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Everyone is familiar with the soaring theme of Jane Campion's “The Piano”, or the almost equally characteristic features of Peter Greenaway's film soundtracks, of which he is, so to speak, the “regular” composer; Michael Nyman is not so readily associated with so-called “pure” music, yet his catalogue is equally impressive in this respect. In a promising dialogue with Mozart, Sebastian Knauer reminds us of this, with that touch of originality whi...
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1 dates (27 Jul - 27 Jul)
Jul
27
Tue
7:30 pm
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