Name: Chamber concert extra
Start: 2026-02-02T20:00:00
Location: Berlin State Opera

Staatskapelle Berlin

Since 2010, chamber music ensembles of the Staatskapelle have been performing at the Bode Museum, a jewel of Berlin's museum landscape. Matinee concerts lasting just over an hour in the Gobelin Hall, with diverse programs that include music from the Baroque and Classical periods as well as works from the Romantic and Modern periods, can easily lead into further hours in the museum—for example, with a guided tour of the exhibition and the "Artwork of the Day," a private tour, or a culinary finale in the stylish museum café.

Museum Concert III

UNESCO Weltkulturerbe Museumsinsel

Engelbert Humperdinck's opera "Hansel and Gretel" is popular with young and old , especially during Advent and Christmas. This year, a special version for families will be presented, featuring Lindenbrass, the brass ensemble of the Staatskapelle Berlin. Ten musicians accompany and enrich the fairytale narrative with the sounds of Humperdinck's work, including all the familiar melodies and their inherent poetic magic.

Hansel and Gretel

Bebelplatz

With Franz Lehár, Viennese operetta experienced a noticeable upswing in the first decades of the 20th century. The new flowering of the genre, known as the “Silver Age,” is due not only to the extremely popular The Merry Widow , but also to Lehár’s late operettas from the 1920s and early 1930s, in which he consciously approached grand opera. These works are ambitious and sophisticated, and often feature prominent figures from cultural history, such as the “Devil’s Violinist” Niccolò Paganini or the “Poet Prince” Johann Wolfgang von Goethe (in the operetta Friederike ). And with Giuditta , described as a “musical comedy,” he even celebrated a premiere at the Vienna State Opera. Melodic bliss and melancholy are combined in Lehár’s music in a fascinating way.

New Year's concert

"The Fantastic" is the theme of this season's chamber concerts in the Apollosaal, based on the season's first opera premiere, Offenbach's Les Contes d'Hoffmann. Musicians of the Staatskapelle Berlin have developed programs that approach this idea and concept, which play a key role in music, in a variety of ways. Ranging from the Baroque to the present day, with a particular focus on the Romantic period, featuring Robert Schumann, Johannes Brahms, and the multitalented E.T.A. Hoffmann (who, in an idealized form, became the title character in Offenbach's opera), "The Fantastic" will be explored with a variety of chamber music works in diverse ensembles.

Chamber Concert III

Berlin State Opera

Museum Concert IV

With his German Requiem, Johannes Brahms found his own musical tone and expression. Deeply connected to the words and messages of the Bible and the spirit of Romanticism, and grounded in the achievements of tradition, he composed an astonishing work in his early thirties, intertwining vocal and instrumental parts to create a harmonious whole. He masterfully handled both the choir and solo voices, as well as the orchestra, with a multitude of haunting expressive moments that have secured the work a central place in churches and concert halls around the world since its composition in the 1860s.

Symphony Concert IV

This season, the Staatskapelle Berlin and its General Music Director Christian Thielemann will perform at three venues and three renowned European concert halls: the Hamburg Elbphilharmonie, the Munich Isarphilharmonie, and the Vienna Musikverein. In addition to Brahms's impressive German Requiem , they will perform orchestral songs by Strauss and Beethoven's Pastorale – music by composers with whom the orchestra is particularly familiar and with whom it has repeatedly and intensly explored for many years.

Staatskapelle Berlin: Guest performance in Hamburg

Elbphilharmonie Hamburg

Chamber concert extra

Major symphonies and instrumental concertos typically characterize the Staatskapelle Berlin's programs when it performs on concert stages in Berlin and around the world. In a special concert program, the orchestra and its General Music Director embark on a journey of discovery into the music of those decades when people sat rapt in front of the radio, listening to the sounds emanating from it—sounds that were both symphonic and jazzy, permeated by rhythmic energy and a captivating vibrancy that evokes images of the concert hall, the salon, or the dance floor. Music of high artistic sophistication that simultaneously creates a good mood.

Special concert “Music from distant radio days”

Museum Concert V

"The Fantastic" is the theme of this season's chamber concerts in the Apollosaal, based on the season's first opera premiere, Offenbach's Les Contes d'Hoffmann . Musicians of the Staatskapelle Berlin have developed programs that approach this idea and concept, which play a key role in music, in a variety of ways. Ranging from the Baroque to the present day, with a special focus on the Romantic period, "The Fantastic" will be explored with a variety of chamber music works in diverse ensembles.

Chamber Concert IV

Prussia's Court Music, the chamber orchestra series of the Staatskapelle Berlin, has been in existence for over two decades. It focuses on music from the 17th and 18th centuries, not least composers and works that are particularly connected to the history of the Staatsoper and the Staatskapelle. This season's concerts will focus – in addition to the new production of The Abduction from the Seraglio – on the music of early and middle Mozart, who, both in his hometown of Salzburg and on his travels through Europe, keenly embraced the musical traditions of his time and used them productively in his own work. In addition, the renowned Italian gambist and ensemble leader Vittorio Ghielmi will be a guest at Prussia's Court Music for a weekend, with a program featuring music by the Italian Baroque composer Agostino Steffani.