Name: Shostakovich's 4.
Start: 2025-05-28T19:00:00
Location: Deutsches Haus venues GmbH

From the captivating violin prowess of Alena Baeva to the evocative narratives of Shostakovich’s compositions, the Sønderjyllands Symfoniorkester offers a series of events that promise to resonate with cultural and artistic significance. These concerts highlight a blend of historical and contemporary works, featuring renowned performers like Stephanie Childress and Johan Reuter. Dive into the enriching world of classical music, where each event is a gateway to experiencing diverse artistic expressions, cultural stories, and the timeless beauty of symphonic music.

A Symphony of Artistic Journeys: Spotlight on the Sønderjyllands Symfoniorkester Events

Join Sønderjyllands Symfoniorkester as they present a rich tapestry of musical narratives in 2025. From Poul Schierbeck's operatic tales in 'Fête galante' to the illustrious 'Missa Solemnis' by Beethoven at the Schleswig-Holstein Music Festival, this season promises to be a remarkable journey through time, emotions, and art. With performances by renowned artists such as Johan Reuter and Robert Treviño, these events offer an exploration of complex narratives and musical genius across various genres and historical contexts, promising an unforgettable experience for all attendees.

A Cultural Symphony: Celebrating Music and Stories through Sønderjyllands Symfoniorkester's 2025 Season

Embark on a captivating journey with Sønderjyllands Symfoniorkester as they present a series of diverse and enriching concerts in 2025. From the heartfelt choral harmonies of Rossini’s 'Stabat Mater' to the powerful orchestral renditions of Shostakovich, the season promises an eclectic mix of performances that explore themes of love, resilience, and artistic innovation. Internationally renowned conductors and musicians join forces to deliver performances that are sure to resonate deeply with audiences, offering an unforgettable musical experience that reflects both cultural richness and artistic excellence.

An Artistic Odyssey: Sønderjyllands Symfoniorkester's 2025 Concert Series

The Sønderjyllands Symfoniorkester is set to take audiences on a musical journey through an array of captivating events in 2025. From operatic debuts to international celebrations, these events promise to enrich the cultural tapestry of Europe. Highlights include Poul Schierbeck’s 'Fête galante', Johan Reuter’s powerful renditions of Brahms, and the grand 40th anniversary of the Schleswig-Holstein Music Festival. Join us as we explore the intricate beauty of these performances and the artists behind them.

A Symphony of Events: Celebrating Cultural Harmony with Sønderjyllands Symfoniorkester

Embark on a musical journey through time and emotion with the Sønderjyllands Symfoniorkester. From Shostakovich's politically charged symphonies to intimate family stories through music, and a celebration of Wagner, Tchaikovsky, and Beethoven's timeless pieces, these events promise to deliver unforgettable experiences. Join us as we delve into the creative genius of composers, the compelling narratives behind their works, and the resonance these pieces hold in today's cultural landscape.

A Symphony of Stories: Exploring Music's Timeless Impact Across Generations

Experience a symphonic journey as Sønderjyllands Symfoniorkester presents a series of compelling concerts weaving narratives of musical heritage, cultural reflections, and personal stories. From Shostakovich's challenging Symphony No. 4 to the personal family tale in 'Anna's Song,' conductor Robert Treviño's international journey, and a nostalgic reunion with Johannes Wildner, each event offers a unique musical exploration. As the orchestra prepares for its role in the Schleswig-Holstein Music Festival's 40th anniversary, audiences are invited to discover the profound connections between music and life.

A Symphony of Stories: Celebrating Music, Heritage, and Treasured Memories

Christian Blex

Sønderjyllands Symfoniorkester

“To be faithful to only one woman is the same as being unfaithful to all the others!” So ​​sings Don Juan. It is, all things considered, a statement that one can mull over a bit, and has been since 1787, when Mozart and his librettist Lorenzo da Ponte premiered  Don Juan .


The opera tells the myth of one of the most controversial men in the history of music and literature; is he the ultimate living man or an outdated charlatan? Is it a cheerful comedy, as Mozart himself called it? Or has it become a tragedy about human decay, sin and penance, with the view of posterity on the work?

In addition to the opera's fantastic music, it is a work that has taken a firm hold on society's view of humanity and our self-understanding.  Don Juan  was an unequivocal success when it premiered

Mozart's “Don Juan” with the Danish National Opera

Alsion Concert Hall

Vejle Music Theatre

Conducting a symphony orchestra is an art. It is not something you just do – it requires technique, musicianship and leadership. And above all, it requires experience. That is why it is crucial that young conducting students from the Royal Danish Academy of Music have the opportunity to work with a professional symphony orchestra as part of their education.

DKDM's conducting seminar

Our new Principal Guest Conductor, Henrik Schaefer, will lead no less than four special evenings, when Mozart's Requiem from 1791, one of the most moving and dramatic works in music history, is on the program. It is Mozart's last composition but among his most famous works, even though it was only partly written by Mozart himself.

Mozart's Requiem with Schaefer

German House

Harmony Cultural Center, Haderslev

Løgumkloster Church

There are some works that hardly need an introduction, and Beethoven’s 9th Symphony is undoubtedly one of them. “The Great Symphony” has enchanted audiences throughout history with its powerful music and the famous “Ode to Joy” in the 4th movement. Beethoven’s 9th Symphony was revolutionary in several ways.


It is both long and magnificent, and for the first time an orchestra was supplemented by both choirs and soloists – a completely new dimension in symphonic music. It is a work that almost transcends the boundaries of music itself. The work has become a symbol of freedom and love, and has been a comfort and inspiration to people for centuries. The symphony is the EU anthem, and its dramatic and powerful notes were played under the Brandenburg Gate when the Berlin Wall fell, a moment when music emphasized hope and unity across nations. Here the word “Freude” was replaced with “Freiheit”. In 2001, Beethoven’s original, handwritten manuscript, from the Berlin State Library, was included in UNESCO’s Memory of the World programme as the first musical work ever. Thus, the symphony cemented its place as an iconic work in the world’s cultural heritage.

Beethoven's 9th.

Ribe Cathedral

When Claudio Flückiger lifts his horn, a world of sonic beauty and virtuosity opens up. As solo hornist in the Royal Danish Orchestra, he masters the instrument's warm, singable tone and its powerful expression – qualities that are indispensable in the music of Richard Strauss.


Flückiger, educated in Zurich and with a career that has taken him through the Opernhaus Zurich and the Gustav Mahler Jugendorchester, has a particular love for Strauss's works. In fact, the composer's incidental music was one of the reasons he chose to become an opera hornist. Tonight he will appear as a soloist in Strauss's Horn Concerto No. 1, a work written with love and deep understanding of the instrument. Strauss dedicated the concerto to his father, Franz Strauss, one of the most famous horn players of the time, and chose to call the orchestral version the “Waldhornkonzert” – a reference to the French horn his father preferred to play.

The solo hornist of the Royal Chapel plays Strauss

When the Sønderjylland Symphony Orchestra and the Schleswig-Holstein Symphony Orchestra unite, music truly becomes borderless. Across national borders – but with a shared love of symphonic music – the two orchestras create a magnificent concert experience that is only possible in a region with such strong cultural ties. It is a unique opportunity to experience over 100 musicians together on stage, a luxury that is otherwise only found in the largest European capitals.

Collaboration concert: Wagner, Brantelid & Mahler

When a composer and an orchestra work closely together over several years, a unique musical symbiosis arises. Lil Lacy is the South Jutland Symphony Orchestra's resident artist from 2024-2027, and her musical collaboration with the orchestra contains a depth that can only arise through mutual inspiration and time for reflection.

Portrait concert by Lil Lacy

When the sun sets on a bright June evening and the flames of the bonfire dance in the wind, the air is filled with notes that have always brought generations together. Our traditional and always atmospheric St. Hans concert is of course on the program again, and this year it is the beloved midsummer songs from the high school songbook that evoke memories of community when our chairman of the board, Simon Faber, sits down at the piano.

St. Hans 2026

Few things can bring people together like football and music. Across languages, borders and cultures, the two create a passion that touches the heart and gives goosebumps. From the deafening anthems that echo through the stands, to the great classical symphonies that enrich us. It is the sound of anticipation, jubilation and triumph. Tonight we bring the stadium atmosphere right into the concert hall.

The sound of football: From stadium to concert hall

Comwell Kolding Theatre

Lyden af fodbold: Fra stadion til koncertsal

Alsion

Dmitri Shostakovich's 2nd and 3rd symphonies carried a clear political inspiration and patriotic tone, celebrating the Soviet revolution and the labor movement. Both symphonies were composed early in Shostakovich's career, and were favorably received by the Soviet government for their strongly patriotic character. In contrast, Shostakovich's 4th Symphony, composed in 1935-1936, was not met with the same level of enthusiasm by the Soviet authorities. The symphony was not actually performed publicly until 1961, when it was deemed too "dangerous" by the Soviet authorities due to its complex harmonies and emotional depth, which did not fit into Soviet art policy at the time. Only after Stalin's death was the symphony first performed. With its structure and wide musical range, Shostakovich's 4th Symphony requires an appropriate number of musicians and instruments. That is why, true to tradition, we have teamed up with the Schleswig-Holsteinisches Sinfonieorchester to take on the task.

Shostakovich's 4.

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