Singer

A political drama about a bloody seizure of power, namely the rise and terrible fall of the Scottish military leader Macbeth and his wife, are at the heart of Verdi’s opera, based on Shakespeare’s famous tragedy. Barrie Kosky's production is «an aesthetic milestone in the work’s reception» (NZZ). It radically concentrates on the protagonists’ inner perspective in a ghostly jet-black stage space. Gianandrea Noseda navigates Verdi’s bold score. Roman Burdenko and Ekaterina Semenchuk sing the roles of the couple shattered by fears and madness.

Macbeth

Zurich Opera House

EPSG:4326

Otello

Mariinsky II

Aida is a grand opera in the tradition of works like Meyerbeer’s Les Huguenots, but it is also a deeply personal, psychological drama. As in many of Verdi’s operas, the characters’ inner struggles collide with broader political conflicts. At the heart of Aida lies a love triangle set against the backdrop of a devastating war. I have grown weary of typical productions: all those piles of sand, colourful hieroglyphs, elephants and camels… On the other hand, I didn’t want to stage Aida in the way it’s currently done in, say, Germany, or as it was recently presented at Covent Garden, with direct references to contemporary conflicts. I wanted to offer a fresh perspective, something unusual but always within the framework of Verdi’s work and with the utmost respect for his creation.

Aida

MACBETH was the first of Shakespeare’s plays to be set to music by Verdi, in 1847. Despite his decades of interest in the English playwright, he did not adapt another work of Shakespeare’s until late in his career. Verdi’s operatic rendition of this tale of murky prophecies and bloody struggles for the throne of Scotland came in the hugely productive decade that Verdi himself came to refer to as his »galley slave years«. Still striving for critical recognition, he turned out a string of operas that expanded on the bel canto genre. MACBETH was part of an evolution in Italian opera, a development that was even more evident in the modified version released in 1865. In typical fashion Verdi roughened up the storyline and injected some emotional twists and turns, intensifying the drama in the process and creating a tense momentum that sends the protagonists hurtling towards their respective gruesome ends.

Deutsche Oper Berlin

The festive opera night lasts approx. 2 hours without an interval. After the stage programme, the opera will remain open: With music, culinary offerings and artistic interventions, you can experience a unique "Night at the Opera".

Festive opera night for the German Aids Foundation

Experience the thunderous music of Otello in the hands of our opera-loving Music Director. Verdi’s score offers a thrilling exploration of uncontrolled human emotion at its most extreme. Hailed as a pinnacle of Italian operatic repertoire, Verdi’s transformation of the Shakespeare play was described by The New York Times as an “ascent towards a higher musical plane” following its 1887 premiere.

Opera in Concert: Noseda conducts Verdi’s Otello

California Center for the Arts

It is the summer of 1789. A festivity is being prepared in the castle of Countess de Coigny. Charles Gérard, a servant of the Countess´ voices his hatred of the French aristrocracy´s decadence. His aged Father is forced to labour all day long and Gérard himself leads the undignified life of a lackey. Moreover, he is secretly and unhappily in love with Madeleine de Coigny, the daughter of the House with whom he was raised. The political situation is very tense. When the visitors attending the ball finally arrive, they try to distract themselves from the disquieting news from Paris with the help of arcadian idylls and games. The young poet André Chénier is among the guests. Madeleine requests him to recite a poem. He sings of love and laments the injustice of the powers that be in such a convincing manner that Madeleine is deeply moved and forced to quit the room. The doors are suddely opened and a mob of irate people led by Gérard shocks the ball guests. However, the Countess manages to pacify and disperse the mob. The dancing continues.

Andrea Chenier

Step into a world of passion, tragedy, and deception with Puccini’s Il trittico, a trio of one-act operas led by world-renowned opera conductor Gianandrea Noseda. Il tabarro unveils a shadowy tale of love and betrayal along the Seine. Suor Angelica plunges into the depths of sacrifice behind convent walls. Gianni Schicchi turns deception into delight in a sharp-witted comedy of intrigue. Three stories, three distinct worlds—one unforgettable evening of Opera in Concert.

Baritone

Roman Burdenko

Events

Upcoming events

8 - 18 Dec, 2025

Andrea Chenier · Deutsche Oper Berlin

Apr 29 - May 1, 2026

Opera in Concert: Puccini’s Il trittico · National Symphony Orchestra

Past events

8 - 30 Nov, 2025

Macbeth · Opernhaus Zürich

Jun 16 - Jul 16, 2025

Otello · Mariinsky Theatre

Future and recently performed repertoire

Macbeth in Macbeth by Verdi

Deutsche Oper Berlin

Iago in Otello by Verdi

Mariinsky Theatre

Carlo Gérard in Andrea Chénier by Giordano

Deutsche Oper Berlin

Singer in Andrea Chénier by Giordano

Deutsche Oper Berlin

Amonasro in Aida by Verdi

Mariinsky Theatre

Singer in Il trittico by Puccini

National Symphony Orchestra

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