Name: Entfernte Verwandte
Start: 2026-10-18T11:00:00
Location: Chamber Music Hall

Felix Weischedel

Ayane Okabe

Marina Hermida Rodriguez

Rica Schliermann

Maialen Eguiazabal Arriabarena

Daniel Lopez Gimenez

Gürzenich-Orchester Köln

PhilharmonieLunch is becoming PhilharmonieProbe. PhilharmonieProbe opens its doors to offer a special insight: you can experience the resident orchestras, the Gürzenich Orchestra Cologne and the WDR Symphony Orchestra, and their guests at work, spending 30 minutes watching them rehearse the current concert programme. Take a little break from everyday life at the Cologne Philharmonie – inspiring, moving, authentic. A place filled with music, for an unusual lunch break, a break from the sounds of the city, or simply a break from the daily grind.

PhilharmonieProbe

Cologne Philharmonie

It took Brahms no less than 14 years to complete his First Symphony; he kept revising, postponing, and doubting – mainly himself. »I will never compose a symphony. You have no idea how we feel when we continuously hear such a giant marching behind us«, wrote the composer to the conductor Hermann Levi. The giant being Ludwig van Beethoven, whom Brahms revered as a role model, but whose genius intimidated and inhibited him in his own creative work. Ultimately, however, everything turned out for the best, and his Symphony No. 1 is one of the most brilliant masterworks in music history. Andrés Orozco-Estrada continues the grand tradition of the Gürzenich Orchestra, which has always been closely associated with Brahms’ symphonic output. Vienna’s Singverein, one of the world’s leading concert choruses, joins the orchestra in one of Brahms’ most touching choral compositions.

Into the Light

Entfernte Verwandte

Chamber Music Hall

Papa Haydn? Far from being merely dignified and formal, his symphonies are surprising, full of flashes of inspiration, play with expectations – and are full of wit. With 107 symphonies, Joseph Haydn not only left behind an impressive number, but also had a decisive influence on the genre. Mozart, Beethoven, Brahms and Mahler – they all built on the foundation laid by Haydn. With three of his favourite symphonies, Gürzenich Kapellmeister Andrés Orozco-Estrada invites you on a special journey of discovery – and takes you into the orchestra's engine room. In informal concert talks, you can hear and see how music is created, how it is refined during rehearsals – and perhaps the audience will even be allowed to have a say in one or two interpretations. An invitation to anyone who wants to experience classical music in a different way: accessible, exciting and full of the joy of discovery.

Ein Haydn-Spaß

With the concert series »Bock auf Klassik?!«, the Gürzenich Orchestra Cologne invites everyone under the age of 29 to an evening that brings classical music to life in a new way: accessible, vibrant and surprisingly different. For just 8 euros, you can enjoy great works, a personal introduction to the evening’s programme, and afterwards a musical finale with a DJ, free drinks and a relaxed atmosphere in the foyer.

Bock auf Klassik?!

A few years ago, Benjamin Grosvenor claimed he wasn’t really all that talented. His stellar career, however, which has made him one of the most sought-after pianists around the world today, tells a different tale. Time and again, international reviewers have praised his brilliant technical abilities, which are combined with an instinct for sound and the courage to delve deep into the realms of lyricism. This makes him the perfect choice of soloist for Sergei Rachmaninov’s Piano Concerto No. 2, a bravura signature piece combining daredevil keyboard acrobatics with intimate contemplation. Where Rachmaninov plunged straight into the maelstrom of grand emotions, Sergei Prokofiev chose serious retrospection. His dark-hued Symphony No. 6, a masterwork of pain and wistfulness, reflects the horrors of World War II. The Danish conductor Thomas Søndergård, chief conductor of the Minnesota Orchestra and the Royal Scottish National Orchestra, opens the gates to a deeply touching world of melancholy.

Breaking New Paths

Robert Schumann seems to have entered a form of creative delirium when he wrote his Cello Concerto in 1850, within the time of not even two weeks: this is no bravura tightrope act, and no self-preening soloist presented as a lion-tamer of his instrument, but rather, a composition full of enchantment and narrative strength, albeit not without dark shadows … Premonitions of coming mental-health catastrophes in the composer’s life? The young cellist Anastasia Kobekina is a graduate of the Kronberg Academy, with which the Gürzenich Orchestra continues its cooperation this season. Today, Anastasia Kobekina appears all over the world, and the newspaper »Le Figaro« described her simply as »an incomparable musician« – which makes her an ideal protagonist for one of the most intimate, profound cello concertos of the romantic era. Schumann also completed the first sketch of his Second Symphony as if in a fever dream: the draft was finished after only 16 days – but elaborating it would take far longer. At the time, Schumann was in the grip of a deep crisis, having suffered a mental and physical breakdown. Later, he would describe how working on his Second Symphony had brought respite and healing.

Delirium

Rückblenden

Nurturing talent and offering lasting support for the rising young elite of instrumentalists: this is an important part of the Gürzenich Orchestra’s mission and responsibility. During the past season, the Orchestra and Andrés Orozco-Estrada launched a cooperation with one of the world’s leading training institutions, presenting tomorrow’s classical stars: the Kronberg Academy supports internationally outstanding instrumentalists on the cusp of great solo careers. This second edition of the project features another three exceptional young talents in key works for their instrument.

Kronberg Academy

Ever since Kubrick’s »2001: A Space Odyssey«, the opening minutes of Strauss’s »Thus Spoke Zarathustra« have become instantly famous. This Sunday morning, you will hear that they are followed by another half-hour of marvellous poetic beauty.

Guest Performance Amsterdam

The Concertgebouw

How do you organize an orchestra tour? What happens during an audition? How does an education project come about? We offer close-up insights, share stories from everyday life, and lift the curtain – step by step. Over pretzels, Kölsch beer, and cold drinks, musicians, guests, and staff will engage in conversation and provide glimpses behind the scenes. Personal, direct, and without the distance of a stage, an exchange takes place away from the spotlight.

Musikalischer Frühschoppen

Belgisches Haus

In the long and venerable tradition of the Gürzenich Orchestra, Gustav Mahler and his oeuvre play an important role. He himself conducted the orchestra several times, and two of his symphonies were given their first performance by the Gürzenich Orchestra. Since then, he has been among the pillars of the repertoire of the orchestra, whose distinct sound had a decisive influence on Mahler’s compositional style – similar to the symphonic works of Johannes Brahms.