Brian Davis

Georg A. Bochow

Anna Cavaliero

Sebastian Köppl

Laila Salome Fischer

Gala El Hadidi

Sandro Rossi

Anne-Aurore Cochet

Federica Moi

Ascelina Klee

Martin Schelhaas

Judith Lebiez

Ana Isabel Casquilho

Christophe Forey

Thomas Schmidt-Ehrenberg

Mecklenburgisches Staatstheater

"Time is out of joint!"


When Hamlet returns to the Danish court, the old order has been shattered. Hamlet's father, the King of Denmark, has been murdered by his own brother. Unseen, unpunished. The murderer, Claudius, now sits on the throne himself and has married Hamlet's mother, Gertrude, the old king's widow. The young prince is determined to bring justice to his father's cause and avenge him. But what is he willing to sacrifice? What or whom must he offer? To avoid detection in his plan for revenge, Hamlet misleads the court. He dissembles, feigning madness. Increasingly, the lines between imagination and reality blur, doubt gnaws at his conscience and willpower. And while Hamlet threatens to break under the weight of his legacy, Prince Fortinbras prepares for war against Denmark.

Hamlet

Theater tent at Küchengarten

There are many reasons for men to climb a mountain: the passion for extreme sports, a sudden midlife crisis, or perhaps to commemorate a hiking-loving friend, Christian, who recently passed away. Steffen, Daniel, and Toni—best friends since their university days—embark on a two-day summit attempt. But it's not just the mountain they're tackling; their lives are also experiencing ups and downs. Steffen, the womanizer and heartthrob with commitment issues, is about to get married and desperately hopes for his friends' support. Daniel hasn't gotten over his breakup, and Toni has been carrying around an unused condom for three years because he just can't seem to find love. This hike becomes not only a journey of self-discovery in matters of the heart for the three of them, but also puts their friendship to the test—with sharp edges, blunt honesty, and plenty of humor.

Rup un Rünner

M*Halle, Schweri

Kulturmühle Parchim

Theater Putbus

Revenge is a dish served cold."

Benjamin Barker returns to London after years of exile – with a new name and sinister intentions. As Sweeney Todd, he opens a barbershop above Mrs. Lovett's bakery on Fleet Street. He wants revenge on Judge Turpin, who once unjustly deported him to Australia in order to steal his wife and daughter. Todd's razor is meant to send Turpin to his doom. The macabre business model he devises with Mrs. Lovett suits him perfectly: a fresh shave is half the battle. The customers who take a seat in Todd's barber's chair end up one floor below – in Mrs. Lovett's meat pies, which soon become incredibly popular. While beggars wander the streets outside and sailors sing of love, madness takes hold of the barber – and sweeps everything away with it.

Sweeney Todd

“I fear nothing: Cupid and Fortuna are fighting for me.”

The ambitious Poppea is having an affair with the Roman Emperor Nero. She now gives her former lover Ottone the cold shoulder. When Nero decides to abandon his wife Ottavia in order to make Poppea empress, a rift develops between him and Seneca, his teacher and advisor. Seneca pays for his criticism of the tyrant's actions with his life. Ottavia then forces the distraught Ottone to attempt to assassinate Poppea. But Cupid intervenes…

The Coronation of Poppea

"At the beginning of every performance, I always say, 'It doesn't matter at all, today I'm only going half speed.' And at some point, I open my eyes and realize I'm going full throttle, the sweat is just pouring down my face... and catharsis!"

The curtain rises, come what may. And hopefully, no one notices that quite a few things are going wrong in this comedy – and not just for the couple in the play. They've accidentally invited not only their good friend and her new partner to the dinner party, but also her ex-husband. Under no circumstances can the two of them meet. In a series of ludicrous actions, the couple tries to cover up the mishap and prevent disaster as best they can. But there's even more turmoil behind the scenes! Right at the beginning of the play, one of the actors simply can't remember his lines. He thought just moments ago that he was there to do some voice-over work...

In the wrong movie

How can we live together?"

Shouldn't the oceans also have a voice in a parliament that thinks about the future? And the forests? And, taking this idea further, shouldn't gender equality also be represented in this parliament? The Parliament of Things is a project for the democratic participation of young people, based on the ideas of the French sociologist Bruno Latour. As a theatrical parliament in which scientists, activists, and actors make the decision-making processes of a democratic society tangible, it aims to spark curiosity about the upcoming transformations that the future demands of us as a society. Young people and young adults are invited to hear the voices of the forests and wetlands in the six sessions of the Parliament of Things and to vote on complex issues.

Parliament of Things

“That's best, you sprinkled the logo from the GREEN on the urn and replaced it with Conchita Wurst!”

Not even death can be peaceful anymore. The funeral for company boss Gernot Steinfels was perfectly planned. The community had gathered, the pastor was ready, the wreath was arranged. Then, a heated discussion erupted within the management team of "Feinwäsche Steinfels GmbH" (Steinfels Fine Laundry Ltd.). Some of the company's female employees felt excluded by the text on the wreath's ribbon, "In deep mourning, your employees," and the marketing department feared a social media backlash. Horst Bohne, the prospective managing director, wanted no use for such "wokeness" as gender asterisks. And so, a clash ensued between Boomers and Generation Z, between feminists and conservatives, about Me Too, sexist corporate advertising, body shaming…

Kolle witte Mann

For the first time, the Schwerin Ballet brings one of Schwerin's most fascinating stories to the stage: the legends of "Petermännchen" (Little Peter). Jonathan dos Santos and his ballet company breathe new life into these ancient legends by uniting storytelling, music, and movement in a unique ballet production. This innovative approach aims to honor Schwerin's rich tradition and simultaneously build a bridge between past and present. At the same time, the ballet production, Quid si sic, connects people of all generations, allowing them to experience the timeless magic of these legends together.

Quid si sic

"There was a letter from the school on the table. The sixth one already."

"Welcome to the club. The 'You're in Shit Club.'" That's how Sammy greets the new boy Ebenezer on the street in a grim housing estate. Sammy and Ebenezer know each other by sight from school. Ebenezer is smart and comes from an educated family; Sammy is rough, lively, and struggles with learning and social skills. The two become fast friends. Ebenezer was forced to move with his parents into the squalid high-rise where Sammy also lives. "It's only for a short time," his father said, but Sammy laughs at that. "My father said that too."

Wutschweiger

What happens when Ms. Loud meets Ms. Quiet? Sometimes boisterous, sometimes whispering silently, the two set off to get to know each other better, and an unusual friendship develops.
A theatrical experience for the very youngest children, ages 1.5 to 4!

Duration approx. 40 minutes (20 minutes of staging and subsequent play phase)
Age 1.5 – 4 years

Lotta Laut and Lisa Leise

State Museum Schwerin

Things are tense at Hansel and Gretel's house: Dad has lost his job, their bank account is as empty as the fridge, and a family vacation is out of the question… Over something trivial, their father snaps and throws his children out of the apartment. Although he immediately regrets his outburst, Hansel and Gretel are now on their own. An adventurous journey through the urban jungle begins for them. Along the way, the two encounter strange characters, dangerous temptations, and new challenges. They can't find their way home and eventually end up in a truly devilish witch's house. A suspiciously friendly couple lives there, completely devoted to the ideal of eternal youth and beauty. But behind the shining facade lurks a dark secret: The couple has nothing good in mind for children…

Witch's Wood

Berliner Platz

Ballet Schwerin presents an extraordinary celebration of dance. This season, we are delighted to welcome world-renowned international ballet stars who will grace the stage with breathtaking performances. Alongside these distinguished guest artists, our talented company will showcase its exceptional versatility, collaborating with both established and emerging choreographers. Under the artistic direction of our Ballet Director, Jonathan dos Santos, the company will present captivating new works that highlight the dynamic and innovative spirit of Ballet Schwerin.