Beethoven and Mendelssohn

Mendelssohn’s Piano Concerto No.1 was performed so often on the same instrument that the keys started to move by themselves, as if played by a dedicated, though invisible, pianist. Holy water wasn’t enough to deter the ghostly musician, so the instrument was packed up and sent to the landfill (ghost included). Isata Kanneh-Mason performs this concerto with LMP, but reduces the chances of witchcraft by playing on a modern piano.