Singer

Bach's St. John Passion is a unique work of shocking expressiveness. When the great Bach interpreter Philippe Herreweghe takes action with his choir and orchestra of the Collegium Vocale Gent and with excellent vocal soloists, Bach's music can be experienced in its entirety.

EPSG:4326

J.S. Bach: Johannes-Passion

Museum Ludwig

In the foyer of the opera house, Claudia Muschio, Itzeli Jáuregui, Charles Sy and Johannes Kammler present an entertaining and varied evening of songs from the Italian bel canto repertoire. The ensemble singers will be accompanied by Vlad Iftinca on the piano.

3. Song Recital

The Staatstheater Stuttgart

French music has always been considered to be particularly vocal. For the artistic director of the BR Choir, Peter Dijkstra, this is a good reason to present a fine selection of choral music by four Frenchmen. The focus is on Gabriel Fauré's musical requiem, which is one of the great requiem settings of the classical-romantic tradition.

Cum Jubilo

Bayerische Theaterakademie August Everding

Max, the hunter’s apprentice, has to land a direct hit at the upcoming shooting match in order to marry his beloved Agathe. Out of his fear of potential failure, Max gets involved with "dark forces" in the wolf’s canyon: Six sure-fire bullets for his sole use whilst the seventh bullet is reserved for the devil to strike any victim he chooses. Carl Maria von Weber‘s Freischütz, which premiered in 1821, is the epitome of a German romantic opera. Never before have occult, transcendental and supernatural ideas been transformed into music so full of suggestive sounds.

Der Freischütz

A material that is as popular as it is ambivalent and evokes countless associations with one word: Casanova! Just one day after Bertolt Brecht and Kurt Weill had launched probably the theater sensation of the Weimar Republic with the Threepenny Opera in what would later become the Berliner Ensemble, director and choreographer Erik Charell followed suit right next door in the predecessor of the Friedrichstadtpalast. The capital’s press was enthusiastic: “Casanova is a great success. It means the resurrection of the operetta!” (Der Montag). The “electrifying music of Johann Strauss” (Berliner Tageblatt) was not only rearranged by Ralph Benatzky, but also electrified – by “the new instrument vibraphone”, as announced in the program booklet for the premiere.

Casanova

With Gustav Mahler's monumental Eighth Symphony, Cornelius Meister and the State Orchestra continue their Mahler cycle and, together with eight vocal soloists, the children's choir and the State Opera Choir, bring the symphony concert series to a crowning conclusion. Shortly after completing the score, Mahler said in 1907: "The symphony must be like the world. It must encompass everything". This central credo for Mahler is reflected in the variety of forms and musical characters of his Eighth Symphony. Baroque fugue techniques can be found in it as well as a tonal language influenced by Richard Wagner. The first and only two performances during his lifetime were Mahler's greatest triumph. After the premiere in 1910, Thomas Mann commented that Mahler embodied "the most serious and sacred artistic will of our time".

Johannes Kammler

Baritone

Events

Upcoming events

13 - 14 Jul, 2025

7. Symphony Concert · Staatsoper Stuttgart

Past events

Apr 13, 2025

J.S. Bach: Johannes-Passion · Kölner Philharmonie

Jan 8, 2025

3. Song Recital · Staatsorchester Stuttgart

Future and recently performed repertoire

Ottokar in Der Freischütz by Weber

Staatsoper Stuttgart

Singer in St. John Passion by Bach

Kölner Philharmonie

Count Waldstein in Casanova by Strauss

Staatsoper Stuttgart

Singer in La Canzone dei Ricordi by Martucci

Staatsorchester Stuttgart

About

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