Singer

1900: The world flew apart! Psychoanalysis dissected the human soul, physics divided atoms, the churches visibly lost their importance. The belief in a God-created and God-ordained universe was reduced to rubble in numerous conflicts that flared up all over the world, but at the latest in the trenches of the First World War. One of the first to attempt to capture the world in musical form in all its collage-like, kaleidoscopic diversity was Gustav Mahler. His 4th Symphony, written in seemingly cheerful G major, tells of heaven and hell, promises us paradise and pulls the rug from under our feet. What is the balance between diversity and unity in our time? What do we believe in and what do we long for? Bettina Böttinger and Dirk Kaftan get to the bottom of these questions.

Himmel und Hölle

Theater Bonn Opera House

What about the musical family? I’m not talking about the Mozarts, the Bachs or the Kanneh-Masons. But rather the musicians with whom, without any help, a special bond is formed, with whom you are always happy to get together. For Dirk Kaftan, Tetiana Miyus and Alexandre Tharaud definitely belong to this circle of people. He has performed countless opera evenings with Tetiana Miyus in Graz, she was the soloist in a guest performance by the Graz Philharmonic Orchestra in Taiwan and she has also performed twice in Bonn, both times on a smaller scale. Now she sings the final movement of Gustav Mahler’s pastoral, heavenly, enigmatic 4th Symphony in G major as part of a Freitagskonzert at the end of the season. There is talk of saints and angels, of the little lamb and Herod. A great »as if«, so it is said of this symphony. Maurice Ravel was also a master of the »as i«. As a tribute to his 150th birthday, we are playing his groovy, humorous Piano Concerto in G major after the intoxicating Daphnis and Chloé in the second symphony concert. A request from Alexandre Tharaud after he performed Ravel’s Piano Concerto for the Left Hand with the Beethoven Orchestra in 2018. G major: What a difference between the playful lightness and bite of Ravel’s concerto and Mahler’s symphony in the same key, smiling with tears (or crying with a smile) … Two masters of modernism with different views of the world. Incidentally, Lili Boulanger – unlike Maurice Ravel – was the first composer to win the coveted Prix de Rome, which was to pave the way for a great career for French composers. Unfortunately, she was already seriously ill at the time and died far too young. The inscription on Franz Schubert’s grave could also have been dedicated to her: » The art of music buried here a rich possession; but even more beautiful hopes. «

The Great Clarity

Philipp M. Krenn, director of Schlaflos in the 2023/24 season, is staging Richard Strauss and Hugo von Hofmannsthal’s melancholy global success, in which the soaring waltz melodies are just as much historical fiction as the timeless portrait of society full of arrogance, calculated intrigues and complex amours. The celebrated Hungarian soprano Polina Pastirchak returns to Graz Opera as the Marschallin, and former ensemble member Tetiana Miyus as Sophie. At her side: audience favourite Wilfried Zelinka as Ochs von Lerchenau.

Soprano

Tetiana Miyus

Events

Upcoming events

May 9 - Jun 26, 2026

The Rosenkavalier · Oper Graz

Past events

Jun 29, 2025

Himmel und Hölle · Beethoven Orchester Bonn

Jun 27, 2025

The Great Clarity · Beethoven Orchester Bonn

Future and recently performed repertoire

Singer in Symphony No. 4 by Mahler

Beethoven Orchester Bonn

Sophie in The Rosenkavalier by Strauss

Oper Graz

About

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