Pianist

Barenboim & Argerich : Mozart Sonata for Two Pianos, K.448

Chamber Orchestra of Europe Renaud Capuçon • Gautier Capuçon • Martha Argerich Beethoven • Dvořák

Vienna Music Society

1st Soirée

1st Subscription Concert

The Wiener Symphoniker have premiered various works by Arnold Schoenberg, including his symphonic poem "Pelleas and Melisande". A narrative love story after Maurice Maeterlinck in dramatic sounds, which Schönberg composed without knowledge of Debussy's opera and after his "Transfigured Night". In the Wiener Symphoniker's 125th anniversary season, it will now be conducted by Israeli conductor Lahav Shani. Also on the programme is Ludwig van Beethoven's 2nd Piano Concerto (op. 19), which is still oriented towards Viennese Classicism, but foreshadows the later Beethoven. The soloist is Argentinian pianist legend Martha Argerich.

Shani, Argerich · Beethoven, Schönberg

Following sensational concerts in Oxford and Germany last season, Martha Argerich returns to perform with the Oxford Philharmonic with concerts in both Oxford and London.

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Martha Argerich with the Oxford Philharmonic

Barbican Centre

The great Martha Argerich returns to the Oxford Philharmonic Orchestra as a concerto soloist, in Beethoven's Second Piano Concerto, surrounded surrounded in this programme by orchestral music of brilliance and drama. Samuel ColeridgeTaylor’s Ballade promises a wild ride: its energy and urgency will make any audience sit up and listen. To close, Marios Papadopoulos conducts Tchaikovsky’s great symphonic tussle with fate. In his red-blooded Symphony No. 4, the composer who always wore his heart on his sleeve manages to mine the consolation of hope from the turmoil of tragedy and despair, creating a live music experience like no other.

Martha Argerich

The Sheldonian Theatre

The Chamber Orchestra of Europe returns to its Austrian home in Eisenstadt to perform two concerts at this year’s Herbstgold Festival. Resident orchestra at the Schloss Esterhazy since 2022, the COE regularly appears in the Palace’s programme of events every year and we are thrilled that the Esterhazy Foundation has extended our residency until 2027. This year’s Festival is about ‘yearning’. Julia Rachlin, Artistic Director of Herbstgold, said: “To understand human beings, one must know what they yearn for. It would be too trivial, however, to associate the idea of yearning only with romantic feelings. It is worth taking pause again and again to become aware of one’s own longings. Especially in difficult and uncertain times, the yearning for a better world unites us. Music is the direct manifestation of the yearning felt by humans. So, what could be more natural than to immerse oneself in the world of music, which only comes into being through the emotions and the yearning vibrations of the soul? I’d like you to share in this ‘deep dive’ exploration of all kinds of yearning.” You can hear Julian Rachlin talking about the COE with Simon Mundy on our podcast, Interlude, here.

Herbstgold 2024

Esterházy Palace

She was born in 1941, he in 1989: two generations stand between the legendary pianist Martha Argerich and the young Israeli maestro Lahav Shani — yet when they meet, sparks fly. When they first appeared together in Tel Aviv in 2019, with Beethoven’s Second Piano Concerto, the applause seemed endless. Since then, they have made music together regularly: she at the keyboard and he on the podium. Or even in recitals for two pianos, or for four hands in encores — for Shani is himself a pianist of distinction. 

Munich Philharmonic | Lahav Shani | Martha Argerich

KKL Luzern Concert Hall

To twenty-first-century ears, Beethoven’s Symphony No. 7 can feel like the most modern and daring of them all. Anticipating musical developments a hundred years away, it was the first symphonic work to build a journey primarily from rhythmic rather than melodic blocks. No work of the period can match the wild dances, insistent rhythmic propulsion and infectious joy of Beethoven’s Seventh – but one piece from the following century that certainly can, is Ravel’s jazz-infused piano concerto of 120 years later. The legendary Martha Argerich is the soloist in Ravel’s electrifyingly slick and slinky piano concerto after Annie Dutoit-Argerich narrates the greatest musical menagerie of them all, Saint-Saëns’s beastly and enchanting Carnival of the Animals.

Martha Argerich plays Ravel

University of Oxford

To 21st-century ears, Beethoven’s Symphony No. 7 can feel like the most modern and daring of them all. Anticipating musical developments a hundred years away, it was the first symphonic work to build a journey primarily from rhythmic rather than melodic blocks. No work of the period can match the wild dances, insistent rhythmic propulsion and infectious joy of Beethoven’s Seventh – but one piece from the following century that certainly can, is Ravel’s jazz-infused piano concerto of 120 years later.

Pianist

Martha Argerich

Events

Upcoming events

Aug 31, 2026

Munich Philharmonic | Lahav Shani | Martha Argerich · Lucerne Festival

12 - 14 Feb, 2027

Martha Argerich plays Ravel · Oxford Philharmonic Orchestra

Feb 14, 2027

Martha Argerich plays Ravel · Barbican Centre

Past events

Jan 28, 2026

Chamber Orchestra of Europe Renaud Capuçon • Gautier Capuçon • Martha Argerich Beethoven • Dvořák · Chamber Orchestra of Europe

Sep 22, 2025

1st Soirée · Wiener Philharmoniker

Future and recently performed repertoire

Piano in Piano Concerto No. 2 by Beethoven

Wiener Symphoniker

Piano in Triple Concerto by Beethoven

Chamber Orchestra of Europe

Piano in Piano Concerto No. 3 by Prokofiev

Wiener Philharmoniker

Piano in Piano Concerto No. 3 by Rachmaninoff

Wiener Philharmoniker

Piano in Piano Concerto in G Major by Ravel

Oxford Philharmonic Orchestra

Piano in Piano Concerto No. 2 in B-flat major by Beethoven

Lucerne Festival

About

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