Singer

Seeing his love succeed against the will of the parents is pretty difficult in a rural setting. Especially when he is also considered an outsider, things do not look good with the parents-in-law, and there's a lot of money in the mix as well. But what Hans negotiates with Kezal the marriage broker, without discussing it with his beloved Marie, certainly requires a very special kind of chutzpah, and it very nearly goes all wrong – bartering his loved one to a certain person, which turns out through rhetorical trickery to be himself, only becomes evident as a good idea at the end. Which once again proves: The comedy is only a tragedy avoided at the very last minute.

The Bartered Bride

Max-Joseph-Platz

Things are heating up in the Faninal household! The nouveau riche is eagerly awaiting the wedding of his daughter Sophie - it is to be a noble groom. However, it is not the intended candidate, the Baron Ochs, who will win Sophie's heart, but the bearer of the silver engagement rose: the young Count Octavian. Before his secret lover, the Feldmarschallin, releases Octavian for the union, Baron Ochs is publicly disgraced in a suburban pub ...

The Rosenkavalier

Volksoper Wien

Barrie Kosky affords the “operetta of all operettas” a new look and focuses on its morbid side. The scene is Vienna, city of the golden operetta era, where Die Fledermaus celebrated its world premiere at the Theater an der Wien in 1874. The revenge of the bat becomes a nightmare for Gabriel von Eisenstein and many others. A society, an entire city dances towards the abyss. To take revenge on his friend Eisenstein, Dr Falke, alias the bat, orchestrates a misunderstanding with Prince Orlofsky. A marquis and a chevalier, a countess and budding artists meet here for a raucous party. Glasses clink, relationships are strained, there is loving, lying and dancing. They party ‘til the cows come home, always believing: “Happy are those who forget ...”

Die Fledermaus

In Das Rheingold, the “eve” of Richard Wagner’s operatic tetralogy, Der Ring des Nibelungen, the course is set for the apocalypse. It will be unleashed by two entirely opposing worldviews exploding into one another. The tragedy of Alberich, who, being mortal, believes he must take everything within his own lifetime. And the drama of Wotan, who in his, real or illusory, immortality must recognise the emptiness and sameness of being eternal.

Das Rheingold

Der Rosenkavalier weaves opulent, bittersweet waltzes with lush late-Romantic orchestration, evoking both nostalgic elegance and the ache of time passing. Strauss’s co-creator, Hugo von Hofmannsthal, wrote of a world of ceremony and lavish ritual, in which the characters are helplessly entangled.

This is the much-anticipated return of Bruno Ravella and Gary McCann’s stylish and opulent 2021 production, which had to be performed to a limited audience after lockdown. Making their Garsington debuts are conductor Finnegan Downie Dear, Matilda Sterby, Andreas Bauer Kanabas and Niamh O’Sullivan, whose Octavian at Théâtre des Champs-Élysées received great acclaim. We are also delighted to welcome back Soraya Mafi as Sophie and Robert Murray as Valzacchi.

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Martin Winkler

Events

Upcoming events

May 28 - Jun 29, 2026

Der Rosenkavalier · Garsington Opera

Past events

7 - 17 Feb, 2026

The Bartered Bride · Bayerische Staatsoper

Jan 29 - Feb 14, 2026

The Rosenkavalier · Volksoper Wien

Future and recently performed repertoire

Kezal in The Bartered Bride by Smetana

Bayerische Staatsoper

Baron Ochs in Der Rosenkavalier by Strauss

Garsington Opera

Frank in Die Fledermaus by Strauss

Bayerische Staatsoper

Baron Ochs on Lerchenau in The Rosenkavalier by Strauss

Volksoper Wien

About

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