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Adés’ Inferno Suite, extracted from his celebrated score for The Dante Project, is a wrathful work, exploring Dante’s nine circles of Hell through eight incandescent sections. Contrastingly, Richard Strauss’s Death and Transfiguration is more contemplative than contemptuous; it represents the final reminiscent thoughts of a dying artist, before being granted transfiguration ‘from the infinite reaches of heaven’.
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1 dates (2 Feb - 2 Feb)
Feb
2
Sun
4:00 pm
The Bridgewater Hall
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