Get ready to immerse yourself in the unparalleled genius of Johann Sebastian Bach with a series of captivating events happening across New York City and Washington, DC. From Michael Yeung's percussive debut at Carnegie Hall, to the majestic Brandenburg Concertos, and the iconic St. John Passion, this season promises a feast of Bach's timeless compositions. Join us in celebrating the legacy of one of the greatest composers in history through these spectacular performances.

Bach Extravaganza: Celebrating the Maestro in New York City and Washington, DC

This season, New York City will resonate with the timeless compositions of Franz Schubert. From the orchestral grandeur at Carnegie Hall to intimate recitals at Washington Irving and The Town Hall, there's a lineup of exceptional performances you won't want to miss. Highlights include Filippo Gorini's debut at Carnegie Hall, Ryan Speedo Green's dramatic recital, and the Juilliard String Quartet's profound interpretations. Join us in celebrating Schubert's legacy through these diverse and captivating concerts.

Celebrating Schubert: Unmissable Concerts in New York City

This fall and winter, New York City is set to become a haven for classical music enthusiasts with a spectacular lineup of concerts celebrating the genius of Ludwig Van Beethoven. From the Chamber Music Society of Lincoln Center's 'Bartók and Beethoven' at Alice Tully Hall to Louis Langrée conducting Beethoven's Seventh Symphony at Carnegie Hall, there are numerous opportunities to revel in the maestro's timeless compositions. Mark your calendars for these must-see events and prepare to be transported by the beauty and complexity of Beethoven's music.

Experience Beethoven in New York City: A Series of Unforgettable Concerts

Music lovers in New York City are in for a treat with a series of spectacular events celebrating the genius of Joseph Haydn. From the Chamber Music Society of Lincoln Center's season opener featuring mezzo-soprano Stephanie Blythe, to the Takács Quartet's enchanting evening at Washington Irving, and the Orchestra of St. Luke's concerts at Carnegie Hall, there’s something for every classical music aficionado. Additionally, Manhattan School of Music's Camerata Nova and the Elias Quartet concerts will highlight Haydn's timeless works. The season promises a journey through the brilliance of one of classical music’s most influential composers.

Celebrating Joseph Haydn: Upcoming Musical Events in New York City

Don't miss the chance to experience a trio of incredible musical events in New York City! Begin with Louis Langrée's unforgettable debut at Carnegie Hall, leading the Orchestra of St. Luke's through Valerie Coleman's powerful 'Fanfare for Uncommon Times' and Beethoven's vibrant Seventh Symphony. Then, immerse yourself in the rich wind chamber music of the Principal Brothers at Washington Irving. These events promise a celebration of talent and creativity, with performances that will leave you inspired.

A Musical Feast in NYC: Louis Langrée, Valerie Coleman, and the Principal Brothers

Prepare to be captivated by the Orchestra of St. Luke's as they present a series of mesmerizing concerts at Carnegie Hall. From the visionary 'Mein Traum' featuring Schubert, Schumann, and Weber, to the grandiose 'Emperor' by Beethoven performed by Marc-André Hamelin, and culminating in the profound 'St. John Passion' by Bach, these events promise an exploration of some of classical music's most cherished compositions. Join us for an unforgettable celebration of musical artistry and emotional depth.

A Symphony of Dreams: A Journey Through Classical Masterpieces

Join us at Carnegie Hall for a series of captivating performances marking the end of Bernard Labadie's illustrious tenure as principal conductor of the Orchestra of St. Luke's. With collaborations featuring renowned pianist Marc-André Hamelin and the esteemed choir La Chapelle de Québec, these events showcase works by Beethoven, Mozart, Haydn, and Bach, culminating in a celebration of classical music's timeless allure.

A Grand Finale: Celebrating Bernard Labadie’s Journey with the Orchestra of St. Luke's

Join us for an unforgettable evening at Carnegie Hall on April 10, 2025, as conductor Bernard Labadie bids farewell to his tenure with the Orchestra of St. Luke’s through a grand performance of Bach’s St. John Passion. This event, featuring a stellar cast of soloists and the renowned La Chapelle de Québec choir, marks both the conclusion of Labadie's cycle of Bach choral works in New York and the 50th anniversary of the Orchestra. It promises to be a landmark celebration in classical music.

A Musical Milestone: Bernard Labadie's Grand Finale with Bach’s St. John Passion

Carnegie Hall is set to host an extraordinary lineup of events in the summer of 2025, featuring the Orchestra of St. Luke's, and renowned musicians like Angela Hewitt, Teddy Abrams, and Garrick Ohlsson. From the mesmerizing compositions of Bach and the finesse of French Baroque to the iconic Symphony No. 9 by Beethoven, audiences will be treated to a diverse array of performances. This series promises to be a celebration of classical music, highlighting the ingenuity and creativity of legendary composers and the exceptional talents of contemporary performers.

A Summer of Harmonies: Carnegie Hall's 2025 Musical Extravaganza

Orchestra of St. Luke's presents an exciting lineup of ten concerts that challenge traditional musical boundaries. From Julius Eastman's radical minimalism in 'Feminine' to the bold orchestral contrasts by Paul Lewis, each event brings unique flavors and interpretations to New York's vibrant music scene. With performances by acclaimed artists like Midori, Renaud Capuçon, and Kinan Azmeh, these concerts highlight creative works from American jazz to classical masterpieces by Bach and Beethoven, offering a rich tapestry of sound and emotion throughout the season.

Exploring Boundaries: Ten Diverse Concerts by Orchestra of St. Luke's

This upcoming season, the Orchestra of St. Luke's invites music enthusiasts to a series of captivating concerts ranging from classical masterpieces to modern compositions. With events spanning from the majestic Caramoor Center for Music and the Arts to the iconic Carnegie Hall, each concert promises unique performances by renowned conductors and soloists. From Beethoven's epic symphonies to Eastman's avant-garde works, these events highlight the orchestra's versatility and commitment to musical excellence.

Orchestra of St. Luke's: A Season of Musical Masterpieces and Innovations

The Orchestra of St. Luke’s is set to captivate audiences with an exciting series of concerts featuring a wide range of musical styles and celebrated artists. From the rhythmic compositions of Gershwin and Ellington to Beethoven’s timeless violin concerto, the events offer something for every music lover. With performances by renowned musicians such as Gerald Clayton, Midori, and Kinan Azmeh, these concerts promise a rich exploration of musical creativity and expression.

Orchestra of St. Luke's: A Celebration of Musical Diversity

Hear violinist Renaud Capuçon make his OSL debut as both soloist and conductor in a program of vibrant and expressive works by Bach and Mozart.

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Renaud Capuçon, Bach, and Mozart

Carnegie Hall

Paul McCreesh launches OSL’s annual Bach Festival alongside GRAMMY-nominated countertenor Reginald Mobley.

Paul McCreesh Conducts Bach and Mozart

A celebrated interpreter of both classic and lesser-known gems, pianist Orli Shaham joins members of OSL for a program featuring two masterful piano quintets—one a defining work of Czech Romanticism, the other a landmark in American chamber music.

Orli Shaham Plays Dvořák & Beach

Masaaki Suzuki conducts Orchestra of St. Luke’s in a program featuring Mozart’s Don Giovanni overture, Beethoven’s Violin Concerto in D Major performed by Midori, and Mendelssohn’s “Italian” Symphony. From dramatic tension to vibrant dances, the concert journeys through pivotal works of the great classical and early romantic masters.

Midori Performs Beethoven’s Violin Concerto

Clarinetist and composer Kinan Azmeh has built a career defying musical borders, moving fluidly between classical, jazz, and improvisational traditions. His compositions are deeply personal, capturing the places and experiences that have shaped him.

Kinan Azmeh Performs Azmeh

The DiMenna Center for Classical Music

Louis Langrée returns to lead Orchestra of St. Luke’s in a concert celebrating the music of iconic American composers. GRAMMY-nominated jazz pianist Gerald Clayton performs Duke Ellington’s works, alongside classic favorites by Charles Ives, Gershwin, and Bernstein.

Louis Langrée Conducts Gershwin, Ellington and Bernstein

Join members of OSL for an evening of music by three defining American composers.
A legendary orchestrator and one of the rare EGOT winners, Jonathan Tunick returns to OSL following his 2024 appearance conducting his arrangement of A Little Night Music. This program features the premiere of his newly commissioned clarinet quintet, as well as select songs by Stephen Sondheim, a tribute to Tunick’s long-standing collaboration with the iconic musical theater composer.

Barber, Sondheim, and Tunick

Conductor Andrew Manze leads Orchestra of St. Luke’s with acclaimed piano soloist Paul Lewis in a program featuring Haydn’s witty Symphony No. 47 (“Palindrome”), John Adams’ rhythmically propulsive Fearful Symmetries, and Beethoven’s mold-breaking Piano Concerto No. 4 for a concert of surprises and contrasts.

Paul Lewis Performs Beethoven

Julius Eastman was a composer, pianist, singer, and provocateur who rejected rigid artistic and social boundaries. Black, gay, and unapologetically radical, he infused minimalism with raw energy, improvisation, and the pulse of Black American music. His 1974 work Femenine, which spent decades in obscurity before its recent reemergence, embodies his vision of music as alive, communal, and ever-changing.

Eastman’s Feminine

This holiday season, join musicians of OSL for a festive evening with two giants of the Baroque Italian concerto, Arcangelo Corelli and Antonio Vivaldi. Both composers shaped the concerto in distinct ways—Corelli through the concerto grosso, emphasizing interplay between soloists and ensemble, and Vivaldi through the rise of the virtuosic solo concerto that would dominate the 18th century.

Corelli’s “Christmas Concerto”

Hear OSL members play one of the most extraordinary works of the 20th century. Composed in a German prisoner-of-war camp during the brutal winter of 1940-41, Olivier Messiaen’s Quartet for the End of Time was written for the instruments available—clarinet, violin, cello, and piano—and first performed by fellow prisoners before an audience of 400 inmates and guards.

Messiaen’s Quartet for the End of Time

Raphaël Pichon returns to Carnegie Hall, bringing his narrative-driven approach to concerts to lead a journey through Beethoven’s music, featuring movements from the rarely heard gem Leonore Prohaska, a unique arrangement of the Symphony No. 7, and the monumental Symphony No. 9 featuring the exuberant “Ode to Joy.”

Beethoven’s Symphony No. 9 with Raphaël Pichon

Hear a select ensemble of OSL members perform one of the most beloved works in the chamber music repertoire, Schubert’s Octet in F Major.

Schubert’s Octet

As the summer draws to a close, don’t miss the grand finale of our 80th season with Musical America’s 2022 Conductor of the Year Teddy Abrams, celebrated for his vibrant energy and electrifying performances. Maestro Abrams will lead the Orchestra of St. Luke’s in a captivating program featuring the incomparable pianist Garrick Ohlsson, who will bring to life one of Beethoven’s most powerful and poetic piano concertos. Join us to bid farewell to summer in spectacular style!

Orchestra of St. Luke’s & Garrick Ohlsson, piano

Caramoor Center for Music and the Arts

As the summer draws to a close, don’t miss the grand finale of our 80th season with Musical America’s 2022 Conductor of the Year Teddy Abrams, celebrated for his vibrant energy and electrifying performances. Maestro Abrams will lead the Orchestra of St. Luke’s in a captivating program featuring the incomparable pianist Garrick Ohlsson, who will bring to life one of Beethoven’s most powerful and poetic piano concertos. Join us to bid farewell to summer in spectacular style! 

Venetian Theater at Caramoor

Four emerging composers are given the task of creating a new composition under the guidance of Composer Mentor Augusta Read Thomas, “a prodigious talent… the most accessible ambassador of the new modernism” (The New Yorker) through OSL’s DeGaetano Composition Institute.

World Premieres for Chamber Orchestra

Spend an enchanting afternoon with the Orchestra of St. Luke’s, under the direction of the remarkable Anna Rakitina, a rising star making her eagerly awaited Caramoor debut. At the heart of the program, the award-winning American violin Stella Chen takes the stage to perform Beethoven’s legendary Violin Concerto, a timeless masterpiece and cornerstone of the violin repertoire.

Orchestra of St. Luke’s & Stella Chen, violin

Orchestra of St. Luke's

Central Park

A single performance of one of the Bach Brandenburg Concertos offers a glimpse into the composer’s ability to push the concerto form forward. Hearing the complete grouping of the six Brandenburgs together offers an understanding of just how substantial Bach’s innovations were. The Brandenburg Concertos were written after the composer met the Margrave of Brandenburg, whose court was known for a substantial musical establishment. Bach reworked some previous materials into a group titled “Six Concerts for Several Instruments” and sent them off to the Margrave for consideration in 1721. Later dubbed the Brandenburg Concertos, they do indeed employ several instruments, in movements designed to showcase the characteristics of each, in solos or as part of new pairings. The first includes a pair of horns, instruments associated mostly with hunting calls, in a solo group with three oboes, bassoon and violin. No. 2, provides a challenging turn for solo trumpet along with flute, oboe, and violin. The third is a string concerto for three trios of violin, viola, and cello. Two flutes and solo violin are highlighted in Concerto No. 4, while No. 5 brings the harpsichord forward as a solo instrument, one of the first occasions the instrument had stepped away from a continuo role. No. 6 excludes violins altogether to focus on the voices of lower strings. The Margrave’s reaction to this enthusiastic offering is unknown, as there is no evidence that he responded to Bach’s submission or that the works were performed at his court.

J.S. Bach’s Complete Brandenburg Concerti

Caramoor’s 80th Season begins with a performance of Beethoven’s enduring, iconic Symphony No. 9, led by the enthralling Venezualan conductor Rafael Payare in his Caramoor debut. Four rising star soloists join a stellar hand-picked chorus; its awe-inspiring final movement “Ode to Joy” is an enduring testament to the power of unity and the human spirit.

Orchestra of St. Luke’s – Beethoven’s Symphony No. 9

Bach specialist Angela Hewitt is conductor and piano soloist in a program of works displaying the nimbleness and ingenuity of Bach, and his successor, Mozart, in composing concertos and chamber works that pushed musical boundaries. Bach has been the backbone of Hewitt’s career. She was immersed in his music through her father, a cathedral organist, and recalls, “I danced to Bach, sang Bach, played him on the violin and recorder . . . and in the end put all that experience into playing his music on the piano.” Her Hyperion recording of all the major keyboard works was hailed as “one of the record glories of our age” (The Sunday Times) and she recently completed the Bach Odyssey, performing them in concerts worldwide. Hewitt leads from the keyboard in the D-minor and G-minor concertos.

J.S. Bach and Mozart with Angela Hewitt

During Bach’s composing years, French style and culture were highly influential in Germany, considered to add a refined touch to fashion, music, and more. So it is that French grace notes, like the rhythms of court dances, found their way into the music of a composer who never visited the country. Yet, as always, in his habit of exploring other genres and composers—he was known as a particular admirer of Couperin—Bach emerged as a distinctive voice. “What I call the French foam in Sebastian Bach’s music cannot—I must admit—be so readily lifted off that you can lay your hands on it. It is like ether: it permeates all, yet it is intangible,” German composer Karl Freidrich Zelter wrote in 1827, adding “his style is typically Bach, as is everything about him.”

J.S. Bach and the French Baroque

OSL Bach Festival 2025

The 2025 OSL Bach Festival opens with an evening of Baroque brilliance as Lionel Meunier, founder of Vox Luminis, conducts a program of sacred works. Bach’s Tilge, Höchster, meine Sünden—his profound reimagining of Pergolesi’s Stabat Mater—is paired with Vivaldi’s luminous motets. Richly scored and emotionally vivid, the orchestral writing highlights the depth and elegance of the Baroque tradition.

J.S. Bach’s Stabat Mater

Spring Recital

P.S. 111 Adolph S. Ochs

Experience the profound beauty of J. S. Bach's St. John Passion, performed by the esteemed Orchestra of St. Luke's, under the baton of Bernard Labadie. This concert, set to take place on Thursday, April 10, 2025, at 7:00pm in the iconic Carnegie Hall - Stern Auditorium/Perelman Stage, is not just a musical event but a historic occasion marking the completion of Bernard Labadie’s remarkable tenure as principal conductor of the Orchestra of St. Luke’s.

This performance is especially significant as it concludes Labadie’s cycle of major Bach choral works across New York, showcasing a spectacular cast of singers alongside La Chapelle de Québec. This choir, known for its extensive and celebrated history with Labadie and the OSL, promises to elevate the masterpiece to new heights. As part of the orchestra’s 50th anniversary season, this event is a fitting tribute to an incredible journey, closing a chapter in triumphant fashion.

The evening will feature a lineup of exceptional talent, including tenor Andrew Haji, bass-baritone Philippe Sly, soprano Joélle Harvey, countertenor Hugh Cutting, tenor Samuel Boden, and bass William Thomas, with the chorus by La Chapelle de Québec. Each performer brings a unique depth and expertise to the rendition of Bach’s awe-inspiring work.

Tickets for this momentous event will go on sale on August 12, 2024, available through the Carnegie Box Office. Don’t miss the opportunity to be part of a musical celebration that promises not only to be a feast for the ears but a landmark event in the world of classical music.

J. S. Bach’s St. John Passion

A performance of J. S. Bach’s awe-inspiring, choral masterpiece St. John Passion is always a notable event. This concert is particularly momentous, however, as it marks the completion of Bernard Labadie’s extraordinary tenure as principal conductor of Orchestra of St. Luke’s (OSL). It also completes Labadie’s cycle of major Bach choral works performed across New York. For the occasion, the ensemble is joined by a spectacular cast of singers and La Chapelle de Québec, a celebrated choir founded and music directed by Labadie. As we celebrate the beloved orchestra’s 50th anniversary season, this performance closes an incredible chapter in triumphant fashion.

Orchestra of St. Luke’s

Join us for an unforgettable evening as Marc-André Hamelin, celebrated for his near-superhuman technical prowess, performs with the Orchestra of St. Luke's under the baton of Principal Conductor Bernard Labadie. This special performance is set to take place at the prestigious Carnegie Hall - Stern Auditorium/Perelman Stage on Thursday, February 13, 2025, at 8:00pm.

In what promises to be a night of extraordinary musical exploration, the program will feature the last and most grandiose of Beethoven's piano concertos, the Emperor. This virtuosic piece, renowned for pushing the boundaries of the piano's capabilities, will showcase Hamelin's exceptional talent and synergy with the orchestra. The evening will commence with the Orchestra of St. Luke's performing the introduction to Haydn’s "The Seven Last Words of Christ," followed by the elegance of Mozart’s Symphony No. 39, setting the stage for a journey through the brilliance of classical music.

This performance marks a significant moment as Bernard Labadie, in his concluding season as Principal Conductor, welcomes his longtime friend and collaborator to join one of New York's most esteemed orchestras. Together, they will bring to life a program that spans the depth and breadth of classical music's most influential composers.

Tickets for this must-see event will go on sale on August 12, 2024. For ticketing information, please contact the Carnegie Box Office at 212.247.7800. Don't miss this opportunity to witness a collaboration of musical giants in one of the world's most iconic concert halls.

Marc-André Hamelin Performs “Emperor”

In his concluding season as principal conductor, Bernard Labadie welcomes longtime friend and collaborator Marc-André Hamelin—“a performer of near-superhuman technical prowess” (The New York Times)—to join New York’s Orchestra of St. Luke’s as soloist. Together they perform the last-completed and largest-scale of Beethoven’s five piano concertos, a grand and virtuosic work ahead of its time in its exploration of the piano’s technical possibilities. The orchestra opens the performance with the introduction to Haydn’s The Seven Last Words of Christ, followed by Mozart’s masterful Symphony No. 39.

Join us for an unforgettable evening of classical music as the Orchestra of St. Luke's presents "Mein Traum My Dream: Schubert, R. Schumann, C. Weber" on Thursday, January 23, 2025, at 8:00pm. This remarkable concert will take place at the prestigious Carnegie Hall - Stern Auditorium/Perelman Stage, offering a unique blend of dramatic songs and orchestral arrangements that promise to captivate and enchant.

Under the baton of Raphaël Pichon in his New York debut, the concert marks the US premiere of "Mein Traum My Dream," a visionary project that weaves together infernal slivers of baroque and early classical French opera. The program features dramatic songs by Franz Schubert, Robert Schumann, and Carl Maria von Weber, with arrangements and orchestrations by Liszt and Brahms, creating a transfixing experience that has been praised by audiences and critics alike.

The Orchestra of St. Luke's will be joined by renowned singers Christian Gerhaher and Ying Fang, along with the chamber choir Ensemble Altera directed by Christopher Lowrey, for a rollercoaster ride through the underworld that promises to have audiences rethinking and discovering these classic works in a new light.

The evening's program includes Franz Schubert's Symphony No. 8 in B minor, "Unfinished," along with select songs by Schubert, Schumann, and Weber, offering a rich tapestry of musical expressions that span the emotional spectrum.

Tickets for this once-in-a-lifetime event go on sale August 12, 2024, and can be purchased through the Carnegie Box Office at 212.247.7800. Don't miss your chance to experience the magic of "Mein Traum My Dream" performed by the Orchestra of St. Luke's and an exceptional ensemble of artists.

Mein Traum (My Dream): Schubert, R. Schumann, C. Weber

Join us for an unforgettable evening as Louis Langrée makes his Carnegie Hall debut, conducting the esteemed Orchestra of St. Luke's on Thursday, November 14, 2024, at 8:00pm. This special performance will take place in the iconic Stern Auditorium/Perelman Stage at Carnegie Hall, a venue renowned for its rich history and acoustic excellence.

The night will commence with the stirring "Fanfare for Uncommon Times" by Valerie Coleman, a piece that was both commissioned and premiered by the Orchestra of St. Luke's in 2021, setting the stage for an evening of exceptional music. Following this, the spotlight will shine on Sterling Elliott, performing Haydn’s Cello Concerto No. 2 in D Major. Elliott, a former member of the Orchestra of St. Luke's and now a celebrated soloist, will be making his debut performance with the ensemble, promising a rendition filled with passion and precision. The concert will reach its climax with Beethoven’s vibrant Seventh Symphony, a masterpiece that promises to leave the audience enthralled.

Louis Langrée, beloved for his 21-year tenure as music director of Mostly Mozart, brings his expertise and charisma to lead one of New York City's great ensembles. The program for the evening includes:
- Valerie Coleman's "Fanfare for Uncommon Times," an OSL Commission from 2021
- Joseph Haydn's Cello Concerto No. 2 in D, featuring Sterling Elliott
- Ludwig van Beethoven's Symphony No. 7

Tickets for this must-see event will go on sale on August 12, 2024. For ticketing information, please contact the Carnegie Box Office at 212.247.7800. Don't miss this opportunity to witness a night of musical brilliance, led by the distinguished Louis Langrée and featuring the talented Sterling Elliott with the Orchestra of St. Luke's.

Louis Langrée Conducts Beethoven

Join host Susan Graham, and special guest, soprano Erin Morley, for an intimate evening of song and conversation at the Orchestra of St. Luke’s DiMenna Center Benefit on Monday, September 9 at 6:30 PM. This annual event takes place at our home, The DiMenna Center for Classical Music at 450 West 37th Street.

DiMenna Center Benefit

Join us for an unforgettable evening at the Caramoor Center for Music and the Arts - Venetian Theatre on Sunday, August 4, 2024, at 4:00 pm, as the Orchestra of St. Luke's presents "Jeremy Denk Performs Beethoven." This highlight of the Caramoor Summer Season features the extraordinary talents of Jeremy Denk, one of the preeminent pianists of our time, performing Beethoven's Fourth Piano Concerto. Under the baton of Thomas Wilkins, making his Caramoor debut as the dynamic Principal Conductor of the Hollywood Bowl Orchestra and Music Director Laureate of the Omaha Symphony Orchestra, the concert promises an electrifying crescendo to the summer.

The program will also showcase symphonic masterpieces by Samuel Coleridge-Taylor and Antonín Dvořák, including Coleridge-Taylor's Ballade, Op. 33, and Dvořák's Symphony No. 8, creating a sensational evening of music that celebrates the breadth and depth of the orchestral repertoire.

Tickets are available through the Caramoor Box Office at 914.232.1252. Don't miss this celebration of musical genius in the idyllic setting of the Caramoor, a testament to the enduring power and beauty of orchestral music.

Jeremy Denk Performs Beethoven

Modern music’s consummate chameleon will showcase a daring and different side of his kaleidoscopic creative acumen this summer, as Beck prepares to embark on a limited run of orchestral performances. For these seven nights only, Beck will perform accompanied by native orchestras in each city, delivering sure to be unforgettable evenings of unique symphonic arrangements of classics and deep cuts from a towering catalog—reimagining a body of work that includes the multi-platinum Odelay, world-tripping Mutations, somber and reflective Sea Change, and GRAMMY Album of the Year winner Morning Phase, to name but a few.

Beck with Orchestra of St. Luke’s

Join us for a mesmerizing afternoon at the Caramoor Center for Music and the Arts - Venetian Theatre on Sunday, July 14, 2024, at 4:00pm, as we present "Miloš Performs Joaquín Rodrigo with the Orchestra of St. Luke's." This event, a highlight of the Caramoor Summer Season, features the world-renowned classical guitarist Miloš Karadaglić, under the baton of the acclaimed conductor Xian Zhang.

The concert will showcase the miraculous and beloved Concierto de Aranjuez by Joaquín Rodrigo, a pinnacle of Spanish classical music. The program begins with "Primal Message" by American composer Nokuthula Ngwenyama, a piece known for its meticulously crafted reverie. The afternoon will conclude with a performance of Mozart’s Symphony No. 39 in E-flat Major, K. 543, a masterful work that exudes exuberance and was composed in the final years of Mozart's life.

This event promises to be an unforgettable experience, bringing together the talents of Miloš Karadaglić and the Orchestra of St. Luke's in the beautiful setting of the Venetian Theatre. Don't miss this opportunity to witness a blend of classical masterpieces performed by some of the most celebrated musicians of our time.

For ticketing information, please contact the Caramoor Box Office at 914.232.1252.

Miloš Performs Joaquín Rodrigo

A Little Night Music was originally produced and directed on Broadway in 1973 by Harold Prince, garnering 12 Tony Award nominations and winning six Tony Awards including Best Musical. A Little Night Music is Sondheim’s eighth musical, featuring his widely beloved ballad “Send in the Clowns,” and is a musical adaptation of Ingmar Bergman’s 1955 film Smiles of a Summer Night.

A Little Night Music In Concert

Lincoln Center

Bringing this year’s Bach Festival to a close, Kristian Bezuidenhout makes his Orchestra of St. Luke’s debut as both conductor and fortepiano soloist in a program that outlines the metamorphosis of musical styles from the late Baroque into the Classical era.

Bach and Sons

Hear violin virtuoso Augustin Hadelich breathe new life into works that showcase Bach’s commitment to sustainability—namely, reusing and recycling.

Concertos with Hadelich

OSL’s annual celebration of JS Bach opens with two of Bach’s most jubilant cantatas, sung by soprano Joélle Harvey and led by baroque specialist Jeannette Sorrell.

Cantatas with Harvey

Spring Concert

Yosl 10-year Anniversary Celebration

Kaufman Music Center

The Orchestra of St. Luke’s 2024 season draws to a soul-soothing close with an all-Brahms program of two choral masterpieces. Principal Conductor Bernard Labadie leads the combined forces of La Chapelle de Québec chamber choir and the Handel and Haydn Society Chorus in the Begräbnisgesang and Ein deutsches Requiem, featuring soloists Andrè Schuen and Erin Morley. While both works are sacred in word and tone, Brahms eschewed liturgical traditions in favor of more humanist expressions, and he explicitly referred to his requiem as “a human Requiem,” written to comfort the living. The Begräbnisgesang, written nearly ten years earlier, can almost be seen as its precursor. Taking the listener from intense grief to hopeful, peaceful conclusions, both pieces assure us that all lives continue in the memory of the living.

Brahms' German Requiem

Orchestra of St. Luke’s season in Stern Auditorium draws to a soul-soothing close with an all-Brahms program of two choral masterpieces, as Principal Conductor Bernard Labadie leads the combined forces of his choir, La Chapelle de Québec, and Ensemble Altera in the Begräbnisgesang and Ein deutsches Requiem.

OSL’s annual Gift of Music Gala recognizes outstanding individuals and organizations that have made significant contributions to the world of music. Join OSL and returning host, David Hyde Pierce, as they celebrate with cocktails, dinner, a fabulous concert, and waltzing—an OSL yearly tradition you won’t want to miss!

Gift of Music Gala

The Pierre, A Taj Hotel, New York

Since the day it was published on April 14, 1939, The Grapes of Wrath has captured the American imagination with its sweeping plot and epic scope – two elements that make it perfect for an opera. In the true spirit of Steinbeck, Gordon and Korie have fashioned “a people’s opera” whose orchestral score is laced with banjo, guitar, harmonica, saxophones, and barroom piano. Originally commissioned by Minnesota Opera, MasterVoices premiered the concert version in 2010. What better way to celebrate the 10th anniversary of Artistic Director Ted Sperling’s tenure with MasterVoices than to revisit this gorgeous piece – which he brought to us – with fresh revisions, a new aria, and our signature casting of theater and opera stars? At its heart, GRAPES is a plea for political and spiritual unity that is as relevant today as the day it was penned.

The Grapes Of Wrath

An all-star cast from opera and Broadway comes together to present the New York premiere of Ricky Ian Gordon and Michael Korie’s beautiful setting of Nobel Prize winner John Steinbeck’s epic Pulitzer Prize-winning novel, The Grapes of Wrath.

The Grapes of Wrath

OSL’s Chamber Music Mentorship Program provides access to professional development opportunities for graduate-level musicians through structured coaching and workshops with OSL players. It culminates joyfully with the Young Artist Series of mentee concerts held in Cary Hall at The DiMenna Center for Classical Music.

Young Artist Series Recital

Join an intimate ensemble of chamber music masters for an evening featuring two distinct yet harmonious compositions—Mozart’s well-loved Clarinet Quintet and Florence Price’s melodious String Quartet.

Mozart’s Clarinet Quintet

Experience celebrated jazz artist Wynton Marsalis’s first (and to this point, only) string quartet, At the Octoroon Balls, performed by members of St. Luke’s Chamber Ensemble.

Visionary Sounds

Journey through the life of Josephine Baker with Valerie Coleman’s Portraits of Josephine, a wind quintet dedicated to the iconic entertainer and her legacy.

Orchestra of St. Lukes: Valerie Coleman's Portraits of Josephine

Flushing Town Hall

Journey through the life of Josephine Baker with Valerie Coleman’s Portraits of Josephine, a wind quartet dedicated to the iconic entertainer and her legacy. Playwright and actor Kirya Traber joins OSL for the performances, weaving her original narrative together with Coleman’s musical memoir.

Valerie Coleman's Portraits of Josephine

Berkeley Public Library

Hostos Community College

Lincoln Center for the Performing Arts

Snug Harbor Cultural Center & Botanical Garden

Conductor Tito Muñoz makes his Carnegie Hall debut with Orchestra of St. Luke’s leading a thrilling performance of Carmina Burana by Carl Orff featuring Westminster Symphonic Choir and the Young People’s Chorus of New York City. This special performance is part of Carnegie Hall’s city-wide festival, Fall of the Weimar Republic: Dancing on the Precipice.

Carmina Burana

With its enormous popularity matched by the huge numbers of musicians required to perform it, a Carmina Burana concert is always a major event and season highlight. Featuring some of the most recognizable music ever written in its opening and closing minutes, Carmina Burana is a thoroughly propulsive and sometimes explosive work that remains surprisingly approachable throughout. It returns to Carnegie Hall, courtesy of the Orchestra of St. Luke’s, Westminster Symphonic Choir, Young People’s Chorus of New York City, and several exceptional soloists.

Internationally renowned conductor Tito Muñoz makes his Carnegie Hall debut with Carmina Burana. In his return to the Orchestra of St. Luke’s, the native New Yorker leads the Westminster Symphonic Choir and the Young People’s Chorus of New York City in a thrilling performance of Carl Orff’s most famous work. Carmina Burana takes the raucous, primal spirit of its medieval poetry text source and turns it into a bombastic, downright theatrical experience. All-star trio of soloists Ying Fang, Nicholas Phan, and Norman Garrett sing the roles of young lovers, a disgraced abbot, and even a sorrowful swan roasting on a spit. Children’s voices embody playful cupids, while robust choruses praise goddesses and lament the fickle nature of fate. With such a mighty crowd of musical forces behind it, this larger-than-life performance is not to be missed.

The evening begins with Jessie Montgomery’s Rhapsody No. 1 for Solo Violin. Renowned for her imaginative fusion of classical, folk, and jazz elements, the contemporary American composer and violinist has noted that Rhapsody was the first solo piece she wrote for herself, inspired by the works of Belgian violinist Eugène Ysaÿe. Captivating and wistful, the piece transports listeners through intricate melodies and expressive timbres.

Beethoven's Eroica

Unique among Mozart’s repertoire as one of his only two symphonies in a minor key, the Symphony No. 40 in G Minor is a window into the composer’s challenging final years before his death at age 35. The famous opening motif sets a tone of impassioned urgency for the entire piece, and is followed in subsequent movements by heartfelt moments of gentleness and comfort. In true Mozartian fashion, there is always light to balance the darkness.

Mozart 40 and Brahms' Violin Concerto

Principal Conductor Bernard Labadie and the Orchestra of St. Luke’s breathe fresh life into favorites by Mozart and Brahms. The passionate Symphony No. 40 in G Minor is a window into Mozart’s anguished final years of financial ruin, though with plenty of Mozartian light to balance out the darkness. Brahms wrote the Violin Concerto in D Major for his lifelong friend Joseph Joachim, one of the great violinists of the 19th century. It’s a perfect vehicle for guest violinist Isabelle Faust, whose understated virtuosity is well-suited to everything from the fireworks of its allegro movements to its graceful adagio. Faust brings to the stage a historically informed sensibility, staying true to the music’s original intent while infusing it with an elegant spirit that’s entirely her own.

Bernard Labadie conducts the Orchestra of St. Luke’s in Mozart’s dramatic 40th symphony—one of only two symphonies that Mozart wrote in a minor key. The esteemed German violinist Isabelle Faust makes her Orchestra of St. Luke’s debut with Brahms’s towering Violin Concerto, a thrilling work that, despite its technical demands, never sacrifices substance for flash. Faust’s “expressively searching and introspective” (The Guardian) interpretation allows listeners to experience the work in all its dynamic beauty.

The first African American woman to have her works performed by major orchestras, Florence Price, born in 1887, broke barriers at a time when classical music was dominated by white men. Trained at the New England Conservatory in Boston before moving to the midwest, she found success during the Chicago Black Renaissance, writing music that blended spirituals and folk tunes with classical forms. Though her work faded into relative obscurity after her death in 1953, the discovery of a significant cache of her compositions in 2009 brought about a revival of her work. This rekindling of interest has been driven by musicians like Cann, who, in 2016, performed the New York City premiere of Price’s Piano Concerto in One Movement, reigniting her legacy and underscoring her enduring impact on classical music.

Winter Concert

Experience the virtuosic prowess of St. Luke’s Chamber Ensemble in a program of some of Antonio Vivaldi’s most evocative and dynamic concertos.

Vivaldi Virtuosi

Renowned choreographer and educator Caroline Fermin guides students through an exploration of a landmark work by Paul Taylor, one of the most influential dancers of the 20th century. Aureole captivated audiences when it premiered in 1962 and has been a staple of the modern dance repertoire ever since.

Paul Taylor’s Aureole

This holiday season, think outside the Messiah and inside the Bach. The Orchestra of St. Luke’s presents the Christmas Oratorio under the baton of Principal Conductor Bernard Labadie, who brings to the evening not only his historical performance expertise, but his superb singers of La Chapelle de Québec. Bach’s festive oratorio features his famously demanding but stunning arias, sung by Lauren Snouffer, Avery Amereau, Andrew Haji, and Joshua Hopkins, reflective and moving chorales, and grand chorus movements with a royal complement of trumpets and timpani for a truly uplifting evening.

Bach’s Christmas Oratorio

This holiday season, experience the magic of Bach as Orchestra of St. Luke’s presents the Christmas Oratorio under the baton of Principal Conductor Bernard Labadie.

Nothing says “Christmas in New York” like hearing our city’s beloved Orchestra of St. Luke’s perform J. S. Bach’s Christmas Oratorio at Carnegie Hall. Hearing this joyful, soaring work during the holiday season is an experience celebrated by generations. Join us in the comfort and elegance of Stern Auditorium / Perelman Stage as Bernard Labadie conducts the orchestra and the lush La Chapelle de Québec with soloists.

Somewhere in the Middle is an adrenaline-fueled work that seamlessly weaves together Taylor movement DNA with the infectious rhythms of Wynton Marsalis, Count Basie, Sarah Vaughan, Duke Ellington, and other beloved Big Band favorites. Described by The New York Times as “bubbly as a warm bath,” this dance extravaganza exudes boundless energy, with dancers soaring, rolling, and smiling recklessly, creating a vibrant atmosphere “like jazz day at the beach.”

Garner + Taylor

Set during the Great Depression, Black Tuesday brings to life the valiant souls of the ’30s. With the backdrop of Shantytown, vaudevillians, pimps, doughboys, showgirls, and other characters populate the streets, portraying both its terrible effects of the era and the nation’s can-do spirit.

Taylor + Keigwin

Danced with unbridled joy and energy, Mercuric Tidings showcases young individuals cavorting with the kinetic propensities of young godlets. Taylor’s choreography captures the sheer pleasure and poetry of movement, creating a dynamic and exuberant dance piece.

All Taylor

Historian John Monsky returns for a powerful Veterans Day performance. Celebrated Broadway vocalists join “New York’s hometown orchestra” (The New York Times) for music from the era as Monsky applies his signature blend of meticulously researched history and rare archival film and photography to this groundbreaking exploration of World War I, fought, in large part, to “make the world safe for democracy.”

November 1918:  The Great Gatsby and the Great War

Historian John Monsky returns for a Veterans Day performance with celebrated Broadway vocalists and OSL for music from the World War I era. Monsky applies his signature blend of meticulously researched history and rare archival film and photography to this groundbreaking exploration of a war fought, in large part, to “make the world safe for democracy.

November 1918: The Great Gatsby and the Great War

A tongue-and-cheek nod to the colorful pages of a medieval bestiary that featured beings both real and fantastical, Book of Beasts is perfect for younger generations and older generations alike.

Somewhere in the Middle is an adrenaline-fueled work that seamlessly weaves together Taylor movement DNA with the infectious rhythms of Wynton Marsalis, Count Basie, Sarah Vaughan, Duke Ellington, and other beloved Big Band favorites. Described by The New York Times as “bubbly as a warm bath,” this dance extravaganza exudes boundless energy, with dancers soaring, rolling, and smiling recklessly, creating a vibrant atmosphere “like jazz day at the beach.

Just below the surface of humans’ civilized veneer lurks an animal nature that cannot be ignored. Taylor’s iconic Cloven Kingdom reflects  the struggle between our gentler and more savage natures.

Resident Choreographer Lauren Lovette’s newest work Echo choreographed for the men of Taylor, with costumes by Zac Posen and lighting by Jim Ingalls, set to the mesmerizing sounds of Pulitzer Prize-winning composer Kevin Puts’ Contact, which will be performed live on stage by the illustrious Grammy Award-winning trio, Time for Three.

Lovette + Dove + Taylor

Family Matinee

GALA Performance

Dreamachine delves into humankind’s fascination with machines and their inventors. “Dreamachine is my playground,” says Lovette, a space where creativity knows no bounds and imagination launches into its own universe. Set to Michael Daugherty’s mesmerizing percussion suit, with set & costumes by Santo Loquasto and lighting by Jennifer Tipton, this triptych of fantastical worlds fits beautifully in the Taylor universe.

Lovette + Taylor

Join St. Luke’s Chamber Ensemble and bandoneón soloist Julien Labro for an electrifying performance inspired by Paul Taylor Dance Company’s Piazzolla Caldera, which captures the essence of tango’s fiery passion.

Astor Piazzolla

Join host, Susan Graham, and special guest, soprano Susanna Phillips, for an intimate evening of song and conversation at the Orchestra of St. Luke’s DiMenna Center Benefit on Monday, October 16 at 6:00 PM. This annual event takes place at our home, The DiMenna Center for Classical Music at 450 West 37th Street.

Orchestra of St. Luke’s kicks off its 2023–2024 Carnegie Hall series in very special fashion, with pianists Lang Lang and Gina Alice Redlinger joining in an eclectic program conducted by Jahja Ling. The orchestra shines in the energetic overture to Rossini’s Semiramide and Kodály’s quintessentially Hungarian Dances of Galánta, while the piano takes center stage in works by Saint-Saëns. His virtuosic Second Piano Concerto, performed here by Lang Lang, is arguably his most popular, and Carnival of the Animals is one of the most constantly delightful works in the classical repertoire.

New York’s “hometown band” opens a new season with familiar favorites and exciting guests in a spirited performance. Maestro Jahja Ling leads a royal charge with Rossini’s Overture to Semiramide before Lang Lang takes the stage for Saint-Saëns’s virtuosic second Piano Concerto. The orchestra rollicks through an exuberant interpretation of Kodály’s folksy Dances of Galánta, highlighting the talents of St. Luke’s Chamber Ensemble member and clarinet soloist Jon Manasse. Finally, Lang Lang brings his famously expressive presence to The Carnival of the Animals, for which he’s joined on piano by Gina Alice Redlinger. To accompany Saint-Saëns’s well-loved suite, which blends the sounds and movements of animals with quotes from fellow composers, we hear a unique poetic narration, written expressly for the Orchestra of St. Luke’s and handpicked by Lang Lang for the occasion.

An Evening with Lang Lang

Orchestra of St. Luke’s begins the season with a spirited opening performance of familiar favorites and a reunion with world-renowned pianist Lang Lang. Guest conductor Jahja Ling,  Conductor Laureate of the San Diego Symphony, leads a royal charge with Rossini’s Overture to Semiramide, one of the composer’s final historical dramas.

Before the summer season wanes, join maestro Roderick Cox – who has been praised as a conductor “paving the way” (NBC News) – as he leads Orchestra of St. Luke’s in a program that features cellist, MacArthur “Genius Grant” winner, and Evnin Rising Star alumna Alisa Weilerstein, who will entrance with her fearless rendition of Shostakovich’s profoundly complex and strikingly haunting first cello concerto.

Alisa Weilerstein and Beethoven

Three emerging composers are given the task  to create a new composition based on poetry by a living poet under the guidance of Composer Mentor Anna Clyne. The Institute closes with a concert of the composers’ new works performed by Orchestra of St. Luke’s under conductor Brad Lubman at The DiMenna Center for Classical Music’s Cary Hall.

Conductor Yue Bao leads Orchestra of St. Luke’s in a program that includes works by Gabriela Lena Frank, Ravel, and Brahms. One of classical music’s most passionate and committed artists, pianist Hélène Grimaud takes on Ravel’s jaunty and virtuosic Piano Concerto in G Major.

Caramoor Summer Season

Get ready for an evening with Natalie Merchant and The Orchestra of St. Luke’s. Timeless hits such as “Wonder” and “Jealousy” put her unmistakable voice, catchy melodies, and thought-provoking lyrics front and center. Nobody does poetic and sumptuous indie pop quite like Natalie Merchant. With the release of Keep Your Courage, her 9th solo album, Merchant reminds us that courage comes from ‘cor,’ the Latin word for heart. And if anyone epitomizes a courageous heart, it is this singular artist.

An Evening with Natalie Merchant: Keep Your Courage Tour

New Jersey Performing Arts Center

Following last season’s successful digital presentation of Femenine, OSL returns to the music of Julius Eastman, the late gay, Black composer “now experiencing a dizzying posthumous renaissance” (The New Yorker), in celebration of Pride Month and queer artistry.

Rising star countertenor Hugh Cutting returns after performing with the Orchestra in last season’s St. Matthew Passion for an evening of song, featuring arias and cantatas by Handel and Bach.

The Baroque Voice

Tony, Emmy, and Grammy Award-winning singer and actor Audra McDonald launches Caramoor’s 2023 Summer Season in a dazzling performance of beloved classics from the Great American Songbook. Blessed with a luminous soprano and an incomparable gift for dramatic truth-telling, McDonald is one of the most adored singers of her generation and perhaps the most astounding performer of our lifetimes – a once-in-a-century artist with a miraculously expressive and lyric voice.

Opening Night Concert: Audra McDonald

Opening Night Concert: Audra Mcdonald

Principal Conductor Bernard Labadie leads violinist Gil Shaham and the Orchestra in a program featuring J.S. Bach’s virtuosic violin concertos and elusive orchestral suites, a collection of dance pieces written in the popular French Baroque style with a debated history shrouded in intrigue.

Suites and Concertos

Conductor Patrick Dupré Quigley leads violinist Gil Shaham and the Orchestra in a program featuring J.S. Bach’s virtuosic violin concertos and elusive orchestral suites, a collection of dance pieces written in the popular French Baroque style with a debated history shrouded in intrigue.

“Spinning out lines like a jazz improviser and teasing out the surprises” (The New York Times), pianist Jeremy Denk leads the Orchestra with six of J.S. Bach’s well-loved keyboard concertos.

Keyboard Concertos with Jeremy Denk

he Saint Thomas Choir of Men and Boys and Orchestra of St. Luke’s give the world premiere performance of a new major work by composer Trevor Weston for choir and orchestra entitled American Lamentations. Conductor and Saint Thomas Church Music Director Jeremy Filsell leads the ensemble in an evening featuring great works of American composers.

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