In 1900, three keepers disappear without a trace from a remote lighthouse in the north of Scotland. Sir Peter Maxwell Davies based his chamber opera "The Lighthouse" (1980) on this unresolved incident, which retraces the events in a mixture of documentation and vision of what actually happened at the time. Maxwell Davies' composition ranges from the roaring waves surrounding the lighthouse to the chant-like arguments between the three keepers Sandy, Blazes and Arthur that lead to the catastrophe.

Der Leuchtturm / Dido und Aeneas

Theater Duisburg

Last season, the Chinese-born New Zealand conductor Tianyi Lu made her debut in Duisburg and caused a huge sensation with a passionate performance. Now she is returning to the orchestra - with one of the most mysterious works in music history: the Requiem by Wolfgang Amadeus Mozart. There are countless legends about this requiem, which the composer was unable to complete himself. He died while working on it and left behind fragments for posterity that led to all kinds of speculation. Because most of the movements of the Requiem hardly progressed beyond sketches, the mythical history of composition is followed by an equally adventurous series of attempts to complete the torso to form a "complete" work. Tianyi Lu has opted for the established version by Franz Xaver Süßmayr, to whom Mozart himself says he personally gave instructions for the elaboration. But regardless of the question of how much “real” Mozart is in the Requiem, it is a masterful work – with the spectacular use of the trombones in the “Dies irae” and the powerful use of the choir. Here it is brilliantly sung by the Duisburg Philharmonic Choir, with whom the orchestra traditionally maintains a close working relationship.

Mozart Requiem

Philharmonie Mercatorhalle

The mermaid Rusalka loves the prince - a human! She wants to risk everything, the loss of her family and her home, to become a human woman. Transformed by the witch Ježibaba, she must face the prince in silence, telling him of her love only through her looks and gestures. If the prince does not fall in love with her, he must die and she must live as an outcast from then on. Rusalka's appearance initially beguiles the prince, but the magical, voiceless creature remains a foreign body in the human world, and eventually her lover turns his back on her...

Anna Harvey

Events

Upcoming events

Feb 3 - Mar 5, 2025

Der Leuchtturm / Dido und Aeneas · Deutsche Oper am Rhein

9 - 10 Apr, 2025

Mozart Requiem · Duisburger Philharmoniker

Jun 10 - Jul 11, 2025

Rusalka · Deutsche Oper am Rhein

Future and recently performed repertoire

Dido in Dido and Aeneas by Purcell

Deutsche Oper am Rhein

About

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