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Performing on the terpsichora pressure-sensitive floors, an electronic instrument controlled by whole-body movement, Iran Sanadzadeh performs from her upcoming debut album, Ocean, Again. This performance uses the gestural vocabulary learned on the instrument to control a large number of sonic parameters with few controls. The sonic aesthetic, minimal in starting material, weaves dichotomies resulting from unintuitive mappings on the instrument to find new sound associations. This work wonders if ...
CCRMA Stage, Stanford, CA, United States