Composer

Camerata Multitudes

Friedrich-Ebert-Gymnasium

Death And The Maid

Sasel House Hamburg

EPSG:4326

December Concert 2025

Castro Valley Center for the Arts

Enjoy a wonderful brunch plate in the Foyer of the Music House while you are entertained by classical musicians on the Café Stage.

Classical Mornings

Musikhuset Aarhus

Embrace the magic of the season at our most popular concert of the year! The Holiday Spectacular returns for its fifth year, featuring the warm, expressive voice of tenor Terrence Chin-Loy and a heartwarming program of holiday favorites.

Holiday Spectacular

Willson Auditorium

Described by the Guardian as 'a top-ranking virtuoso', Volodos opens this performance with Schubert’s Sonata in A major D959, written during the last months of the composer’s life. He follows this with Robert Schumann’s Davidsbündlertänze, whose theme is based on a mazurka by Clara Wieck – the composer whom he would eventually marry. Lastly, Volodos will perform his own arrangement of Liszt’s Hungarian Rhapsody No 13.

Arcadi Volodos in Recital

Barbican Centre

Iveta Apkalna and Katrīna Paula Felsberga

Marienkirche, Neubrandenburg

Schubert's Trout Quintet

Artis–Naples

The British press once described him as an "incomparable keyboard poet": Arcadi Volodos has been considered one of the world's finest pianists since his sensational New York debut in 1996. His repertoire encompasses the most important works of piano literature, from Beethoven to Prokofiev, but he also devotes himself to less frequently performed pieces by Mompou, Lecuona, and de Falla. Recitals by this piano giant are events that audiences eagerly anticipate.

Piano recital Arcadi Volodos

Blaibach Concert Hall

Each season ticket purchase will provide you with one ticket to each of the upcoming six concerts of the season. If there is a concert you cannot attend, we can either donate your ticket to a student/veteran or provide you with extra tickets to a different concert date.

Christmas Concert Celebration

La Casa de Cristo Lutheran Church

Sonata evening

Bochumer Symphoniker

Artists in Residence Lucas & Arthur Jussen will be performing chamber music, presenting captivating works for two pianos or pianists. The program ranges from the vibrant and moving Schubert movements to the rhythmic fire of Béla Bartók and the Romanticism of Robert Schumann. Bartók impressively showcased the secret affinity between the sound of two pianos and percussion in his famous sonata. For piano four-hands, however, the early Romantic Schubert left behind more than any other great composer: among other things, the most monumental sonata movement for piano four-hands we know: a stormily beginning, almost grim Allegro, which later inspired the publisher to title it "Life's Storms." Yet here, too, the heavens open – with one of those harmonic turns with which the late Schubert repeatedly transports his listeners to another world. The same is true of his single Adagio Trio movement, in which time seems to stand still.

Life's storms

Hessischer Rundfunk

A top-prize winning piano trio, Trio Eris is New England Conservatory's professional trio-in-residence and makes its New York debut with a program of Katherine Balch, Fanny Mendelssohn, and Franz Schubert.

Schneider Concerts Presents | Trio Eris - New York Debut

The New School

The second installment of Noe Music’s Piano Portraits series features Inon Barnatan, “one of the most admired pianists of his generation” (The New York Times), known for his poetic sensibility and fearless virtuosity. In an afternoon that highlights the expressive range of the piano, Barnatan performs an all-Schubert program, including the Impromptu in F minor (D.935/1) and the towering Sonata in B-flat major (D.960). He is joined by co-Artistic Director and violinist Owen Dalby for the composer’s radiant Fantasy in C major for violin and piano (D.934). A must-hear concert with one of today’s true keyboard poets.

Piano Portraits: Inon Barnatan

Noe Valley Ministry

Rossini Schubert Beethoven

Gasteig HP8

Bursting with folk and Hungarian themes, it is rescored here to include clarinet, santouri (cymbalom) and accordion, and is interleaved with traditional tunes.

ZRI: Schubert at the Red Hedgehog Tavern

Southbank Centre

Tonight's programme brings together three masterpieces, each with its own unique style. The first is solemn and intense, the next playful and elegant, and the last dramatic and virtuosic. The contrast between Mayer's mournful Overture , Schubert's charmingly youthful Symphony No. 3 and Brahms's emotionally profound  Violin Concerto makes for a dynamic and compelling evening. Each piece plays with shifts in dynamics and moods, and each is both intimate and powerful.

Schubert & Brahms

Amare

Come and enjoy an atmospheric Christmas concert where the Norrköping Symphony Orchestra meets over 100 choir singers from the Music Classes at Hagaskolan.

Christmas with Music classes

Louis de Geer konsert & kongress

Written in just two weeks, this lyrical work reaches straight to the heart. The cello sings, sighs, and soars, in this intimate conversation with the orchestra.

Natalie Clein plays Schumann

Smith Square Hall

All concerts are FREE of admission charge and are held at Bridges Hall of Music.

2025 November Concert

Pomona College

Kosmos Schubert - Julian Prégardien, Gregory Ahss

Stiftung Mozarteum

Guest performance

Dvorana Union

Musikverein

Forum am Schlosspark

Meistersingerhalle

The Hamburg Doctors’ Orchestra is mainly made up of doctors and musicians from medical professions. The orchestra was founded in 1964 and performs for charitable purposes: for example, to support the work of the Hamburg Hospice Foundation.

Hamburg Doctors' Orchestra

Elbphilharmonie Hamburg

No other contemporary singer's name is as synonymous with the Lied as that of Julian Prégardien. Although also impressive on the operatic stage and in oratorios with his deeply sensitive tenor, the German singer reveals himself particularly intensely in the lyrical, poetic, and romantic genre of the Lied. He repeatedly delves into this cosmos, especially with songs by Schubert, but also by other composers who are at home in this field. To ensure that an orchestra like the CAMERATA—known for its vocal sound and chamber music sensitivity—can also perform in the area of ​​Lieder normally reserved for piano accompaniment, orchestral arrangements of two Lied compositions by Beethoven and Schubert were selected. Even in the original, they depict epic song scenes, whose dimensions are all the more enhanced with orchestral support. To the songs with words, the CAMERATA adds the endless song without words from Schubert's Symphony in B minor.

Season Concert Two: Kosmos Schubert

Mozarteum Foundation

Isabelle Faust, one of the most impressive violinists of our time, sums it up: "It's always about conveying the magic of music in the moment." The current "Artist in Residence" of the WDR Symphony Orchestra presents Felix Mendelssohn Bartholdy's Violin Concerto in this concert. The work has everything that makes the hearts of music fans beat faster: warming lyricism, breathtaking virtuosity, and intoxicating sonic splendor. Robert Schumann was a close friend of Mendelssohn. Isabelle Faust also interprets his exciting violin fantasy, before Schubert's mysterious "Unfinished" concludes the concert, conducted by the British conductor Andrew Manze.

Longing - Isabelle Faust & Mendelssohn

Museum Ludwig

ACO Principal cellist Timo-Veikko ‘Tipi’ Valve directs AYO Momentum Ensemble in a program that masterfully intertwines his Finnish heritage and Australian experience. Jaakko Kuusisto’s Wiima evokes the nostalgic charm of Sysmä, a Finnish town dear to Tipi’s childhood, while Crystalline, by the Australian composer Olivia Bettina Davies, shimmers with delicate textures.

ACO Up Close: Timo-Veikko Valve & AYO Momentum Ensemble

ACO On The Pier

There is pathos and passion from the first bar of Brahms's first piano concerto. A powerful timpani roll sets off a great symphonic drama, and during the concert both soloist and orchestra face great trials. But at the same time they share the same desire to perform the dazzlingly beautiful music.

Elim Chan & Shostakovich

DR Koncerthuset

The renowned Fauré Quartet expands its sound palette with the Finnish double bass player Janne Saksala, soloist and principal double bass of the Berliner Philharmoniker since 2008. Together they will present a programme that brings together the highlights of Romantic chamber music. The focus is on Franz Schubert’s immortal »Forellenquintett«, whose effervescent liveliness and catchy melodies take on a new depth in the interpretation of this exceptional ensemble. This masterpiece is complemented by Schubert’s rarely performed »Adagio« and »Rondo Concertant« as well as Robert Schumann’s passionate piano quartet, a masterpiece of the genre that reflects the entire emotional world of Romanticism.

Fauré Quartett / Janne Saksala

Fauré Quartet / Janne Saksala

The chamber concert series is supported by the Philharmonic Society Lübeck / Lübeck Philharmonic Orchestra eV

1st  Chamber Concert

Hoghehus Lübeck

We hear classical parlour music as a quintet from the Gothenburg Symphony Orchestra lights up the November night. The programme includes gems from Clara and Robert Schumann and swinging Viennese waltzes. Magnus Fryklund is at the piano.

Roses from Schumann & Strauss

Göteborgs Symfoniker

Franz Schubert's Fantasy in C major is one of his most important chamber music works for violin and piano. Lyrical melodies and brilliant virtuosity merge here into a poetic soundscape that transcends the everyday.

Musical Fantasies

House in the Park

Quintessentials

St. Gabriel’s Episcopal Church

St. Peter’s Episcopal Church

Erm…only BRYN TERFEL! Yes, the great man himself graces the stage of Sage One, joining our wonderful Royal Northern Sinfonia and Music Director Dinis Sousa.

Bryn Terfel sings Schubert

The Glasshouse International Centre for Music

A white man in a tailcoat stands at the front of the stage—in the hollow of a large, black Steinway grand piano. The man in the tailcoat supports himself with his right hand. The older people in the audience clear their throats a little. It's cold outside. The piano plays. Repeated chords in D minor, a descending motif, full of worry. "I came as a stranger, I depart as a stranger."

Song Concert: Camilla Nylund

Staatstheater Hannover

The Opera Orchestra's Midis Musicales are always a great success with audiences. These short concerts (from 45 minutes to 1 hour) are presented in a warm and friendly atmosphere and will surprise you with the richness of the offerings!

Midi Musical | Montpellier Occitanie National Opera Choir

Opéra Comédie

Cleverly conceived and unusual programs are Víkingur Ólafsson's trademark. Whether he's bringing Bach into conversation with Kurtág, Debussy with Rameau—or simply spending a whole season playing exclusively Bach's Goldberg Variations: When the Icelander sits at the piano, you can be sure of discovering new things and hearing familiar things in a completely new way.

Víkingur Ólafsson / Piano Recital

Beethoven's piano concertos and symphonies belong to the core of orchestral repertoire but it's some time since we've heard his 2nd piano concerto, in which echoes of Mozart can be heard. Schubert composed his first six symphonies before his 20th birthday, although during his lifetime they were only performed in private circles. His 2nd symphony was probably performed for the first time in 1877. While Brahms found them interesting Dvořák was very taken with their melodies, harmonic progressions and the exquisite detail in Schubert's orchestration.

3rd Sunday & Monday Symphonic Concerts

Alte Oper

Music straight from Marianna Shirinyan's heart: Get to know our artist-in-residence better for a concert that comes all the way around the piano.
Marianna Shirinyan is the Aarhus Symphony Orchestra's Artist in Residence – and we're celebrating that with an entire concert featuring only piano. Because the piano can do it all: “The piano is a percussion instrument, it's a string instrument – ​​and it's a singing instrument; the piano can sing,” says Marianna Shirinyan. “As pianists, we are incredibly rich. A lifetime is not enough to play the music that has been written for our instrument.”

Shirinyan

Aarhus Music Hall

Pianist Charles Richard-Hamelin, laureate of the Chopin Competition, returns with a programme both poetic and virtuosic that includes Chopin's tuneful Nocturnes and the four wild Scherzi, along with the monumental Schubert C minor sonata that was strongly influenced by Beethoven. Winner of many awards and honors, Charles has emerged as one of the most important pianists of his generation.

Cecilian Chamber Series - Charles Richard-Hamelin

Darke Hall

Concert in Tokyo

ARK Hills

Delight in three radiant gems of early Germanic Romantic chamber music, each showcasing the era’s expressive richness and technical brilliance. The program features Piano Trio, from Clara Schumann, one of the 19th century’s most gifted composers, followed by Franz Schubert’s expansive and masterfully crafted Octet. Rounding out the evening is Beethoven’s charming Duo No. 1, for clarinet and bassoon.

C. Schuman Beethoven & Schubert

St. Mary Catholic Church

In this concert, the Jiayi-April Duo performs works by Franz Schubert and Johannes Brahms. The program is titled " In the Mirror of the Soul – Sound Worlds Between Classical and Romantic Periods . "

Duo Jiayi-April @ Young Talents

Wien Museum Schubert's Birthplace

Hailed as “entrancing” (BBC Music Magazine) and "artists in the deepest sense of the word" (CutCommon), Merz Trio, winners of the Naumburg, Concert Artists Guild, Fischoff and Chesapeake Competitions, and recipients of a Salon de Virtuosi Career Grant, have been lauded for their “stunning virtuosity... fresh and surprising interpretations” (Reading Eagle), and “perfection of intonation and ensemble” (Hudson Review). Merz Trio are passionately committed to reshaping the narrative of classical music through vibrantly dynamic programming and wide-ranging interdisciplinary collaboration. Their narrative programming style juxtaposes classical standards, new music, and their own arrangements of familiar and forgotten works, fluidly interwoven and guided with speaking from the Trio’s members. Their interdisciplinary collaborations include ongoing projects with directors Emma Jaster and Jon Levin, dancer Caroline Copeland, and Sandglass Puppet Theater.

Merz Trio

High School of Fashion Industries

A cherished presence on Washington Performing Arts stages, Midori returns with pianist Ieva Jokubaviciute for a program that traverses lyricism, passion, and brilliance. Anchored by Beethoven’s radiant “Spring” Sonata, the recital interweaves romantic nuance in the works of Clara and Robert Schumann, Poulenc’s bold contrasts, and the virtuosic sweep of Schubert’s Rondo Brillante—all brought to life with Midori’s musical insight and expressive power. A new work written for Midori by New York-based violinist and composer Che Buford combines violin and electronics. Buford describes their compositions as exploring the possibilities of timbre and acoustical phenomena and connecting them to elements of place, memory, poetry, and the quotidian.

Midori, violin

Sixth & I

Bach & Brahms

The Smith Center for the Performing Arts

Beethoven's piano sonatas are profound explorations of the great themes of music, life, and human existence. They are among the greatest masterpieces in the history of music and reflect both his personal journey and the evolution of music. For his concert, Víkingur Ólafsson has chosen Sonatas No. 27 and 30. The latter is considered one of the summit works of piano literature. It combines clarity and depth, and especially the second movement, a meditative Adagio, allows space for intimate reflection, while the finale, with its varying themes, showcases Beethoven's creativity. Beethoven's great predecessor, Johann Sebastian Bach, and one of his famous successors, Franz Schubert, are also featured in the program with other works, highlighting significant events in European piano music. Invited by the Dresden Philharmonic in cooperation with DK Deutsche Klassik.

Víkingur with Beethoven

Palace of Culture

From Schubert in the early 19th century to Sibelius 100 years later, the Romantic composers were fascinated by the strange and the exotic, by the unfamiliar and the otherworldly. Mendelssohn travelled to the remote Atlantic islands of Scotland where he was inspired to write his Hebrides overture, mimicking the sound of the sea and the wailing of ancient bagpipes. In his violin concerto, Sibelius caught the incantations of Finnish folk music and the wailing of wind in the northern forests. And Schubert’s last and greatest symphony was considered so long and so strange by his contemporaries, it lay unperformed for years. Now it is one of the central works of Western classical music. As Robert Schumann wrote, after its first performance: “This symphony opens an entirely new world to us, producing such an effect on us as none has produced since Beethoven”.

Tales of Enchantment: Hadelich Plays Sibelius

Jacobs Music Center

Beethoven’s only full-length ballet, The Creatures of Prometheus, is set to a story on a theme close to its composer’s heart — the civilising power of art. The titular creatures whom Prometheus brings to life represent humanity itself, and Beethoven responded to the story of their enlightenment with engaging, sunny music.

Schumann Cello Concerto

Auckland Town Hall

An exuberant joie de vivre characterizes Felix Mendelssohn Bartholdy's Symphony No. 4, which he began composing in Rome and Naples. Franz Schubert's budget never allowed a trip to Italy—but at least Italian opera was performed in Vienna. He supposedly bet his friends that he could compose overtures as lively as Rossini's, and subsequently created the overture "in the Italian style." Busoni's brilliant comedy overture also follows in the tradition of Rossini, but uses a late-Romantic orchestra, while Richard Strauss wrote his melancholic, serene oboe concerto for a deliberately small ensemble.

Italy!

Stadttheater Klagenfurt

Ottensamer, Soltani & Bax

The Conrad Prebys Performing Arts Center

With a varied and original choice of music, exchanges and a convivial atmosphere with the musicians, the Apéro series offers unique and privileged encounters. The program features romantic trios and sextets.

Sérénades Romantiques

Palais Montcalm

Manchester Chamber Concerts Society’s concert season returns to the Stoller Hall with six world-class chamber recitals between September 2025 and March 2026. Book a full season ticket to get 15% off your full-price ticket and the same seat each time.

Carducci Quartet

The Stoller Hall

At just 18 years old, Russian pianist Alexandra Dovgan has a career that has already taken her all over Europe and as far away as Buenos Aires and Detroit. A protégé of Grigory Sokolov, who predicted "a great future" for her , she stands out with a sound of incredible beauty and precision, served by an authentic personality. After the darkest and most passionate of Schubert's last three sonatas, she takes on Franck's Prelude, Chorale and Fugue , a combined homage to Bach and Liszt, then to the young Prokofiev - just 21 years old - who wrote a 2nd Sonata already tending towards modernism.

Alexandra Dovgan

Philharmonic Hall of Liege

The Apollo Orchestra with principal Conductor David Chan welcomes Jennifer Johnson Cano, mezzo-soprano and Nicholas Huff, tenor, as we present Mahler’s great vocal work Das Lied von der Erde.

Song of the Earth

Montgomery College Catherine F. Scott Commons

Franz Schubert's quartet movement recalls the unfulfilled hopes of his short life and, in its expressive musical language, reveals a world of past desires and losses.

Commemoration

Tobacco Quarter Hall 1

Join us for Horns Galore, a vibrant program steeped in sunshine, spirit, and virtuosity. The concert opens with Schubert’s Overture in the Italian Style, a sparkling homage to the charm and wit of Italian opera.

Next, witness a rare and thrilling showcase of horn mastery as four soloists — Chris Buchner, Duncan Andrews, Rebecca Davies, and Derek Ellis — unite for Hübler’s Concerto for Four Horns, a dazzling display of rich harmonies and technical flair.

The evening concludes with Mendelssohn’s beloved “Italian” Symphony, a joyful, effervescent journey through the landscapes and rhythms of Italy. A feast for the ears with a Mediterranean flair!

Horns Galore

Eglinton St. George's United Church

Thomas E. Bauer & Sergei Babayan

Clara Schumann was a formidable character – a phenomenally gifted pianist, brilliant composer, editor of her husband Robert Schumann’s compositions and key supporter of Brahms, her contribution to the world of music is vast. The first half of this concert celebrates Clara herself, first in Gabriela Ortiz’s Clara, a musical telling of the story of her relationship with Robert, and then in her own Piano Concerto, a dancing, dazzling tour-de-force. The second half of the programme features two composers important to Clara, both writing with a distinctly sun-kissed, Italian flavour.

Ulster Orchestra: Always Clara

Ulster Hall

The acclaimed Verona Quartet, among the most distinguished ensembles on the chamber music scene today, makes its return appearance in our series with a program inspired by songs. The Schubert and Mendelssohn string quartets take their inspiration from their own songs “Death and the Maiden” and “Ist es wahr?”. George Walker wrote his “Lyric” for string quartet after his graduation from Oberlin Conservatory (where the Verona Quartet are in residence) based on the lyrical sound of the human voice and spirit. Canadian singer and songwriter Tanya Tagaq uses an ingenious imagination of imparting traditional Inuk throat singing onto the sound of western string instruments.

Cecilian Chamber Series - Verona Quartet

Schubert’s Octet

Aiken Community Theatre

Death and the Maiden by Schubert and Selections from Movies Melodia Mariposa is delighted to present the Zelter Quartet playing Death and the Maiden by Schubert at the Pasadena Mausoleum.

Death and the Maiden

Pasadena Mausoleum

Home Game 01: Leopold Hager Conductors Fund

Mozarteum Orchestra Salzburg

When Anton Holmer conducted the Royal Stockholm Philharmonic Orchestra last year in Ravel’s Bolero and music by Debussy, Dagens Nyheter’s Camilla Lundberg gave the concert a top score – five out of five! Holmer is without doubt one of Sweden’s most prominent young conductors, also making his mark internationally.

Mozart and Schubert

Stockholm City Hall

Faculty Chamber Concert

The University of Iowa School of Music - Voxman Building

The timeless art of the recital is perpetuated in the hands of present-day masters of the genre.

Yura Lee & Angus Webster

Chamber Music Society of Lincoln Center

Clyne Franz Schubert / Luciano Berio Haydn

When Anton Holmer conducted the Royal Stockholm Philharmonic Orchestra last year in Ravel’s Bolero and music by Debussy, Dagens Nyheter’s Camilla Lundberg gave the concert a top score – five out of five! Holmer is without a doubt one of Sweden’s most prominent young conductors, with growing international recognition. Now he returns to the podium to lead the Royal Stockholm Philharmonic in music by Franz Schubert and Tebogo Monnakgotla.

Schubert and the Song of the Robin

Matthias Goerne is one of the world’s most versatile and sought-after vocalists, known for his powerful performances and recordings of Schubert. He has appeared on the world’s principal opera stages, including the Metropolitan Opera in New York; the Royal Opera House, Covent Garden; and the Vienna State Opera. Grammy Award-winning pianist Daniil Trifonov has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, and chamber and vocal collaborator. A rare chance to hear Trifonov perform solo and in collaboration with Goerne for the beauty and pathos, drama and despair of the Schwanengesang, or Swan Songs, composed in Schubert’s last year.

Matthias Goerne, baritone; Daniil Trifonov, piano

Wortham Theater Center

Beethoven, Brahms, Bach – these have been Igor Levit's most important companions in recent years. The fact that his new program includes sonatas by Franz Schubert and Frédéric Chopin alongside Robert Schumann's Nocturnes is a cause for concern. "There are composers I prefer to listen to rather than play," Levit declared for many years when it came to Chopin. Of course, as probably every trained pianist does, he studied his etudes and sonatas during his studies, but this exploration only rarely found its way into the public eye. Until now! The third sonata, which Chopin himself called a "concerto without an orchestra," forms the significant climax of his piano recital at the Elbphilharmonie.

Igor Levit / Piano Recital

For her seventh solo recital with PCMS, British pianist Imogen Cooper returns to Perelman Theater for an evening of works that showcases her stunning virtuosity, graceful lyricism, and poetic interpretations. Among the finest interpreters of the Classical and Romantic repertoire, Cooper presents a recital that includes both sets of Schubert’s impromptus—eight “Poems in Sound” that are flowing, evocative, and reflective of the rhythms of the heart and soul of life itself.

Imogen Cooper, piano

Kimmel Center for the Performing Arts

For Schubert, writing a song was not just putting the words to music, but rather translating the poetry into music. And never more so than in his most well-known cycle of 24 songs, Winterreise (Winter’s Journey), set upon poems by Wilhelm Müller. Baritone Matthias Goerne (“today’s leading interpreter of German art songs” (Chicago Tribune) and pianist Daniil Trifonov (“one of the most awesome pianists of our time” (New York Times) interpret Schubert’s gripping, heart-wrenching songs at this not-to-be-missed recital. The austere beauty and power of Winterreise is sure to resonate in your heart and soul.

Schubert’s Winterreise with Trifonov & Goerne

Morton H. Meyerson Symphony Center

Like few other orchestras, the Mahler Chamber Orchestra represents the unique unifying power of music. With members from 25 nations, organized as a democratic collective in which every voice counts, it is only too happy to collaborate with soloists for whom cosmopolitanism and freedom of expression are equally important. A dedicated musician like Igor Levit is therefore the ideal partner for the MCO! When a piano concerto by Ludwig van Beethoven, for whom freedom of artistic expression was always his highest priority, is also on the program, it is clear that making music together takes on a political dimension. And Franz Schubert's "Great" Symphony in C major also fits perfectly into this cleverly conceived program: After all, his large-scale orchestral work was modeled on Beethoven's Ninth Symphony – the ultimate work of freedom!

Mahler Chamber Orchestra / Igor Levit / Adam Fischer

German baritone Matthias Goerne makes his Celebrity Series debut alongside the always brilliant Daniil Trifonov, a Series mainstay, for a powerful recital program that beautifully grapples with life’s biggest questions. Goerne and Trifonov bring profound depth to two of Schubert’s farewell masterpieces: Schwanengesang (“Swan Song”) and his Piano Sonata in B-flat Major, D. 960, one of a trio of meditative and powerful works composed in his final weeks.

Matthias Goerne, baritone Daniil Trifonov, piano

New England Conservatory of Music

By adding a second cello instead of the traditional second viola to his String  Quintet, Schubert redefined the boundaries of chamber music, giving his work an almost orchestral depth. The timeless Adagio is a pinnacle of expressiveness.

Composer

Franz Schubert

Events

Upcoming events

Apr 13, 2025 - Apr 19, 2026

5th Chamber Concert · Philharmonisches Staatsorchester Hamburg

Sep 16, 2025 - Jun 16, 2026

NDR Chamber Concert · Elbphilharmonie

Dec 16, 2025

Matthew Polenzani, tenor Ken Noda, piano · Philadelphia Chamber Music Society

Dec 16, 2025

Transfigured Night · Cadogan Hall

Dec 18, 2025

Sound and cheers · Norrköpings Symfoniorkester

Past events

Dec 15, 2025

Camerata Multitudes · Hamburger Camerata

Dec 14, 2025

Death And The Maid · Hamburger Camerata

Future and recently performed repertoire

Violin in Duo for Violin and Cello (1925) by Schulhoff

Sächsische Staatskapelle Dresden

About

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