look forward to experiencing an absolutely world-class cellist.

Nørre Vosborg: Late night concert

Nørre Vosborg

The turning point was the failed revolution of 1848–49: before, music was forward-looking, young, like spring; after, it became bombastic, supporting the state. No wonder Yannick Nézet-Séguin always turns to early Romanticism like to a secret, first love. Listen to your inner revolutionary with Schubert, Weber, and Mendelssohn – it's so refreshing!

Songs old and new occupy Andrè Schuen and Daniel Heide. They turn the clock back to the world of ancient Greek myth, as so vividly imagined by Schubert, and show its eternal relevance. The baritone from the South Tyrol, commended by Gramophone as the owner of a ‘free-ranging voice, used with taste and invariable sensitivity to the text’, is joined by his regular duo partner in Unerzählt, Thomas Larcher’s intimate cycle of songs to poetry by the great German writer WG Sebald.

Andrè Schuen baritone; Daniel Heide piano

Among the great pianists of our time, Christian Zacharias is considered the one who most naturally combines intellectual insight with an unpretentious narrative tone. His sophisticated Blaibach program—following masterpieces by Joseph Haydn and Franz Schubert—builds a bridge from the Baroque to the compelling originality of the French master composer Francis Poulenc.

Piano recital Christian Zacharias

Blaibach Concert Hall

Described by The Guardian as possessing 'innate pianism, with musical sensibilities and a daring honed by a lifetime of experience', Leonskaja will perform three piano sonatas in full, by Mozart, Beethoven, and Schubert – showcasing these composers’ mastery of the sonata form.

Elisabeth Leonskaja In Recital

Barbican Centre

Folk roots and the joys of virtuosity belong to this delightful programme from Xuefei Yang and Ning Feng. They open with a Paganini rarity, the Sonata concertata, a scintillating showpiece packed with delightful melodies, and voyage into Schubert’s Arpeggione Sonata, written originally for a bowed guitar. Xuefei Yang’s spellbinding arrangement of a beloved Chinese folk song prepares the way for the sparky rhythms of Bartók’s Romanian Folk Dances.

Xuefei Yang guitar; Ning Feng violin

The European Orchestra Academy is a joint initiative between the Budapest Festival Orchestra (BFO) and the European Union Youth Orchestra, founded under the visionary guidance of Iván Fischer. This prestigious program provides talented young musicians from around Europe with invaluable orchestral experience alongside the BFO, while also offering them the opportunity to perform as chamber ensembles across numerous European countries.

Masterclass of the European Orchestra Academy – Closing Concert

BFO Rehearsal Hall

Even after 45 years, they still perform at the highest level: the "four world-class string players from Salzburg" ( Hamburger Abendblatt ). The Hagen Quartet's unprecedented career began in 1981. Numerous competition successes, a breathtaking discography, and tireless exploration of the virtually limitless quartet repertoire soon transformed the four musicians into a globally acclaimed ensemble with a distinctive profile. With Franz Schubert's last two string quartets—the ensemble's requested program for this occasion—the legendary Hagen Quartet bids farewell to the Salzburg stage.

Master Concert: Hagen Quartet Farewell Concert

Mozarteum Foundation

“My songs plead softly” – A song recital without words

Music School Conservatory Bern

6. Chamber Concert: Depths of Passion

Allerheiligen-Hofkirche

Even if it starts with the folk-song text "To wander is the miller’s delight," Schubert's cycle Die schöne Müllerin is not a collection of innocuous  traditional songs. Instead, we have before us possibly the most beautiful early Romantic opera, albeit in miniature format. A man breaks down because of unrequited love. This octet version combining string quartet, double bass, clarinet, bassoon, and horn, an ensemble invented by Schubert, paints the existential drama in even more vivid colors.

The Beautiful Miller's Daughter

It’s the tail end of the big, bad 1980s in Hollywood, and the party has been raging hard. Aqua Net, Lycra, lace and liquor flow freely at one of the Sunset Strip’s last legendary venues, a place where sex machine Stacee Jaxx takes the stage and scantily clad groupies line up to turn their fantasies into reality. Amidst the madness, aspiring rock star (and resident toilet cleaner) Drew longs to take the stage as the next big thing (and longs for small-town girl Sherri, fresh off the bus from Kansas with stars in her eyes). But the rock ’n’ roll fairy tale is about to end when German developers sweep into town with plans to turn the fabled Strip into just another capitalist strip mall. Can Drew, Sherri and the gang save the strip – and themselves – before it’s too late? Only the music of hit bands Styx, Journey, Bon Jovi, Whitesnake and more hold the answer.

Rock of Ages

Chapel Street Players  

Verdi's Four Sacred Pieces represent the composer's spiritual testament and achieve unprecedented dramatic power – from the poignant lyricism of the Ave Maria to the monumentality of the Te Deum . They will be performed by the Chorus of the Montpellier National Opera, prepared by Noëlle Gény. In counterpoint, Schubert's Symphony No. 5 , composed at the age of 19 in the euphoria of his discovery of Mozart, embodies a vibrant homage to Viennese classicism. Under the sensitive direction of Italian conductor Clelia Cafiero, the strings dialogue with Mozartian transparency, while the woodwinds bring a pastoral hue to this youthful work that adopts romantic harmonic colors. Between fervor and light, an evening where the sacred is by turns intimate and grandiose.

Sacred Pieces

Opéra Comédie

Ismael Perez Ramirez, tenor

Northwestern Bienen School of Music

Accademia Bartolomeo Cristofori

Maggio Musicale Fiorentino Theatre

Beethoven, Mendelssohn & Schubert

A finale with two masterpieces. Who doesn't know and love Schubert's only piano quintet with its famous variation movement on the "capricious trout"? The song's cheerful tone imbues the entire quintet with an aura of carefree musical joy, to which its bright, luminous sound also contributes. In stark contrast, this is preceded by Brahms's long-matured, final piano quartet, which reflects deep biographical conflicts. It is among the most impressive chamber music of the Romantic era. When he sent the final version to his publisher, Brahms once jokingly suggested that the edition of the score should include a picture of the composer "in a Werther costume"—an allusion to Goethe's despairing suicide victim, as well as a reflection on the lingering effects of his more than 20-year-long turmoil in his love triangle with Clara and Robert Schumann.

Trout Quintet

Hessischer Rundfunk

4. Chamber Music in Strausberg – String Quartet and Clarinet Quintet

Kreismusikschule Märkisch-Oderland

Alexander Malofeev's debut was brilliant! The pianist stepped in for the ill Evgeny Kissin at a concert of the Frankfurt Radio Symphony Orchestra - and the audience could hardly contain itself. The Frankfurt audience rewarded Malofeev's virtuoso playing with thunderous applause, not so much for its power as for its melody and transparency. It was high time for the 23-year-old to give a recital at the Alte Oper. Malofeev readily admits that he feels most at home alone on stage. He then gives an insight into his world of sound: "It's always my own space, even when hundreds of people are listening. I let them in. I like to create my own space. In the Mozart Hall, Malofeev creates a sound space that spans Scandinavia, France, Vienna and his Russian homeland: Characteristic pieces glowing in intense colours.

Alexander Malofeev, piano

Alte Oper

Seho Young, piano

Tian Tang, piano

"Here, alongside impulsive unconditionality, one also hears ghostly sounds, the most delicate details, and breathtaking filigree work." – the Frankfurter Rundschau newspaper can hardly contain its enthusiasm in its review of the groundbreaking recording of Schubert's "Die schöne Müllerin" (The Beautiful Miller's Daughter), which star tenor Julian Prégardien and fortepiano expert Kristian Bezuidenhout presented in 2024. With their reinterpretation of this famous song cycle, the two transform the small hall of the Elbphilharmonie into a chamber of beautiful lovemaking.

Julian Prégardien / Kristian Bezuidenhout

Chamber music icons in the former Rothschild orangery. The Frankfurt Radio Symphony Orchestra (hr-Sinfonieorchester) presents three captivating trios by Shostakovich, Rachmaninoff, and Schubert at the premiere of its "Chamber Flicker" series in the historic pavilion in Frankfurt's Günthersburgpark. An early stroke of genius by the young Shostakovich meets a musical gem from the late Schubert and Rachmaninoff's melancholic "Trio élégiaque No. 1." Shostakovich was just 17 when he composed his Piano Trio, which was only published from his posthumous manuscripts in 1983. Schubert's Piano Trio is one of his last and most mature works, which, according to Robert Schumann, swept over the musical scene of the time "like an angry apparition from heaven."

Trio élégiaque

Orangerie

Season Finale Dreaming Big

University of Nevada

Every season deserves a finale that means something. This one is built around two opposing ideas: the perfect ending and the impossible one.

Schubert's "Unfinished" Symphony stops mid-sentence. Two movements, then nothing. He never explained why. The most famous incomplete work in the repertoire — and arguably the most perfect, because its silence says everything the notes can't. It opens the evening like a question.

Mozart's "Jupiter" Symphony closes it with the answer. The final movement is the most architecturally elaborate thing Mozart ever wrote: five themes, running simultaneously, woven into a fugue so dense and so inevitable that when it ends, it feels like the only possible conclusion to anything — the season, the year, music itself. Beethoven heard it and spent a decade trying to write something as good.

Together they make an argument: some things need to stay open. Some things need to close properly. A great season finale knows which is which. After the final chord, drinks will be served in the foyer. You are not required to leave quickly.

(Finishing) Unfinished Business

Artelize Hall

Every season deserves a finale that means something. This one is built around two opposing ideas: the perfect ending and the impossible one.


(Really Finishing) Unfinished Business

Mariotti. Visioni d’addio

Teatro dell'Opera di Roma

Chamber Music in the Brahms-Saal

Musikverein Wien

Xin Quan, violin

Thanks to our continuing partnership with Wigmore Hall, every three years we bring a world-class string quartet to Leeds for nine exciting performances.

Opus13 - Quartet in Residence

Leeds Conservatoire

Rohan Purohit, tenor

The Residentie Orkest will bring the season to a grand close at Amare with two impressive works. Jean Sibelius's Violin Concerto is infused with the spirit of Finnish nature - you can see the mist rising over dark lakes, hear the echoes of deep forests and feel the biting cold of the rugged landscape in every note of this chillingly beautiful work. Artist in residence Bomsori Kim will bring the slow rhythms of nature to life with her masterful violin playing, under the baton of chief conductor Jun Märkl.

Bruckner & Sibelius

Amare

Peng Huang, violin

The Pavel Haas Quartet is revered across the globe for its richness of timbre, infectious passion and intuitive rapport. Playing “as if their lives depend on it” (The Times). Based in Prague, the quartet performs at the world’s most prestigious concert halls and has received numerous high-profile awards for its recordings, firmly establishing them as one of the world’s foremost string quartets.

Pavel Haas Quartet

St Lawrence Church

Helaine Liebman, soprano

Dahlia String Trio plays three masterpieces from three centuries, each offering a unique exploration of string texture.

Poetry in motion

Unitarisk Kirkesamfund

The “Schubertiade” was a concert invented during Franz Schubert’s lifetime by his friends, who would gather for long evenings to enjoy their favorite composer’s music. Join us for our season-closing Schubertiade exploring Schubert in three settings: his inimitable four-hand piano music, his virtuosic vein with a violin-and-piano showpiece, and his profound statements in the epic Trio in E-flat major, which took the genre to unparalleled levels of complexity and emotional intensity.

Schubertiade

Lincoln Center for the Performing Arts

Get ready to laugh, reflect, and swoon as the Atlantic String Quartet ends the Recital Series with a night of clever contrasts and string-filled storytelling!

Recital 4 kicks off with Joseph Haydn’s “The Joke”, a witty masterpiece full of musical punchlines and unexpected pauses that’ll keep you on the edge of your seat (and maybe giggling under your breath). Then, journey into the heart of Eastern Europe with Borys Lyatoshynsky Suite on Ukrainian Themes—a rich tapestry of folk melodies and bold harmonies that sing with national pride. Finally, sink into the youthful lyricism of Franz Schubert’s String Quartet No. 4, a charming early gem that already hints at the emotional depth and elegance that made him a Romantic powerhouse.

Recital 4

Memorial University School of Music

Concert 8

La Jolla Woman's Club

Arcadi Volodos

Teatro alla Scala  

Sarasota Orchestra closes its season with a program of works that left the door open for more. No one is certain why Schubert never finished his Eighth Symphony, but the two movements that he did compose remain among his most beloved. Julia Perry’s Short Piece for Orchestra was the first work by a woman of color to be performed by the New York Philharmonic; Perry’s life and career were cut short at age 55. In his Symphony No. 45, Haydn sent a not-so subtle message to his employer that the orchestra was ready for a break. This symphony has delighted audiences for over 250 years and concludes our 76th season with a chuckle as each musician exits the stage in a dramatic send-off.

Unfinished Business

Sarasota Opera House

Víkingur Ólafsson believes that Ludwig van Beethoven reinvented himself with the Sonata in E major, Op. 109, while at the same time paying homage to one of his great inspirations: Johann Sebastian Bach, who served as Beethoven’s “compass” for this venture into the unknown, as he puts it. The last movement of Op. 109 is a theme and variations that reveals “striking connections with the Goldberg Variations,” according to Víkingur. “Both are built on a songful Sarabande theme which comes back at the end in a cyclical return — the only time Beethoven does so in a variation movement. Even more, he brings little glimpses from the Goldbergs into play, including direct citations from Bach and such techniques as a fugato and so on.” Víkingur’s recital traces a path to this pinnacle through four works, all in E major or minor yet each strikingly different in character. Alongside a Bach prelude and the great E minor Partita, he includes a rarely heard Schubert sonata comprising only two movements that he believes was written in response to Beethoven’s own two-movement Sonata in E minor, Op. 90 — which is why it, too, merits a place on his program.

Víkingur Ólafsson

KKL Luzern Concert Hall

Hungarian-American pianist Julia Hamos presents a program that bridges centuries and styles and features two of the most important composers from Hungary. Beginning with a selection from Kurtág’s Játékok, she navigates through Haydn’s Sonata in E minor, Ligeti’s Études (Arc-en-ciel, Der Zauberlehrling, Fanfares), and Mozart’s Sonata in A minor, culminating in Schumann’s beloved Fantasie in C Major. Hamos’s adventurous spirit and compelling artistry promise an evening of compelling musical exploration.

Julia Hamos, piano

Washington Performing Arts

The past meets the future in bold, unexpected ways. Stravinsky’s Pulcinella transforms the elegance of Baroque music into something sharp, witty, and rhythmically alive, a playful homage viewed through a modern lens. Then, experience the grandeur of Schubert’s Great C Major Symphony, a sweeping, lyrical masterpiece that bridges the Classical and Romantic worlds. Together, these works celebrate tradition not by preserving it, but by reinventing it. Two composers, a century apart, united in their fearless reinvention of tradition.

Ulster Orchestra: Reimaginings

Ulster Hall

Reimaginings

Belfast

Schubert composed like an oil painter, drawing from a rich palette of melodic and harmonic colours. With a divine lyricism at its heart, his music is imbued with an intimacy and intensity that taps into the full range of human emotion.

Schubert’s Fantasy & Octet

ACO On The Pier

Haoran Cui, Piano and Dustin Breshears, Violin

The Juilliard School

Janse Barkley, tenor

Yetong Tang, piano

Jimin Lee is a graduating senior at Washington University in St. Louis, pursuing a Bachelor of Science in Data Science with a minor in Music. She has studied flute with Dr. Jennifer Gartley since 2022 and was a member of the WashU Wind Ensemble for seven semesters, serving as one of the principal flutists during the most recent academic year. She is the first-place winner of the 2025–2026 Friends of Music Concerto and Aria Competition and the 2026 Flute Society of St. Louis (FSSL) Young Artist Competition. Previously, she performed Breeze in the Forest as a soloist with the WashU Wind Ensemble in recognition of her runner-up placement in the 2024–2025 Concerto Competition. She also placed 3rd at the 2023 FSSL Young Artist Competition and is a two-time recipient of the Music Department Award at WashU.

Jimin Lee and Angelica Han, Senior Minor Recital, flute

560 Music Center

Taiyu Zong, violin

 Only Stephen Hough could shape a concert like this. We begin with Klavierstücke – literally, ‘Piano Pieces’ – from two romantic giants, Schubert and Brahms, and two towering 20th-century composers, Schoenberg and Stockhausen. From Beethoven’s majestic ‘Waldstein’ Sonata, Robert Schumann’s vivid suite transports us to the heart of carnival. And we end – where else? – on the streets of Edwardian London, with Hough’s own bravura arrangements of songs from Mary Poppins.

Sir Stephen Hough

The Bridgewater Hall

The future prince of song gazed upon the chromaticism of Mozart's "Dissonance Quartet"—and in March 1813, at the age of 16, penned an early stroke of genius in just five days, carefree and bold in its harmony. The 22-year-old Antonín Dvořák composed 18 songs driven by heartbreak—and 22 years later arranged 12 of them for string quartet. Johannes Brahms, too, struggled for a long time before finally achieving his first string quartet, one that he considered truly valid. He had abandoned everything before it. With its selection, the Minetti Quartet offers a fascinating lesson in the quest for chamber music excellence.

Minetti Quartet

Das MuTh

A 2025 MacDowell Fellow and 2024 Yaddo Artist, composer-pianist Michael Stephen Brown performs recitals and concertos worldwide and is commissioned by leading orchestras, soloists, and chamber music festivals. Winner of the 2026 Andrew Wolf Chamber Music Award, an Emerging Artist Award from Lincoln Center, and an Avery Fisher Career Grant, he has appeared as soloist with the Seattle, Phoenix, North Carolina, Albany, and Maryland Symphonies, as well as the NFM Leopoldinum Orchestra. His recital appearances include Carnegie Hall, Alice Tully Hall, the Louvre, Wigmore Hall, and Beethoven-Haus Bonn.

Michael Stephen Brown, piano

Known for her radiant voice and deeply expressive artistry, acclaimed soprano Larisa Martínez takes listeners on a journey of passion, poetry, and vibrant musical storytelling as this program explores love in all its forms, from quiet reflection to exuberant celebration.

Larisa Martinez, soprano

Segerstrom Center for the Arts

2024 Operalia First Prize winner, Chinese bass-baritone Le Bu, made his highly anticipated Washington, DC recital debut as the Vocal Arts DC Gerald Perman Emerging Artist. His performance marked the grand finale of our 35th anniversary season and is dedicated to the memory of our founder and his wife, Gerald and Ann K. Perman.

Joined by pianist, Artyom Pak, the afternoon featured Mussorgsky’s Songs and Dances of Death, a haunting and evocative song cycle, along with works highlighting Le’s musical storytelling.

Le Bu & Artyom Pak

Live! At 10th & G

Barry Douglas has established a major international career since winning the Gold Medal at the 1986 Tchaikovsky International Piano Competition, Moscow. As Artistic Director of Camerata Ireland, the only all-Ireland orchestra and the Clandeboye Festival, he continues to celebrate his Irish heritage whilst also maintaining a busy international touring schedule.

Barry Douglas

Corn Exchange Newbury

At the center of the program is Schubert's essential Quintet , nicknamed "The Trout": a lively and sparkling work, where each instrument interacts with the others, blending virtuosity and lightness. Other musical gems will enrich a program where the musical exchange and the complicity of the performers are fully deployed.

In unison

Le Corum

8th Chamber Music Concert in the Vienna State Opera

Vienna State Opera

Braxton Leek, trumpet

He was said to be brittle, sensuous, didactic, neoclassical. We still encounter prejudices against Hindemith. Why? When his music is accessible and honest, challenging, full of joy and dynamism. It was probably National Socialism, with its accusation of left-wing cultural Bolshevism, that has permanently damaged Hindemith to this day and ensures that he continues to be under-recognized in concert life. We're putting that to rest, once and for all! And present the versatile, tragic, serious, and humorous Hindemith. He is so much more than a prelude to the incredible Franz Schubert: an hour of C major.

Basel Chamber Orchestra with Vilde Fang

Stadtcasino Basel

Ari Tujian, countertenor

Xinyi Liu, soprano

Lisa Arnhold Memorial Recital | Katarina String Quartet

Carnegie Hall

Maxine Silverstein is a senior at Washington University in St. Louis. Maxine has a major in mathematics with a minor in music, focusing on music composition and voice. Their musical journey began in elementary school, where they experimented with the piano and violin before settling on the cello. They discovered their passion for voice in the theater, participating in several musicals throughout their middle and high school years. For the past four years, they have been studying voice under Nathan Ruggles, with a focus on classical voice. They have had the privilege of performing in masterclasses with Lawrence Brownlee, Marques Jerrell Ruff, and Dr. Bethany Worrell. Maxine wants to extend their gratitude to their family, friends, and mentors who have supported their endeavors at WashU.

Maxine Silverstein, Senior Minor Recital, voice

Saranow, Beethoven, and Schubert

Curtis Institute of Music

Wednesdays at One: Pre-College Chamber Music

Lincoln Center

This programme begins with one of the best loved string quartets of all time: Franz Schubert’s Death and the Maiden remains among of the most powerful and poignant works in the genre. In the second half we are joined by Canadian violin legend, Mark Fewer for a performance of Mendelssohn’s exuberant Viola Quintet in B flat.

Composer

Franz Schubert

Events

Upcoming events

Aug 3, 2026

The Road Home: Schubert's Winterreise · Glimmerglass Festival

Aug 5, 2026

Trio Fortuny · Festival Perelada

Aug 8, 2026

Haydn, Mozart & Schubert at Festival de Torroella · English Chamber Orchestra

Aug 8, 2026

Tour: Salzburg Festival ·

Aug 9, 2026

Haydn, Mozart & Schubert at Festival International Santander · English Chamber Orchestra

Past events

Jul 29, 2026

Elisabeth Leonskaja · Oxford Philharmonic Orchestra

Jul 27, 2026

Festival song recital Christian Gerhaher 2 · Bayerische Staatsoper

Future and recently performed repertoire

Violin in Duo for Violin and Cello (1925) by Schulhoff

Sächsische Staatskapelle Dresden

About

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