Stage Director

The freedom-loving Carmen is desired by all men. Although none of their relationships last, the soldier Don José falls madly in love with her after she coquettishly throws a flower at his feet.

Carmen

Vienna State Opera

EPSG:4326

Teatro La Fenice

Aida is a slave at the Egyptian court. She is the king’s daughter from the enemy country of Ethiopia but has fallen in love with the Egyptian military leader Radamès. Her father Amonasro uses her to learn about the military strategy of his adversaries. Meanwhile, Amneris, the Egyptian king’s daughter, uses everything in her power to fight for her love for Radamès and tries to kill her rival. Everyone is at the mercy of a ruthless cartel of priests and warriors.

Aida

Bebelplatz

Dressed as a man and calling herself “Fidelio”, Leonore surreptitiously gains the confidence of the jailer Rocco and his daughter Marzelline, thus gaining access to the high security tract where her husband Florestan has been despotically incarcerated by Don Pizarro. Florestan is in mortal danger, but this does not intimidate his wife, who is determined to liberate him. Finally, however, the two of them can only be rescued by an emissary from the monarch. At the end, a Utopia in the form of a final chorus sets the stage aglow, not only as a plea for freedom and justice, but also concurrently as a condemnation of the anxieties and restrictions of human existence.

Fidelio

Max-Joseph-Platz

He deserts, renounces a budding relationship with Micaëla, a girl from his village, and joins Carmen's band of smugglers. This time too, Carmen's feelings grow cold and she is only interested in the bullfighter Escamillo. An argument between Don José and Carmen escalates in front of the arena: Filled with jealousy, Don José kills his former lover.

Elsa von Brabant is accused of murdering her brother. No one dares prove the young woman’s innocence in this mysterious case. Trapped in a reality that no one seems to share with her, a man enters her life promising to fight for her cause – on one condition: Elsa must trust him blindly and never ask him his name or birthplace.

Lohengrin

The survival of the Holy Grail’s community is threatened by King Amfortas‘ wound which he received by the magician Klingsor. The only hope that the men have left now is the arrival of a so-called »innocent fool«, who has to become »knowledgeable by empathy«. Parsifal is the chosen one, but is unaware of his appointment as the redeemer of their plight. The seeress Kundry takes it upon her to show him his destiny.

Parsifal

The Staatstheater Stuttgart

Sir John Falstaff is an anarchist who obeys only the reign of his own enjoyment, an egoist who feeds only his power-hunger and his own flesh, and who would prefer to raze the small-minded morals of his contemporaries like the walls of a fortress – by seducing two women at the same time. Needless to say, his plan is thwarted, but those trying to expose him also fail to emerge unruffled from the confusion they unleash around him – which only the audience can keep track of, barely. “Tutto nel mondo è burla,” but these jokes are only funny because falling into the abyss actually does pose quite a serious risk. Arrigo Boito, the librettist of “Otello”, distilled a sophisticated, ingenious libretto from Shakespeare’s original, driving Verdi to highly complex compositional heights.

Falstaff

Staatsoper Hamburg

The first two people on earth were in love. The third man killed the fourth. Die ersten Menschen tells the story of the first family in the Biblical history of humanity: Adahm and Chawa and their sons Kajin and Chabel. After the successful performances of the work during the corona pandemic, Rudi Stephan's unknown work, but 'excavated' by Dutch National Opera, returns in full glory.

Those first people

National Opera & Ballet

The first two humans on Earth fell in love. The third human murdered the fourth. Die ersten Menschen tells the story of the first family in the Biblical history of humanity, Adahm, Chawa and their two sons Kajin and Chabel. After performances in the midst of the COVID pandemic, which were highly praised by public and press alike, this ‘rediscovered’ work by Rudi Stephan is now returning to Dutch National Opera in all its glory.

Die ersten Menschen

Isolde loves Tristan, and Tristan loves Isolde. A love with no alternative, no chance, because Isolde is to marry King Marke in order to seal the peace between Ireland and Kareol.

Stage Director

Calixto Bieito

Events

Upcoming events

Mar 8 - Jul 18, 2026

Fidelio · Bayerische Staatsoper

Jun 1, 2026 - May 7, 2027

Carmen · Wiener Staatsoper

4 - 15 Apr, 2027

Tristan und Isolde · Wiener Staatsoper

Past events

Jun 1, 2026 - May 7, 2027

Carmen · Wiener Staatsoper

May 24 - Jun 3, 2026

Carmen · Teatro La Fenice

About

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