Name: The Mastersingers of Nuremberg
Start: 2025-04-27T16:00:00
Location: Deutsche Oper Berlin

The Deutsche Oper Berlin is set to stage an impressive lineup of operatic masterpieces, featuring timeless classics like Georges Bizet's 'Carmen', Richard Wagner's 'Tannhäuser', and Giuseppe Verdi's 'Aida'. As diverse interpretations and powerful performances bring these works to life, audiences can expect a riveting experience that delves into themes of love, redemption, and societal reflections. This season's productions offer an opportunity to witness the compelling narratives, nuanced characters, and musical brilliance that have cemented these operas as cultural treasures.

Exploring The Timeless Allure of Opera at Deutsche Oper Berlin

Deutsche Oper Berlin invites opera enthusiasts to an exciting 2024/2025 season, featuring a diverse lineup from the passionate depths of 'Carmen' to the transcendent strains of 'The Flying Dutchman.' Bringing together iconic operas and renowned performers, this season promises to be a testament to the power of music and storytelling. With interpretations that challenge societal norms and offer profound emotional journeys, each performance is set to captivate audiences and offer new perspectives on timeless tales.

A Journey Through Opera: Exploring Deutsche Oper Berlin's 2024/2025 Season

Jared Werlein

Annika Schlicht

Joel Allison

Tobias Kehrer

Gideon Poppe

Philipp Jekal

Chance Jonas-O'Toole

Michael Bachtadze

Jörg Schörner

Clemens Bieber

Burkhard Ulrich

Elena Tsallagova

Albert Pesendorfer

Thomas Johannes Mayer

Simon Pauly

Ulf Schirmer

Anna Viebrock

Jeremy Bines

Jossi Wieler

Sergio Morabito

Olaf Freese

Chorus of the Deutsche Oper Berlin

Orchestra of the Deutsche Oper Berlin

Deutsche Oper Berlin

Curated by Rirkrit Tiravanija – Saturday at 12:00 p.m. through Sunday at 6:00 p.m. at and around the Deutsche Oper Berlin

Opening weekend

On the Late Nights, the stage becomes a dance floor, voices mix together, the foyers become open floors. We connect with partners from the Berlin club scene and question the opera from the perspective of the night: What does it mean to be together when the order shifts? The night is open, come out and dance! Before the party, there is a musical theatre intervention: Students from the Musikhochschule Hanns Eisler form a rapid response team and search for answers to the question of how opera can respond to our breathless present.

Late Night

With The Magic Flute, Mozart wanted to write a piece for everyone – the blend of Viennese folk theater, Singspiel, and Italian opera makes it a favourite with audiences to this day. There's something for every taste, from catchy songs and arias to humorous spoken dialogue and fairytale elements. Günter Krämer’s production creates two contrasting worlds: the realm of the Queen of the Night and the temple of the Sun King. Between them travels Prince Tamino, accompanied by the bird catcher Papageno. On their adventurous journey, they traverse primeval forests inhabited by lions, rhinoceroses and snakes. Mozart’s opera imaginatively invites reflection on good and evil, dreams, fears and love. The lovingly crafted, partly mechanical set design creates stage magic. Renowned Mozart interpreter Tomáš Netopil conducts the Deutsche Oper Berlin orchestra. Our ensemble of soloists will enchant with their joy in acting and singing.

The Magic Flute

Long before the cinematic popularity of Downton Abbey or the Jane Austen craze, the ruthless inner world of the British landed gentry became the setting for Italian opera. With his 1835 setting of Walter Scott's successful novel The Bride of Lammermoor, Gaetano Donizetti created a lyrical drama that remains the epitome of Italian Romanticism. Set in Scotland around 1700, the tragedy is also the most famous example of the transformation of the virtuosic bel canto style into a highly expressive stylisation of extreme emotional states and contains what is arguably the most famous scene of madness in Italian opera. Filippo Sanjust’s production, with its painted scenery and spotlights, evokes the atmosphere of an operatic evening from the work’s original era. Michele Spotti, Principal Guest Conductor of Deutsche Oper Berlin, conducts the company’s ensembles for the first time in his new role. As Lucia we encounter the virtuoso Nina Minasyan, and one of the most brilliant bel canto tenors, Xabier Anduaga, returns to our stage as Edgardo.

Lucia di Lammermoor

What is worth living and dying for – love, art, freedom? This question lies at the heart of Tosca, uniquely blending musical brilliance with a gripping plot and historical events with archetypes of the operatic stage. Throughout a single fateful night, the audience follows the story of the singer Floria Tosca, the painter Mario Cavaradossi and the unscrupulous police chief Scarpia, a night that ends fatally for all three. The greatest stars of opera history have graced Boleslaw Barlog’s historically accurate production for over 50 years. Joining this chronicle for the first time in this season’s initial run are, among others, Aleksandra Kurzak, who has already sung Tosca at the Metropolitan Opera in New York and the Royal Opera in London, and Roberto Alagna, who showcases his exceptional tenor in another role at Deutsche Oper Berlin. Antonino Fogliani, one of the most gifted Puccini conductors of our time, will be appearing at Deutsche Oper Berlin for the first time.

Tosca

In the context of Mittwoch aus Licht, Titus Engel, for his first concert as conductor-in-residence, connects the musical worlds of Stockhausen and Wagner. Both composers not only shaped the music of their time, but they also polarised opinion, both aesthetically and socially. A mystical aura still surrounds both; religion of art and classical heroic epic are the central elements of their two late works. A few days before the premiere of Mittwoch, the second act of Donnerstag offers insights into another day of the week-long opera cycle. As a purely instrumental section, Michael’s journey around the world traces a hero’s path culminating in his ascension to Heaven. The parallels to Parsifal’s journey, profoundly influenced by Wagner’s affinity for religious spirituality, are evident. John Cage's piece 4′33″ serves as a link and prelude to the quasi-sacred atmosphere, having revolutionised listening through the establishment of the musical pause as a sonic space. The concert marks the opening of the thematic focus on Stockhausen and Cage, co-curated by Titus Engel.

Symphony Concert: Light on Parsifal

How is a production created? Find out in the workshop! After attending a stage orchestra rehearsal in the large house, you will have the opportunity to talk to those involved in the production.

Workshop: Wednesday from Light

On the occasion of the new directorship, Deutsche Oper Berlin is venturing to show a project that crashes through boundaries and opens up new spaces: Karlheinz Stockhausen’s Mittwoch aus Licht will be shown as a scenic opera production in the German-speaking world for the first time. Stockhausen, visionary of sound, crafted nothing less than a cosmic theatrum mundi about man and woman, good and evil, birth and death with his monumental cycle LICHT. Die sieben Tage der Woche. While other portions of the cycle centre around the struggle between competing forces, the polarity of which reshapes our lives every day, Mittwoch celebrates the utopia of love and the spiritual connection in the spirit of music, as well as the belief that community and solidarity are possible. Stockhausen was uncompromising in his search for a new type of music; he is considered one of the most innovative and yet most controversial composers of the 20th century. A pioneer of electronic music, he also inspired pop music across all genres, including Kraftwerk and Björk. The spectacular centrepiece of Mittwoch aus Licht is the helicopter string quartet, in which Stockhausen expands the musical space beyond the theatre itself: The members of a string quartet sit in four helicopters circling high above the audience. Sounds of strings meld with the helicopter blades, floating down to the audience from above. For our production, the quartet will be performed live as a one-of-a-kind event for the whole city, with film recordings of the quartet becoming part of the production. Award-winning duo Susanne Kennedy and Markus Selg, who caused a sensation with Einstein on the Beach at Theater Basel and Parsifal at Opera Antwerpen, will transform their first opera production in Berlin into an immersive ritual. Maxime Pascal, Principal Guest Conductor under the new directorship, is an expert and passionate connoisseur of Stockhausen and has performed every piece of the LICHT cycle except for Mittwoch.

Wednesday from Light

Survivors of the sea, refugees, exiles come together on an island. They create a new society from scratch without the old rules of origin or power. Is it possible to have a community built on love? The hosts for this evening are two intergalactic collaborators: Sun Ra, pioneer of Afrofuturism in response to omnipresent racism, and Karlheinz Stockhausen, who sought to flee the constriction of the art world. Both are fascinated by interplanetary vibrations, read the same spiritual book about love in the 1970s and set the cosmos free.

Sunville

Gustave Flaubert’s novel Madame Bovary is considered a masterpiece of French realism and a pioneering work of literary modernity. Flaubert devoted five years to writing this work, which was published in 1856 and caused a scandal due to its unflinching portrayal of adultery and forbidden desires. With his precise, distantly observing style, Flaubert created a new form of storytelling that rendered inner states and social constraints with striking clarity.

Bovary

FUTURA DANZA is a new ongoing dance course for pregnant women and young mothers and fathers with babies up to 12 months. The course invites participants to experience motherhood and early parenthood as a time of change, arrival, and new-beginnings – through the body, movement, and shared exchange. Under the guidance of Vanessa Cokaric, dance teacher and certified pre- and postnatal yoga instructor, the sessions combine gentle bodywork, dance, play, and movement with the baby in a safe atmosphere. The body is strengthened, posture is realigned, and the return to physical activity is gently supported. At the same time, moving together promotes the bond between parents and child as well as the sensory and motor development of babies.

Futura Danza

To kick off the new season at the Deutsche Oper Berlin, Susanne Kennedy is staging Stockhausen’s Mittwoch aus Licht (Wednesday from Light) — an opera that turns consciousness itself into a stage. For her film selection in the At the Movies series, she has chosen David Lynch’s Inland Empire.

At the Movies with Susanne Kennedy

Delphi LUX

DIE MEISTERSINGER VON NÜRNBERG was Richard Wagner’s only light-hearted opera and remains one of his most popular works. This notwithstanding, MEISTERSINGER is also the musical manifesto of a German national art movement and, as such, has accumulated so much baggage over the years that people are apt to lose sight of the opera’s essence – a jolly and coherent comedy with its helter-skelter storyline centring on illusion and reality, love, ageing and the plying of one’s art – and this despite the core theme of a life dominated by music determining not only the cast of characters but also the action of the piece. The members of the master-singers guild have convened to make music in accordance with their strict rulebook. One of the singers, the wealthy Veit Pogner, has granted his daughter Eva the freedom to choose which suitor she will marry – with the proviso that it be a master singer, in other words the winner of a public singing competition. A pity, then, that Eva is in love with Walther von Stolzing, who is talented but devoid of formal training. Nonetheless he takes part in the competition, aided and abetted by master singer Hans Sachs, who has to forego his love for Eva in the process.

The Mastersingers of Nuremberg

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