Name: Vicenza Opera Festival: Fischer and The Magic Flute
Start: 2026-12-20T17:00:00
Location: Teatro Olimpico

Iván Fischer

Julian Prégardien

Franz-Josef Selig

Olivia Vermeulen

Alina Wunderlin

Peter Harvey

Samantha Gaul

Sarah Maria Sun

Markus Werba

Mirella Hagen

Marie Seidler

Stuart Patterson

Budapest Fes­ti­val Orches­tra

Grandiose romanticism performed by one of the best orchestras in the world. Rachmaninoff and Mahler on the program of the Budapest Festival Orchestra. A song that is most expressive without words. A virtuoso piano concerto that is probably more “comfortable” than the previous one, only according to its composer. A symphony that took the genre to a whole new level. Each one is a beautiful, emotionally resonant piece. The orchestral version of Vocalise, a gem of the vocal repertoire, originally written for voice and piano, will open the concert, followed by Piano Concerto No. 3, with Isata Kanneh-Mason, who has performed at major concert halls in the world, from the Royal Albert Hall to Carnegie Hall, as a soloist, and recorded a number of exciting albums as a Decca Classics artist. After the interval, the orchestra will perform Mahler’s lengthy palette of emotions, his Symphony No. 1, which was premiered in Budapest.

Tour: Menuhin Festival Gstaad

Festival-Zelt Gstaad

The last cheerful sound before the world war, bringing harmony to a seemingly irreconcilable conflict and a groundbreaking string octet: this is the emotional rollercoaster offered by the Budapest Festival Orchestra to audiences in Saanen. A few months after composing his Divertimento, an unimpeded piece invoking also the looming atmosphere of war, Bartók emigrated to America. Iván Fischer reflects on the horrors of that very war, while exploring how, despite all this, we can still admire German culture. The answer is provided, among other things, by Mendelssohn’s piece concluding the concert, which is still a hallmark work in octet literature. In the cantata of Fischer, also the conductor of the concert, the soloists will be Gergely Csikota, the orchestra’s well-traveled trumpet player, and soprano Mirella Hagen, whose voice was praised by Bachtrack as “effortless and ethereal”.

Tour: Menuhin Festival Gstaad – Chamber Concert

St. Mauritius Church Saanen

Tour: La Chaise-Dieu

Saint-Robert Abbey Church, La Chaise-Dieu

A true legend will take the stage with the Budapest Festival Orchestra. The grande dame of the piano, the “priestess of art,” Elisabeth Leonskaja, who won the Lifetime Achievement Award of the International Classical Music Awards (ICMA) in 2020, used to perform in duo with Sviatoslav Richter while conquering the world’s most prestigious concert halls. This time, she will perform one of Mozart’s most popular and grandiose piano concertos, and the only one concluding in a minor key. This piece will be framed in a special manner. The concert will open with music by Schubert, who, in addition to inventing the genre of German songs – writing more than 600 of them –, after six symphonies arrived at an entirely new orchestral language, even if the piece ultimately remained unfinished. Relationships between men and women will take center stage after the intermission. The music of Bartók’s pantomime, The Miraculous Mandarin, will come to life through a storyline that explores questions of body and soul.

Tour: Lucerne Festival Leonskaja, Eva Duda Dance Company, Fischer

KKL Lucerne

Normally the roles are clear: the orchestra sits onstage, and the audience listens from the hall. That’s where the sound blends best, of course. But it raises an intriguing question: how does the orchestra itself experience a concert, and what does the conductor actually hear? “Mittendrin” gives you the answer. You take your seat right among the musicians, who are spread out a bit more widely than usual so that extra chairs can be positioned to accommodate you as guests. Iván Fischer, a master of imaginative ideas, is now bringing to Lucerne a daytime version of the Budapest Festival Orchestra’s much-loved Midnight Music series, already well known in Hungary. 

Tour: Lucerne Festival – Mittendrinn

KKL Luzern

Normally the roles are clear: the orchestra sits onstage, and the audience listens from the hall. That’s where the sound blends best, of course. But it raises an intriguing question: how does the orchestra itself experience a concert, and what does the conductor actually hear? “Mittendrin” gives you the answer.

Tour: Lucerne Festival – Middle Stage

Join us as we usher in a new season and celebrate opera, music, the marvel of the human voice, creativity, and the many-layered artistry of a genre that delights and stirs all the senses.

Iván Fischer has renewed The Magic Flute. Mozart’s opera transports us into a world of enchantment, allowing an escape from the daily grind. Join us for tasty hors d'oeuvres before the curtain rises, served in an atmosphere created by fashion designer Eszter Cselényi and unmistakably evoking the world of Mozart himself. After the opera, guests of the BFO and Müpa Budapest are invited to an informal gathering to meet the artists and creators participating in the performance. Selfies allowed! Gone will be the distance between stage and audience, and art will become tangible. An evening of connections and once-in-a-lifetime encounters.

Opera and Reception: Celebration in the Realm of the Queen of the Night

Müpa Budapest

Celebration in the Realm of the Queen of the Night – Reception

The rays of sun chase night away.” If there is an opera for everyone, an opera about the very essence of life, it’s The Magic Flute. For the first time since 2015, Iván Fischer will once again bring to the stage Mozart’s philosophical tale, where good and bad, light and darkness, right and wrong, courage and fear, wisdom and superstition, vengeance and mercy are juxtaposed. The opera, which is Mozart’s last work for the stage, is an initiation ceremony and a moral tale about the journey to adulthood. “It’s an inscrutable work of magical power,” says Fischer, who is particularly awed by the opera’s optimism, humor, playfulness, fairy tale-like quality, deep humanism, or, in a single word, complexity. The international cast includes Mozart specialists from the world’s leading opera houses, several of whom are already familiar to the BFO’s audiences.

Fischer and The Magic Flute

For almost a quarter of a century, the Budapest Festival Orchestra’s program series for children has brought a high-quality classical musical experience to the youngest. The orchestra’s rehearsal hall not only serves experimenting with the tiniest details of the symphonic pieces to be performed, or playing chamber music, but also as the venue for educating the next generation of classical music lovers. There is no better promotion of these events than the fact that several members of the BFO’s loyal audiences came to love music at these Cocoa Concerts, with a polka-dot mug in their hands.

Cocoa Concert

BFO Rehearsal Hall

Sunday Chamber Music – 1

The legendary Sir John Eliot Gardiner will conduct the Budapest Festival Orchestra for the first time! The Honorary Doctor of the Liszt Academy and multiple Grammy Award-winning conductor rose to international fame mainly through his performances of early music, but he also enjoys exploring Romantic compositions. He conducts with “boundless energy,” to borrow a characterization from The Guardian, be it Joseph Haydn or Jean Sibelius, the composers featured in his program. Although the two composers arguably have little in common, the dual threads of patriotism and cosmopolitanism run through the concert. The evening’s centerpiece is a work from Haydn’s triumphant London period, composed following his release from decades of service to the Esterházy court. The program concludes with a Sibelius symphony inspired by an excursion to Italy. With the opening piece, BFO musicians will once again demonstrate their talents as a choir with a deeply moving performance of the heart-wrenching song by the Finnish composer.

Sir John Eliot Gardiner and the BFO

“The rays of sun chase night away.” If there is an opera for everyone, an opera about the very essence of life, it’s The Magic Flute. For the first time since 2015, Iván Fischer will once again bring to the stage Mozart’s philosophical tale, where good and bad, light and darkness, right and wrong, courage and fear, wisdom and superstition, vengeance and mercy are juxtaposed. The opera, which is Mozart’s last work for the stage, is an initiation ceremony and a moral tale about the journey to adulthood. “It’s an inscrutable work of magical power,” says Fischer, who is particularly awed by the opera’s optimism, humor, playfulness, fairy tale-like quality, deep humanism, or, in a single word, complexity. The international cast includes Mozart specialists from the world’s leading opera houses, several of whom are already familiar to the BFO’s audiences.